These 50 tales take just minutes to read but amply illustrate scientific principles and the evolution of science through history. Discussion questions and additional references are included and stories are cross-indexed by year of occurrence and by scientist. Focusing on the characters, events, and moments of genius that comprise the story of science, these 50 short reads are ideal for both read-alouds and reading assignments. The tales take just minutes to read but amply illustrate scientific principles and the evolution of science through history. Discussion questions and additional references correlate each story with elements of the science curriculum and provide direction for students to pursue their own discoveries. Stories are cross-indexed by year of occurrence and by scientist.

Science meets fantasy in this behind-the-scenes look at the Marvel Cinematic Universe—now you can experience the magic of the movies, and learn how to replicate it in real-life. The Marvel Cinematic Universe is filled with extraordinary humans and abilities. There are teenaged geniuses swinging through the streets of New York, billionaires creating impenetrable armor in hidden caves, and aliens flying through wormholes to Earth. All of these characters seem to lie firmly in the realm of fantasy—but the technology behind them might not be as farfetched as you think… The Science of Marvel pulls back the curtain and reveals the secrets behind Marvel movie magic, and shows us how to recreate these comic book wonders in our everyday life. Using quantum physics, a little bit of mechanical engineering, and some out-of-the-box thinking, you’ll be amazed to discover that it’s possible to create a real-life Captain America, Incredible Hulk, or Black Panther. The perfect gift or collectible for Marvel fans everywhere, The Science of Marvel brings beloved movies and characters to life like never before.

Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.

The beginning of global commerce in the early modern period had an enormous impact on European culture, changing the very way people perceived the world around them. Merchants and Marvels assembles essays by leading scholars of cultural history, art history, and the history of science and technology to show how ideas about the representation of nature, in both art and science, underwent a profound transformation between the age of the Renaissance and the early 1700s.

The dreadful global conflagration known as the Second World War was more than the clashing of great armies on bloody battlefields. A different kind of war was being waged in the secret laboratories on both sides of the conflict -- a war that would alter the course and determine the outcome of the bitter hostilities, forever changing our world and future. In a stunning amalgam of science and history, Tom Shachtman, the critically acclaimed author of Absolute Zero and the Conquest of Cold and The Phony War, 1939-1940, gives us a riveting chronicle of World War II's forgotten combatants: the engineers, physicists, chemists, and academics whose contributions to the war effort were as important as the noble sacrifices of the soldiers, sailors, and airmen who bravely risked their lives. While it is a widely accepted fact that America's development and employment of the atomic bomb ended the Pacific struggle -- and that the failure of Hitler's scientists to develop their own A-bomb helped to doom Germany -- little note has been made of the other remarkable scientific accomplishments of this dark and terrible epoch. Beginning with a fascinating overview of the Depression-era struggle to establish scientific and military alliances that would ultimately enable the Allies to catch up to the Axis's early dominance, Terrors and Marvels offers an eye-opening history of the furious battles for technological superiority covertly waged by the world's most brilliant minds. From the creation of faster, deadlier jets and rockets to the development of biological, chemical, and electronic warfare -- from astonishing advances in medical science to breakthroughs in radar and decoding -- the incredible successes and failures that occurred in top-secret facilities around the world in the early 1940s never made headlines but often determined triumph and defeat. Here, also, are the intensely human stories of the architects of the terrifying war machines -- men and women of rare intelligence and integrity torn by the conflicting demands of conscience and country, haunted by their roles in the use and abuse of powerful science. Edifying, enthralling, startling, and sobering, Terrors and Marvels is a masterful work that sheds light on the astonishing achievements of a remarkable few and the great and terrible technology that swung the pendulum of victory in the Allies' direction.

This title examines some of the wonders and miracles on earth in detail, from obscure animals and strange animal behaviour to the sometimes scary aspects of the natural world. Chapters cover poisoning plant life and life under the sea.

The Zoetrope was a toy familiar to children; it was sometimes called the wheel of life. It was a contrivance consisting of a cylinder some ten inches wide, open at the top, around the lower and interior rim of which a series of related pictures were placed. The cylinder was then rapidly rotated and the spectator looking through the vertical narrow slits on its outer surface, could fancy that the pictures inside were moving.