How many times have you heard "Your marriage isn't working, because God isn't in it?" That's an understatement because even people who believe in God, fail in their marriages. Some believers think, that despite the reality of a failing situation, praying and fasting would change the outcome. However, one has to know when to quit otherwise, it becomes a Trap in Disguise. In his time of despair, Papoo went to the Bible for answers. Though answers were inspiring, they did not change the reality of his situations. Depending on what he read in the bible, how it was interpreted and applied to his life, made marriage an Experiment In Individuality To The Tune Of One's Tolerance. In this Tell-All Biblical Soap Opera, Papoo takes you on an emotional roller coaster through the Good, Bad and Ugly of his three marriages. His goal is to present real life marriage problems that you can, perhaps, learn from. And to examine biblical accounts of troubled marriages, with hopes of helping you survive the TRAP.

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Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.

"A shepherd's hut, twenty-four hours, a stranger..." It's not the perfect start to Gemma Winters' new life-another man is the last thing she needs after the suffocating control of her ex. But, when she finds herself isolated with a ruggedly handsome stranger, the demands of her body take over. Since his wife died, Callum Mackenzie's relationships have been strictly practical, with his only real love affair being with his land. But his family wants him to re-marry and he wants heirs. When Gemma turns up, he begins to think marriage might not be such a bad thing after all. Their twenty-four hours of passion has shattering consequences-marriage, and two people forced to face their worst fears...