The essays in this collection examine how both colonial and British authors engage with Victorian subjects and subjectivities in their work. Some essays explore the emergence of a key trope within colonial texts: the negotiation of Victorian and settler-subject positions. Others argue for new readings of key metropolitan texts and their repositioning within literary history. These essays work to recognise the plurality of the rubric of the 'Victorian' and to expand how the category of Victorian studies can be understood.

Colonial Australia produced a vast number of journals and magazines that helped to create an exuberant literary landscape. They were filled with lively contributions by many of the key writers and provocateurs of the day (and of the future). Writers such as Marcus Clarke, Rolf Boldrewood, Ethel Turner, and Katharine Susannah Prichard published for the first time in these journals. This book offers a fascinating selection of material; a miscellany of content that enabled the 'free play of intellect' to thrive and, matched with wry visual design, made attractive artifacts that demonstrate the role this period played in the growth of an Australian literary culture. *** "Gelder and Weaver arrange this anthology of excerpts from the journals of Australia in the later 19th century to show off the rich contents of these journals. The excerpts refute the stereotype that Australia in this era was rousingly nationalist. The book features color illustrations of magazine covers, which show how accomplished the pre-1900 publishing industry in Australia was. Recommended." - Choice, Vol 52, No. 4, December 2014Ã?Â?Ã?Â?Ã?Â?Ã?Â?

By investigating women lifewriters' complex quest to distinguish themselves both within and from institutions and communities, this volume uses Kant's concept of unsociable sociability to formulate a divided sense of self at the heart of women's lifewriting, offering a provocative response to the notion of the relational female subject.

All hardbacks in the first print run will be signed by the author. The story of genre fiction - horror, romantic fiction, science fiction, crime writing, and more - is also the story of Irish fiction. Irish writers have given the world Lemuel Gulliver, Dracula, and the world of Narnia. They have produced pioneering tales of detection, terrifying ghost stories and ground-breaking women's popular fiction. Now, for the first time, John Connolly's one volume presents the history of Irish genre writing and uses it to explore how we think about fiction itself. Deeply researched, and passionately argued, SHADOW VOICES takes the lives of more than sixty writers - by turns tragic, amusing, and adventurous, but always extraordinary - and sets them alongside the stories they have written, to create a new way of looking at genre and literature, both Irish and beyond. Here are vampires and monsters, murderers and cannibals. Here are female criminal masterminds and dogged detectives, star-crossed lovers and vengeful spouses. Here are the SHADOW VOICES.

Contains articles which focus on a broad spectrum of significant figures in fiction, philosophy, and criticism such as Austen, Carlyle, Dickens,Thackeray, the Brontes, Tennyson, Browning, Arnold, Emerson, Hawthorne, Thoreau, Whitman, Twain, and Henry James.

Arthur Conan Doyle has long been considered the greatest writer of crime fiction, and the gender bias of the genre has foregrounded William Godwin, Edgar Allan Poe, Wilkie Collins, Emile Gaboriau and Fergus Hume. But earlier and significant contributions were being made by women in Britain, the United States and Australia between 1860 and 1880, a period that was central to the development of the genre. This work focuses on women writers of this genre and these years, including Catherine Crowe, Caroline Clive, Elizabeth Cleghorn Gaskell, Mary Elizabeth Braddon, Mrs. Henry (Ellen) Wood, Harriet Prescott Spofford, Louisa May Alcott, Metta Victoria Fuller Victor, Anna Katharine Green, Celeste de Chabrillan, "Oline Keese" (Caroline Woolmer Leakey), Eliza Winstanley, Ellen Davitt, and Mary Helena Fortune--innovators who set a high standard for women writers to follow.