Originally published to promote his French translation of Moby-Dick, Jean Giono's Melville: A Novel is an astonishing literary compound of fiction, biography, personal essay, and criticism. In the fall of 1849, Herman Melville traveled to London to deliver his novel White-Jacket to his publisher. On his return to America, Melville would write Moby-Dick. Melville: A Novel imagines what happened in between: the adventurous writer fleeing London for the country, wrestling with an angel, falling in love with an Irish nationalist, and, finally, meeting the angel’s challenge—to express man’s fate by writing the novel that would become his masterpiece. Eighty years after it appeared in English, Moby-Dick was translated into French for the first time by the Provençal novelist Jean Giono and his friend Lucien Jacques. The publisher persuaded Giono to write a preface, granting him unusual latitude. The result was this literary essay, Melville: A Novel—part biography, part philosophical rumination, part romance, part unfettered fantasy. Paul Eprile’s expressive translation of this intimate homage brings the exchange full circle. Paul Eprile was a co-winner of the French-American Foundation's 2018 Translation Prize for his translation of Melville.

Meet Melville, a purple, softly round, beyond-adorable sea creature who is off to “find a place for just me.” Leaving his warm and loving mama behind, Melville the sea creature sets off for an adventure, and he knows just the kind of place he’s looking for. Along the way, he gets lost (briefly), encounters sharks and other big sea creatures, and floats past a pirate ship. Melville checks out a few spots, but all fall short of his dream place…until, weary from his adventures, he finds his way back to his mama—a place that is “just right.”

This book explores the writings of Herman Melville across his career and examines the distinctive qualities of his style.

If Dickens was nineteenth-century London personified, Herman Melville was the quintessential American. With a historian’s perspective and a critic’s insight, award-winning author Andrew Delbanco marvelously demonstrates that Melville was very much a man of his era and that he recorded — in his books, letters, and marginalia; and in conversations with friends like Nathaniel Hawthorne and with his literary cronies in Manhattan — an incomparable chapter of American history. From the bawdy storytelling of Typee to the spiritual preoccupations building up to and beyond Moby Dick, Delbanco brilliantly illuminates Melville’s life and work, and his crucial role as a man of American letters.

Herman Melville is widely considered to be one of America's greatest authors, and countless literary theorists and critics have studied his life and work. However, political theorists have tended to avoid Melville, turning rather to such contemporaries as Ralph Waldo Emerson and Henry David Thoreau to understand the political thought of the American Renaissance. While Melville was not an activist in the traditional sense and his philosophy is notoriously difficult to categorize, his work is nevertheless deeply political in its own right. As editor Jason Frank notes in his introduction to A Political Companion to Herman Melville, Melville's writing "strikes a note of dissonance in the pre-established harmonies of the American political tradition." This unique volume explores Melville's politics by surveying the full range of his work -- from Typee (1846) to the posthumously published Billy Budd (1924). The contributors give historical context to Melville's writings and place him in conversation with political and theoretical debates, examining his relationship to transcendentalism and contemporary continental philosophy and addressing his work's relevance to topics such as nineteenth-century imperialism, twentieth-century legal theory, the anti-rent wars of the 1840s, and the civil rights movement. From these analyses emerges a new and challenging portrait of Melville as a political thinker of the first order, one that will establish his importance not only for nineteenth-century American political thought but also for political theory more broadly.

"American Time Bomb is a vital read for this moment. " —Heather Ann Thompson, author of the Pulitzer Prize–winning Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy Few stories are more central to understanding our history of racially biased incarceration and violent social activism than the life of Sam Melville. Melville was both reviled and admired as one of the most feared radicals in post–World War II history. His importance in the 1960s is widely recognized by historians and scholars as epitomizing the controversies, the promise, and the problems of the New Left. This memoir by Melville's son opens a window into the personal life of a legend, revealing the universal and all-too-human foibles motivating those driven to make change through violence. In the current political climate, at the fiftieth anniversary of the Attica Uprising, this nation grows increasingly interested in the racially biased incarceration and violent social activism that has shaped our nation. There are few stories more central to both subjects than the life of Sam Melville, who was often called "the Mad Bomber." American Time Bomb is a son's personal portrait based on years of investigation of Melville's story and the history he helped to create. Joshua Melville's personal connection to the story gives a gut-wrenching multigenerational tale of childhood abandonment but also adds a compelling historical study of politics, history, and issues of social justice.