Michael MallettÕs classic study of Renaissance warfare in Italy is as relevant today as it was when it was first published a generation ago. His lucid account of the age of the condottieri - the mercenary captains of fortune - and of the soldiers who fought under them is set in the wider context of the Italian society of the time and of the warring city-states who employed them. A fascinating picture emerges of the mercenaries themselves, of their commanders and their campaigns, but also of the way in which war was organized and practiced in the Renaissance world. The book concentrates on the fifteenth century, a confused period of turbulence and transition when standing armies were formed in Italy and more modern types of military organization took hold across Europe. But it also looks back to the middle ages and the fourteenth century, and forward to the Italian wars of the sixteenth century when foreign armies disputed the European balance of power on Italian soil. Michael MallettÕs pioneering study, which embodies much scholarly research into this neglected, often misunderstood subject, is essential reading for any one who is keen to understand the history of warfare in the late medieval period and the Renaissance.

The Middle Ages were a turbulent and violent time, when the fate of nations was most often decided on the battlefield, and strength of arms was key to acquiring and maintaining power. Feudal oaths and local militias were more often than not incapable of providing the skilled and disciplined warriors necessary to keep the enemy at bay. It was the mercenary who stepped in to fill the ranks. A mercenary was a professional soldier who took employment with no concern for the morals or cause of the paymaster. But within these confines we discover a surprising array of men, from the lowest-born foot soldier to the wealthiest aristocrat the occasional clergyman, even. What united them all was a willingness, and often the desire, to fight for their supper.In this benchmark work, William Urban explores the vital importance of the mercenary to the medieval power-broker, from the Byzantine Varangian Guard to fifteenth-century soldiers of fortune in the Baltic. Through contemporary chronicles and the most up-to-date scholarship, he presents an in-depth portrait of the mercenary across the Middle Ages.

Why were mercenaries such a commonplace of war in the medieval and early modern periods and why have they traditionally been so poorly regarded? Who were mercenaries, and how were they distinguished from other soldiers? The contributors to this volume attempt to cast light on these questions.

A history of the evolution of military technology among knights in Renaissance Europe from the fifteenth century to the seventeenth century. The Art of Renaissance Warfare tells the story of the knight during the fifteenth and sixteenth centuries—from the great victories of Edward III and the Black Prince to the fall of Richard III on Bosworth Field. During this period, new technology on the battlefield posed deadly challenges for the mounted warrior; but they also stimulated change, and the knight moved with the times. Having survived the longbow devastation at Crécy, Poitiers and Agincourt, he emerged triumphant, his armor lighter and more effective, and his military skills indispensable. This was the great age of the orders of chivalry and the freemasonry of arms that bound together comrades and adversaries in a tight international military caste. Men such as Bertrand du Guesclin and Sir John Chandos loom large in the pages of this book—bold leaders and brave warriors, imbued with these traditions of chivalry and knighthood. How their heroic endeavors and the knightly code of conduct could be reconciled with the indiscriminate carnage of the “chevauchee” and the depredations of the “free companies” is one of the principal themes of this informative and entertaining book.

The Italian Wars of 1494-1559 had a major impact on the whole of Renaissance Europe. In this important text, Michael Mallett and Christine Shaw place the conflict within the political and economic context of the wars. Emphasising the gap between aims and strategies of the political masters and what their commanders and troops could actually accomplish on the ground, they analyse developments in military tactics and the tactical use of firearms and examine how Italians of all sectors of society reacted to the wars and the inevitable political and social change that they brought about. The history of Renaissance Italy is currently being radically rethought by historians. This book is a major contribution to this re-evaluation, and will be essential reading for all students of Renaissance and military history.