Lia, her husband, Harry, and their daughter, Iris, are a perfectly balanced family of three with a happy life. But when a devasting diagnosis threatens to derail their lives, the world around them begins to warp and transform, and Lia's carefully hidden secrets come rushing out.

Today I might trace the rungs of her larynx or tap at her trachea like the bones of a xylophone or cook up or undo some great horrors of my own because here is the thing about bodies: they are impossibly easy to prowl, without anyone suspecting a thing. Until, of course, they do. And then, of course, they aren’t. When Lia finds out that her cancer is back, she tries to keep the landscapes of her past, her present and her body separate. But bodies are porous, unpredictable places. Lia’s story is told, in part, by the very thing that is killing her; a gleeful and malevolent voice that shape-shifts through her systems, learning her life from the inside-out. We come to understand the people that have shaped her: a daughter, navigating the horrors of the playground; a husband, struggling to maintain a sense of self as everything falls apart; a regretful mother making up for lost time; and a troubled former lover who belongs to Lia's past, but won't stay there. In turn they each take up their place in the changing landscape of Lia’s body, at the centre of which dances our restless narrator and a boy nicknamed ‘Red’; the chemotherapy that is Lia’s last hope. Maps of Our Spectacular Bodies is a story of coming-of-age at the end of a life – a heartbreaking tale of desire, love and forgiveness, a wild and fierce journey through one woman’s body.

From the New York Times bestselling author of The Map of Time and The Map of the Sky, the final installment in the award-winning trilogy that The Washington Post called “a big, genre-bending delight.” When the person he loves most dies in tragic circumstances, the mysterious protagonist of The Map of Chaos does all he can to speak to her one last time. A session with a renowned medium seems to offer the only solution, but the experience unleashes terrible forces that bring the world to the brink of disaster. Salvation can only be found in The Map of Chaos, an obscure, hand-written mathematical treatise that he is desperate to uncover. In his search, he is given invaluable help by Sir Arthur Conan Doyle, Lewis Carroll, and of course by H.G. Wells, whose Invisible Man seems to have escaped from the pages of his famous novel to sow terror among mankind. They alone can discover the means to save the world and to find the path that will reunite the lovers separated by death. Proving once again that he is “a master of ingenious plotting” (Kirkus Reviews), Félix J. Palma brings together a cast of real and imagined literary characters in Victorian London, when spiritualism is at its height. The Map of Chaos is a spellbinding adventure that mixes impossible loves, nonstop action, real ghosts, and fake mediums, all while paying homage to the giants of science fiction.

This instant New York Times bestselling page-turner features a cast of real and imagined literary characters, cunning intertwined plots, and stars a skeptical H.G. Wells as a time-traveling investigator in Victorian London. Characters real and imaginary come vividly to life in this whimsical triple play of intertwined plots, in which a skeptical H. G. Wells is called upon to investigate purported incidents of time travel and to save lives and literary classics, including Dracula and The Time Machine, from being wiped from existence. What happens if we change history? Félix J. Palma explores this provocative question, weaving a historical fantasy as imaginative as it is exciting—a story full of love and adventure that transports readers from a haunting setting in Victorian London to a magical reality where centuries collide and a writer’s mind seems to pull at all the strings.

A New Yorker Best Book of the Year A New York Times Book Review Editor’s Choice A Must-Read at People, Entertainment Weekly, Nylon, and LitHub “Stylish, reckless . . . Glittering.” —Molly Young, The New York Times A power ballad to female friendship, Girls They Write Songs About is a thrumming, searching novel about the bonds that shape us more than any love affair. We moved to New York to want undisturbed and unchecked. And what did we want? New York, 1997. As the city’s gritty edges are being smoothed into something safer and shinier, two aspiring writers meet at a music magazine. Rose—brash and self-possessed—is a staff writer. Charlotte—hesitant, bookish—is an editor. First wary, then slowly admiring, they recognize in each other an insatiable and previously unmatched ambition. Soon they’re inseparable, falling into the kind of friendship that makes every day an adventure, and makes you believe that you will, of course, achieve extraordinary things. Together, Charlotte and Rose find love and lose it; they hit their strides and stumble; they make choices and live past them. They say to each other, “Don’t ever leave me.” It’s their favorite joke, but they know that they could never say a truer thing. But then the steady beats of their sisterhood fall out of sync. They have seen each other through so much—marriage, motherhood, divorce, career glories and catastrophes, a million small but necessary choices. What will it mean if they have to give up dreaming together? That the friendship that once made them sing out now shuts them down? And even if they can reconcile themselves to the lives they’ve chosen, can they make peace with the ones they didn’t? As smart and comic as it is gloriously exuberant, Carlene Bauer’s Girls They Write Songs About takes a timeless story and turns it into a pulsing, wrecking, clear-eyed tale of two women reckoning with the loss of the friendship that helped define them, and the countless ways all the women they’ve known have made them who they are.

How the way we perceive our bodies plays a critical role in the way we perceive ourselves: stories of phantom limbs, rubber hands, anorexia, and other phenomena. The body is central to our sense of identity. It can be a canvas for self-expression, decorated with clothing, jewelry, cosmetics, tattoos, and piercings. But the body is more than that. Bodily awareness, says scientist-writer Moheb Costandi, is key to self-consciousness. In Body Am I, Costandi examines how the brain perceives the body, how that perception translates into our conscious experience of the body, and how that experience contributes to our sense of self. Along the way, he explores what can happen when the mechanisms of bodily awareness are disturbed, leading to such phenomena as phantom limbs, alien hands, and amputee fetishes. Costandi explains that the brain generates maps and models of the body that guide how we perceive and use it, and that these maps and models are repeatedly modified and reconstructed. Drawing on recent bodily awareness research, the new science of self-consciousness, and historical milestones in neurology, he describes a range of psychiatric and neurological disorders that result when body and brain are out of sync, including not only the well-known phantom limb syndrome but also phantom breast and phantom penis syndromes; body integrity identity disorder, which compels a person to disown and then amputate a healthy arm or leg; and such eating disorders as anorexia. Wide-ranging and meticulously researched, Body Am I (the title comes from Nietzsche’s Thus Spoke Zarathustra) offers new insight into self-consciousness by describing it in terms of bodily awareness.

Alastair Bonnett explores extraordinary, off-grid, offbeat places including micro-nations, moving villages, secret cities, and no man's lands. Consider Sealand, an abandoned gun platform off the English coast that a British citizen claimed as his own sovereign nation, issuing passports and making his wife a princess. Or Baarle, a patchwork city of Dutch and Flemish enclaves where crossing the street can involve traversing national borders. Or Sandy Island, which appeared on maps well into 2012 despite the fact it never existed.