This is a state-by-state guide for collectors and general folk art enthusiasts to learn about the types of masked dances still carried out in Mexico's Indian and mestizo communities today. Close to one hundred color photographs of authenticated masks from the collection of the Museum of International Folk Art are presented, including finely carved pieces from the nineteenth century to simple face coverings made in the past ten years. The masked ceremonies are brought to life with documentary photographs showing masqueraders acting out their roles. --Amazon.

A showcase of Phyllis Galembo's extraordinary photographs of the costume, ritual and traditions of masquerade Mexico Phyllis Galembo has travelled all over the globe to sites of ritual masquerade. In Africa, the Caribbean, and now Mexico, she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Attuned to a moment's collision of past, present and future, Galembo finds the timeless elegance and dignity of her subjects. Masking is a complex, mysterious, and profound tradition in which the participants transcend the physical world and enter the spiritual realm. In her vibrant images, Galembo exposes an ornate code of political, artistic, theatrical, social and religious symbolism and commentary. Galembo highlights the creativity of the individuals morphing into a fantastical representation of themselves, having cobbled together materials gathered from the immediate environment to idealize their vision of mythical figures. While still pronounced in their personal identity, the subject's intentions are rooted in the larger dynamics of religious, political and cultural affiliation. Establishing these connections is a hallmark of Galembo's work.

In the Mexican states of Puebla and Veracruz, old masked dances have survived in isolated mountain regions. These dances include wonderful masks of humans and animals, masks with beautiful, comic, or wicked faces. Created by Indigenous master carvers, mascareros, these masks and puppets appear during religious fiestas. Over 700 vivid color photos reveal these masks and puppets in all their glory. The thoroughly researched text answers the questions about who made these beautiful works of art, who these dance characters are, and the nature of the religion they represent. The Spanish conquerors strove to convert the Indian inhabitants of Mexico to Christianity. However, these converts secretly retained important deities from earlier times to accompany Christian elements, creating a poetic blend of beliefs. Given that these indigenous peoples have suffered many injustices, the masks, puppets, and dance dramas reflect many unresolved societal tensions along with veiled wishes for divine justice.

Explores masks as integral aspects both of costumes and ceremonial performance across Mexico's widely diverse cultural borders. Covers origins and uses. A thorough, scholarly monograph that the lay reader will find easily accessible. Some 275 photos (11 in color). 9x12" The catalog of an exhibition of the Museum of International Folk Art (N.M.). Annotation copyrighted by Book News, Inc., Portland, OR

Theatrum Mundi ("the theatre of the world") describes the diversity of masks and performances that originated from the violent struggles between European, Arabic and "New World" civilizations. This authoritative study celebrates over 500 years of Mexican and South American Indigenous dance dramas and explains how mask makers, religious practitioners, masqueraders and entrepreneurs have helped to continuously reinvent, revitalize and express the changing world around them. The culmination of four decades of research by Dr. Anthony Shelton, professor of art history and director of the Museum of Anthropology (MOA) at the University of British Columbia, the text is illustrated by field photographs and images from MOA and other notable mask collections