In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.

For nearly two thousand years the Chinese Emporer, self-proclaimed ruler of `All under Heaven', demanded the obedience not only of his subjects within China but also of peoples throughout the known world. Maps played a crucial role in the administration of this vast system of states. Charts of foreign lands and images of the `barbarians' that populated them presented the world as the Chinese wanted it to be seen: with the Middle Kingdom as lord and other states as vassals paying tribute to it. In this richly illustrated history, Richard J. Smithshows how the Chinese depicted foreign lands and peoples in maps and encyclopedias through the centuries. He discusses the debates surrounding the production of maps, as well as their technical aspects and political, military and administrative uses. Reproductions of many of the most beautiful and noteworthy maps of the Chinese world accompany the text. More than simple refelections of the lands and peoples they depict, these maps and illustrations are documents that reveal the evolving values of the grand and powerful society that produced them

In Visualizing China, the authors launch a broad inquiry aimed at a synergistic understanding of the story of visuality in modern China. The essays cluster around several nodal points including photographs, advertising, posters and movies, from the 1840s to the 1960s.

Images can be studied in many ways--as symbols, displays of artistic genius, adjuncts to texts, or naturally occurring phenomena like reflections and dreams. Each of these approaches is justified by the nature of the image in question as well as the way viewers engage with it. But images are often something more when they perform in ways that exhibit a capacity to act independent of human will. Images come alive--they move us to action, calm us, reveal the power of the divine, change the world around us. In these instances, we need an alternative model for exploring what is at work, one that recognizes the presence of images as objects that act on us. Building on his previous innovative work in visual and religious studies, David Morgan creates a new framework for understanding how the human mind can be enchanted by images in Images at Work. In carefully crafted arguments, Morgan proposes that images are special kinds of objects, fashioned and recognized by human beings for their capacity to engage us. From there, he demonstrates that enchantment, as described, is not a violation of cosmic order, but a very natural way that the mind animates the world around it. His groundbreaking study outlines the deeply embodied process by which humans create culture by endowing places, things, and images with power and agency. These various agents--human and non-human, material, geographic, and spiritual--become nodes in the web of relationships, thus giving meaning to images and to human life. Marrying network theory with cutting-edge work in visual studies, and connecting the visual and bodily technologies employed by the ancient Greeks and Romans to secular icons like Che Guevara, Abraham Lincoln, and Mao, Images at Work will be transformative for those curious about why images seem to have a power of us in ways we can't always describe.

Chens picture book memoir of growing up during the Cultural Revolution in China.

Mao Zedong's political career spanned more than half a century. The ideas he championed transformed one of the largest nations on earth and inspired revolutionary movements across the world. Even today Mao lives on in China, where he is regarded by many as a near-mythical figure, and in the West, where a burgeoning literature continues to debate his memory. In this book, leading scholars from different generations and around the world offer a critical evaluation of the life and legacy of China's most famous - some would say infamous - son. The book brings the scholarship on Mao up to date, and its alternative perspectives equip readers to assess for themselves the nature of this mercurial figure and his significance in modern Chinese history.

America's foremost chronicler of contemporary China brilliantly illuminates the new power structure, economic initiatives, and cultural changes that have transformed China since the Tianamen Square massacre of 1989. "A rich portrait, capturing a fascinating and perhaps fateful moment in China's long, turbulent history".--Arnold R. Isaacs, San Francisco Chronicle.