A lovable striped, orange cat in a colorful, contemporary folktale about lunar phases.

A NEW YORK REVIEW BOOKS ORIGINAL Mavis Gallant is a contemporary legend, a frequent contributor to The New Yorkerfor close to fifty years who has, in the words of The New York Times, "radically reshaped the short story for decade after decade." Michael Ondaatje's new selection of Gallant's work gathers some of the most memorable of her stories set in Europe and Paris, where Gallant has long lived. Mysterious, funny, insightful, and heartbreaking, these are tales of expatriates and exiles, wise children and straying saints. Together they compose a secret history, at once intimate and panoramic, of modern times.

“A biography that will send readers back to the music of Mavis and the Staple Singers with deepened appreciation and a renewed spirit of discovery” (Kirkus Reviews, starred review)—from the acclaimed music journalist and author featured prominently in the new HBO documentary Mavis! This is the untold story of living legend Mavis Staples—lead singer of the Staple Singers and a major figure in the music that shaped the civil rights era. One of the most enduring artists of popular music, Mavis and her talented family fused gospel, soul, folk, and rock to transcend racism and oppression through song. Honing her prodigious talent on the Southern gospel circuit of the 1950s, Mavis and the Staple Singers went on to sell more than 30 million records, with message-oriented soul music that became a soundtrack to the civil rights movement—inspiring Martin Luther King, Jr. himself. Critically acclaimed biographer and Chicago Tribune music critic Greg Kot cuts to the heart of Mavis Staples’s music, revealing the intimate stories of her sixty-year career. From her love affair with Bob Dylan, to her creative collaborations with Prince, to her recent revival alongside Wilco’s Jeff Tweedy, this definitive account shows Mavis as you’ve never seen her before. I’ll Take You There was written with the complete cooperation of Mavis and her family. Readers will also hear from Prince, Bonnie Raitt, David Byrne, and many others whose lives have been influenced by Mavis’s talent. Filled with never-before-told stories, this fascinating biography illuminates a legendary singer and group during a historic period of change in America. “Ultimately, Kot depicts the endurance of Mavis Staples and her family’s music as an inspiration, a saga that takes us, like the song that inspired this book’s name, to a place where ain’t nobody crying” (The Washington Post).

Late 1930s. When World War II was declared, Mavis Batey, previously studying German Romanticism, abandoned her studies to do her duty for her country. At Bletchley Park, Britain’s best kept secret, she became one of the first women codebreakers, a pioneer and a star, breaking codes vital to bringing peace. Mavis Batey, a unique biography, delves into the life of one of Britain’s best female codebreakers, taking the reader through the war and to the arrival of peace, when Mavis turned her attention from breaking codes to the conservation and preservation of gardens. Mavis became an important figure in conservation, becoming President of the Garden History Society, which, under her watch, became an academic society and campaigning force for the protection of landscapes, parks, and gardens of historic interest. She also lobbied Parliament, fighting threats of encroachment and misuse of land. Acts of Parliament were passed, English Heritage was established, and grants were introduced. Historic gardens became officially recognised as essential components of European culture and her National Register of Historic Gardens came to fruition. Mavis’s passion was writing and she wrote many books. Mavis was finally awarded the RHS Veitch Memorial Medal and the MBE for Services to the preservation and conservation of historic landscapes. Mavis never did retire: her final project was to inspire an American Garden Trail for Bletchley Park which she signed off just a few months before her death in November 2013.

With a confidante’s insights, Marta Dvořák sets up an innovative connection between Mavis Gallant’s dazzling writing and the whole spectrum of the arts. She simultaneously engages with the feats of art making and the adventures of reading, looking, and listening. Drawing on private correspondence and conversations with the Gallant she repositions as a late modernist, Dvořák investigates the relationships between the Paris-based master of the short story and visual and sound culture. Through the filter of philosophical aesthetics, she identifies the painterly, cinematic, and musical dynamics which light up Gallant’s craft. At the same time, she opens a dialogue between Gallant and other international modernists and with those they were reading, watching, and listening to, from the moving pictures which shaped Gallant’s generation to the rhythm and dissonance of, say, Stravinsky and jazz, which − like the Cubist rupture with spatial perspective − spearheaded modernity’s aesthetics of breakage. How does Gallant’s work work? Dvořák’s hands-on rhetorical analyses of Gallant’s stories and lesser-known, recently reissued novels illuminate the superb stylist’s language and vision via an emphasis on both image and rhythm. Providing keys to Gallant’s famous sleights-of-hand and tonal shifts, the discussions reveal a fictional world as multidimensional as a Cubist picture or a symphony − depending on whether we lean towards the eye or the ear.

Vincent Pollack is a serial killer, whose evil roots were planted during a traumatic childhood, with an agenda to rob and kill women for financial gain. It is down to Mavis Bone, a forty-year-old Australian, lesbian Private investigator, and her German lesbian secretary, Gertrude Stick, to try and foil his murderous plans. Together they make up the Mavis Bone Detective Agency based in Wimbledon Broadway, London SW19. It is a hands-on job to chase down this ingenious killer, and Mavis is not afraid to get them dirty. Dirty with the blood of her prostitute philandering husband, and the blood of a problem client that could send her secretary to prison for a war crime. Both detective’s and killer’s paths, have already crossed during their troubled youths, but as the murders pile up, they move towards a final conflict. Mavis’s hard Australian outback childhood, led to her sexual and gender choices, as well as some questionable racist opinions. Not to mention the drug habit she picked up as a student, while backpacking in South America. This, making her, not your average South London Private Eye.