Lost is the way to the skyland. Our souls wander forlornly in the land of ghosts. Our spirits become their play things; our bodies their food, to be ripped apart, and our gnawed bones are scattered. We are in despair; we are sickening unto death; we call to be healed. Anxiously we wait for our mapan, the Master of the Ghost Dreaming to deliver us. In the first years of the 19th century a small Aboriginal tribe reels under the threat of white invasion of their ancestral lands. Fada, a missionary from London, is attempting to impose a Christian God over their ancient beliefs. Fada and his wife Mada bring with them disease and despair, along with a message of hope - the result of their own Cockney dreaming. This novel by Mudrooroo, author of the acclaimed Wild Cat Falling, is a story of survival - physical, metaphysical and magical. It is also the story of Jangamuttuk, the custodian of the Ghost Dreaming, and his shamanistic efforts to will his tribe back to its own promised land. This is the first of the completed quartet known as his Vampyre Novels...

In the first years of the 19th century a small Aboriginal tribe reels under the threat of white invasion of their ancestral lands. Fada, a missionary from London, is attempting to impose a Christian God over their ancient beliefs. Fada and his wife Mada bring with them disease and despair, along with a message of hope - the result of their own Cockney dreaming. This novel by Mudrooroo Nyoongah (Colin Johnson), author of the acclaimed Wild Cat Falling, is a story of survival - physical, metaphysical and magical. It is also the story of Jangamuttuk, the custodian of the Ghost Dreaming, and his shamanistic efforts to will his tribe back to its own promised land.

Provides a scholarly account of the striking interplay between the Gothic and theory over two-and-a-half centuries This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural - both in the many modes of Gothic and in many of the realms of theory now current in the modern world. Each essay focuses on a particular kind of theory-Gothic relationship, every one of which has a history and each of which is still being explored in enactments of the Gothic and of theory today. Key FeaturesProvides the first detailed discussion of the interrelationship between literary theory and the Gothic from the inception of the Gothic to the present dayEnables students to connect what otherwise seem a wide variety of diverse phenomena, from the rise of philosophical 'emotivism' to poetic tales of terror and Gothic filmAdvances current scholarly investigation, by invigorating debates within both Gothic studies and literary theory. Makes connections between a wide variety of issues, from eco-crisis and contemporary culture wars to the persistent problem of the 'other'

Silver Master is the fifth novel in Jayne Castle’s futuristic Ghost Hunter series. It is a romantic-suspense with a strong paranormal twist set on the planet Harmony. Professional matchmaker Celinda Ingram is a psychically gifted woman with a problem. She is in desperate need of a bodyguard who can double as a date for her sister’s wedding. Davis Oakes, a member of the mysterious Ghost Hunter’s Guild, is a security expert with a most unusual paranormal talent. But Davis doesn’t trust matchmakers and Celinda doesn’t trust anyone connected to the Guild. Sparks fly immediately. Danger is closing in fast, however, and this pair has no choice but to work together to survive.

In Aboriginal and Māori literature, the circle and the spiral are the symbolic metaphors for a never-ending journey of discovery and rediscovery. The journey itself, with its indigenous perspectives and sense of orientation, is the most significant act of cultural recuperation. The present study outlines the fields of indigenous writing in Australia and New Zealand in the crucial period between the mid-1980s and the early 1990s - particularly eventful years in which postcolonial theory attempted to 'centre the margins' and indigenous writers were keen to escape the particular centering offered in search of other positions more in tune with their creative sensibilities. Indigenous writing relinquished its narrative preference for social realism in favour of traversing old territory in new spiritual ways; roots converted into routes. Standard postcolonial readings of indigenous texts often overwrite the 'difference' they seek to locate because critical orthodoxy predetermines what 'difference' can be. Critical evaluations still tend to eclipse the ontological grounds of Aboriginal and Māori traditions and specific ways of moving through and behaving in cultural landscapes and social contexts. Hence the corrective applied in Circles and Spirals - to look for locally and culturally specific tracks and traces that lead in other directions than those catalogued by postcolonial convention. This agenda is pursued by means of searching enquiries into the historical, anthropological, political and cultural determinants of the present state of Aboriginal and Māori writing (principally fiction). Independent yet interrelated exemplary analyses of works by Keri Hulme and Patricia Grace and Mudrooroo and Sam Watson (Australia) provided the 'thick description' that illuminates the author's central theses, with comparative side-glances at Witi Ihimaera, Heretaunga Pat Baker and Alan Duff (New Zealand) and Archie Weller and Sally Morgan (Australia).