A collection of scholarly articles and lectures reflecting an articulate understanding of the Welsh manuscript tradition in its literary and historical contexts, together with detailed in-depth explorations of some well-known manuscripts by the leading authority in the field. Over 50 black-and-white illustrations of manuscript facsimilies. First published July 2000

Reading Ovid in Medieval Wales provides the first complete edition and discussion of the earliest surviving fragment of Ovid's Ars amatoria, or The Art of Love, glossed mainly in Latin but also in Old Welsh. This study discusses the significance of the manuscript for classical studies and how it was absorbed into the classical Ovidian tradition.

The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

"Medieval Wales had a separate system of law to that found in England, and the law has been preserved in several medieval manuscripts. Whilst the purpose of the law manuscripts was to lay down the legal complexities of the era, what has been preserved can also be read as fascinating literature in medieval Welsh. An important element to the law manuscripts is the large collections of legal triads (lists of threes), probably composed for educational, mnemonic purposes, which offer a real insight into the workings of medieval Welsh law." "The Legal Triads of Medieval Wales is an new study and the first full exploration into the legal triads - among the largest collections of triads found in Welsh - covering almost every aspect of medieval Welsh law. Each triad is set in its literary and legal context, with a full edited text, translation and notes for each triad found in the law manuscripts." --Book Jacket.

The conquest of Wales by the medieval English throne produced a fiercely contested territory, both militarily and culturally. Wales was left fissured by frontiers of language, jurisdiction and loyalty - a reluctant meeting place of literary traditions and political cultures. But the profound consequences of this first colonial adventure on the development of medieval English culture have been disregarded. In setting English figurations of Wales against the contrasted representations of the Welsh language tradition, this volume seeks to reverse this neglect, insisting on the crucial importance of the English experience in Wales for any understanding of the literary cultures of medieval England and medieval Britain.

Political prophecy was a common mode of literature in the British Isles and much of Europe from the Middle Ages to at least as late as the Renaissance. At times of political instability especially, the manuscript record bristles with prophetic works that promise knowledge of dynastic futures. In Welsh, the later development of this mode is best known through the figure of the mab darogan, the 'son of prophecy', who - variously named as Arthur, Owain or a number of other heroes - will return to re-establish sovereignty. Such a returning hero is also a potent figure in English, Scottish and wider European traditions. This book explores the large body of prophetic poetry and prose contained in the earliest Welsh-language manuscripts, exploring the complexity of an essentially multilingual, multi-ethnic and multinational literary tradition, and with reference to this wider tradition critical and theoretical questions are raised of genre, signification and significance.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.