Helm is sent to extract a female agent working as a stripper in a bar in Mexico. When she is killed before Helm can complete his mission to extract her, he finds himself teamed up with the woman's sister as he fights to save the lives of a group of scientists and American officials. Perhaps the most famous of the titles, due to the Dean Martin film of the same name, but where the movies were tongue-in-cheek, the novels are breathtakingly brutal.

Matt Helm, one-time special agent for the American government during the Second World War, has left behind his violent past to raise a family in Santa Fe, New Mexico. When a former colleague turns rogue and kidnaps his daughter, Helm is forced to return to his former life as a deadly and relentless assassin. Originally released in the era of the James Bond novels, these novels have been out of print and unavailable for almost 20 years. They were considered grittier and more realistic than Bond, garnering them critical praise and an ardent audience.

On a lonely heath in northern Scotland they recovered the body of the third agent sent to complete a tricky mission. He had died from bubonic plague. Somewhere on the moors was a half-crazed scientific genius who could kill millions, and it was Helm’s job to get him, with the help of a beautiful American operative and a deadly Russian one.

A year after having been reactivated, Matt Helm receives a message from his ex-wife, asking for his aid. The threat is an enemy agent named Martel, disguised as a mob hitman. To protect his family, Helm must "remove" the threat before his own children pay the ultimate price.

Matt Helm is puzzled. He’s been sent to Mexico to investigate the sighting of a flying saucer, but Helm doesn’t believe in little green men. Then his Russian opposite number is shot in her hotel, but who did it? And why are the Mexican cops acting so tough? Time to track down the redhead who called in the sighting and get to the bottom of the case.

During the 1960s, many models, Playboy centerfolds, beauty queens, and Las Vegas showgirls went on to become "decorative actresses" appearing scantily clad on film and television. This well illustrated homage to 75 of these glamour girls reveals their unique stories through individual biographical profiles, photographs, lists of major credits and, frequently, in-depth personal interviews. Included are Carol Wayne, Edy Williams, Inga Neilsen, Thordis Brandt, Jo Collins, Phyllis Davis, Melodie Johnson, and many equally unforgettable faces of sixties Hollywood.