Having grown up and trained as a lawyer in T oronto, Shulman worked as an intelligence officer and was re sponsible for interviewing German prisoners-of-war. In this book he chronicles his own fascinating life history. '

As World War Two rages on, and momentum shifts in favor of The Allies, Adolph Hitler's attention is shifting to other forms of conquest. In this ridiculously inaccurate account of events that could have taken place, Marilyn Monroe, Hitler, FDR, Eva Braun, Winston Churchill, and Hermann Goering pull out all of the sexual stops to help rescue JFK, after a Japanese destroyer collides with PT-109 in the early hours of August 2, 1943. If you've had it up to here with Nazis portrayed as single-focused, brilliant, masterminds, this is your kind of book.

An intimate memoir recalling a young photographer's relationship with Marilyn Monroe just months before her death, with extraordinary photographs, some of which have never been published. "With the precision of a surgeon, Schiller slices through the façade of Marilyn Monroe in his unflinching memoir. Revealing and readable, it’s a book I couldn’t put down." —Tina Brown When he pulled his station wagon into the 20th Century-Fox studios parking lot in Los Angeles in 1960, twenty-three-year-old Lawrence Schiller kept telling himself that this was just another assignment, just another pretty girl. But the assignment and the girl were anything but ordinary. Schiller was a photographer for Look magazine and his subject was Marilyn Monroe, America's sweetheart and sex symbol. In this intimate memoir, Schiller recalls the friendship that developed between him and Monroe while he photographed her in Hollywood in 1960 and 1962 on the sets of Let's Make Love and the unfinished feature Something's Got to Give, the last film she worked on. Schiller recalls Marilyn as tough and determined, enormously insecure as an actress but totally self-assured as a photographer’s model. Monroe knew how to use her looks and sexuality to generate publicity, and in 1962 she allowed Schiller to publish the first nude photographs of her in over ten years, which she then used as a weapon against a studio that wanted to have her fired—and ultimately succeeded. The Marilyn Schiller knew and writes about was adept at hiding deep psychological scars, but she was also warm and open, candid and disarming, a movie star who wished to be taken more seriously than she was. Accompanying the text are eighteen of the author’s own photographs, some never previously published. Many writers have tried to capture her essence on the page, but as someone who was in the room, a young man Marilyn could connect with and trust, Schiller gives us a unique look at the real woman offscreen. "In this short, splendid memoir, Lawrence Schiller offers us another cut on the scintillating diamond that is Marilyn Monroe. In clear honest straightforward prose, Schiller allows us to dwell in the heart of another time. He captures Marilyn, both in photographs and words, and in so doing he gives us intimate access into one of the great stories of the 20th century: the complicated cocktail of joy and sadness that goes along with both beauty and fame." —Colum McCann

"An exuberant true-life adventure following two very different men - a loveable huckster turned publisher of DC Comics and the man he helped escape from 1930s Berlin - as they cross paths with icons of midcentury pop culture in pursuit of the American dream"--

From acclaimed journalist Walter Shapiro, the true life story of how his great-uncle—a Jewish vaudeville impresario and exuberant con man—managed to cheat Hitler’s agents in the run-up to WWII. All his life, journalist Walter Shapiro assumed that the outlandish stories about his great-uncle Freeman were exaggerated family lore; some cockamamie Jewish revenge fantasies dreamt up to entertain the kids and venerate their larger-than-life relative. Only when he started researching Freeman Bernstein’s life did he realize that his family was actually holding back—the man had enough stories, vocations, and IOUs to fill a dozen lifetimes. Freeman was many people: a vaudeville manager, boxing promoter, stock swindler, card shark and self-proclaimed “Jade King of China.” But his greatest title, perhaps the only man who can claim such infamy, was as The Man Who Hustled Hitler. A cross between The Night They Raided Minsky’s and Guys and Dolls, Freeman Bernstein’s life was itself an old New York sideshow extravaganza, one that Shapiro expertly stages in Hustling Hitler. From a ragtag childhood in Troy, New York, Shapiro follows his great-uncle’s ever-crooked trajectory through show business, from his early schemes on the burlesque circuit to marrying his star performer, May Ward, and producing silent films—released only in Philadelphia. Of course, all of Freeman’s cons and schemes were simply a prelude to February 18, 1937, the day he was arrested by the LAPD outside of Mae West’s apartment in Hollywood. The charge? Grand larceny—for cheating Adolf Hitler and the Nazi government. In the capstone of his slippery career, Freeman had promised to ship thirty-five tons of embargoed Canadian nickel to the Führer; when the cargo arrived, the Germans found only huge, useless quantities of scrap metal and tin. It was a blow to their economy and war preparations—and Hitler did not take the bait-and-switch lightly. Told with cinematic verve and hilarious perspective, Hustling Hitler is Shapiro’s incredible investigation into the man behind the myth. By reconstructing his great-uncle’s remarkable career, Shapiro has transformed Freeman Bernstein from a barely there footnote in history to the larger-than-life, eternal hustler who forever changed it.

Karl and Rosa's family watch in horror as Hitler's troops parade down the streets of their home city -- Vienna. It has become very dangerous to be a Jew in Austria, and after their uncle is sent to Dachau, Karl and Rosa's parents decide to send the children out of the country on a Kindertransport, one of the many ships carrying refugee children away from Nazi danger. Isolated and homesick, Karl ends up in Millisle, a run-down farm in Ards in Northern Ireland, which has become a Jewish refugee centre, while Rosa is fostered by a local family. Hard work on the farm keeps Karl occupied, although he still waits desperately for any news from home. Then he makes friends with locals Peewee and Wee Billy, and also with the girls from neutral Dublin who come to help on the farm, especially Judy. But Northern Ireland is in the war too, with rationing and air-raid warnings, and, in April 1941 the bombs of the Belfast Blitz bring the reality of war right to their doorstep. And for Karl and Rosa and the other refugees there is the constant fear that they may never see their parents again. Based on a true story -- there was a refugee farm at Millisle and among its occupants was a young boy called Karl.