Maoism at the Grassroots challenges state-centered views of China under Mao, providing insights into the lives of citizens across social strata, ethnicities, and regions. It reveals how ordinary people risked persecution and imprisonment in order to assert personal beliefs and identities, despite political repression and surveillance.

"This book explores grassroots religious life under and after Mao in Rui'an County, Wenzhou of southeast China, a region widely known for its religious vitality. Drawing hitherto unexplored local state archives, records of religious institutions, memoirs and interviews, it tells the story of local communities' encounter with the Communist revolution, and its consequences, especially the competitions and struggles for religious property and ritual space. It demonstrates that, rather than being totally disrupted, religious life under Mao was characterized by remarkable variance and unevenness and was contingent on the interactions of local dynamics with Maoist campaigns-including the land reform, the Great Leap Forward, and the Cultural Revolution. The revolutionary experience strongly determined the trajectories and development patterns of different religions, inter-religious dynamics and state-religion relationships in the post-Mao era. This book argues that Maoism was destructively constructive to Chinese religions. It permanently altered the religious landscape in China, especially by inadvertently promoting the localization and even (in some areas) expansion of Protestant Christianity, as well as the reinvention of traditional communal religion. In this vein, the post-Mao religious revival had deep historical roots in the Mao years, and cannot be explained by contemporary economic motives and cultural logics alone. This book calls for a renewed understanding of Maoism and secularism in the People's Republic of China"--

This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries.

Who are the new Chinese intellectuals? In the wake of the crackdown on the 1989 democracy movement and the rapid marketization of the 1990s, a novel type of grassroots intellectual emerged. Instead of harking back to the traditional role of the literati or pronouncing on democracy and modernity like 1980s public intellectuals, they derive legitimacy from their work with the vulnerable and the marginalized, often proclaiming their independence with a heavy dose of anti-elitist rhetoric. They are proudly minjian—unofficial, unaffiliated, and among the people. In this book, Sebastian Veg explores the rise of minjian intellectuals and how they have profoundly transformed China’s public culture. An intellectual history of contemporary China, Minjian documents how, amid deep structural shifts, grassroots thinker-activists began to work outside academia or policy institutions in an embryonic public sphere. Veg explores the work of amateur historians who question official accounts, independent documentarians who let ordinary people speak for themselves, and grassroots lawyers and NGO workers who spread practical knowledge. Their interventions are specific rather than universal, with a focus on concrete problems among disenfranchised populations such as victims of Maoism, migrant workers and others without residence permits, and petitioners. Drawing on careful analysis of public texts by grassroots intellectuals and the networks and publics among which they circulate, Minjian is a groundbreaking transdisciplinary exploration of crucial trends developing under the surface of contemporary Chinese society.

In China's New Red Guards, Jude Blanchette illuminates two trends in contemporary China that point to its revival of Mao Zedong's legacy-a development that he argues will result in a more authoritarian and more militaristic China. This book not only will reshape our understanding of the political forces driving contemporary China, it will also demonstrates how ideologies can survive and prosper despite pervasive rumors of their demise.

Farewell to the God of Plague reassesses the celebrated Maoist health care model through the lens of MaoÕs famous campaign against snail fever. Using newly available archives, Miriam Gross documents how economic, political, and cultural realities led to grassroots resistance. Nonetheless, the campaign triumphed, but not because of its touted mass-prevention campaign. Instead, success came from its unacknowledged treatment arm, carried out jointly by banished urban doctors and rural educated youth. More broadly, the author reconsiders the relationship between science and political control during the ostensibly antiscientific Maoist era, discovering the important role of Ògrassroots scienceÓ in regime legitimation and Party control in rural areas.

This new social history of Maoist China provides an accessible view of the complex and tumultuous period when China came under Communist rule.