The purpose of this book is to provide an overarching analysis of the French military in the medieval period. Inevitably this will involve some definition of 'French', which has meant different things at different times. The focus will be on the armies of the French monarchy and the lands close around them, extending from the Low Countries to Provence. Central themes will be recruitment and 'pay' (in the widest sense), military organisation, leadership, strategy and tactics, and weapons and arms. This will embrace chivalry and military culture and the rise of military professionalism. The result will be a comprehensive analysis of the French military in the medieval period.

A comparative study of how the societies of late medieval England and France reacted to the long period of conflict between them from political, military, social and economic perspectives.

Primary sources for the Hundred Years War present the realities of the medieval experience of warfare in England and in France.

The essays in this volume portray the public life of late medieval France as that country established its position as a leader of western European society in the early modern world. A central theme is the contribution made by contemporary writers, chroniclers and commentators, such as Jean Froissart, William Worcester and Philippe de Commynes, to our understanding of the past. Who were they? What picture of their times did they present? Were their works intended to influence their contemporaries and what success did they enjoy? Other contributions deal with the exercise of political power, the relationship between the court and those in authority in far-flung reaches of the kingdom, and the role and status of the death penalty as deterrent, punishment and means of achieving justice.

This text examines the nature of war in the period 1000-1300 A.D. and argues that is was primarily shaped by the people who conducted war - the landowners.

"There are suggestive and interesting contributions ... Historians of modern France and historians interested in the cultural aspects of war will find much to engage with in this stimulating collection." - French History France experienced four major conflicts in the fifty years between 1914 and 1964: two world wars, and the wars in Indochina and Algeria. In each the role of myth was intricately bound up with memory, hope, belief, and ideas of nation. This is the first book to explore how individual myths were created, sustained, and used for purposes of propaganda, examining in detail not just the press, radio, photographs, posters, films, and songs that gave credence to an imagined event or attributed mythical status to an individual, but also the cultural processes by which such artifacts were disseminated and took effect. Reliance on myth, so the authors argue, is shown to be one of the most significant and durable features of 20th century warfare propaganda, used by both sides in all the conflicts covered in this book. However, its effective and useful role in time of war notwithstanding, it does distort a population's perception of reality and therefore often results in defeat: the myth-making that began as a means of sustaining belief in France's supremacy, and later her will and ability to resist, ultimately proved counterproductive in the process of decolonization.

An in-depth study of coexisting social norms of princely power cutting across categories of hierarchy, gender, and collaborative rulership.