For this volume, originally published in cloth in 1961, William Carlos Williams collected, and revised, four full-length plays and the libretto of an opera on George Washington. As might be expected of the man who did most in our time to create a new and truly "American" idiom for poetry, Dr. Williams' writing for the stage challenges producers and actors to extend the range of modern drama.

Juniper is looking for love, Robert is trying to avoid it, Ollie doesn't know what it is and Meg has resigned herself to never having it. As these four people move through a July day in London, they orbit each other, unaware that they are hurtling towards one moment that could devastate them all. Many Moons opened at groundbreaking Theatre 503 in summer 2011.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...

This is Carlos MortonÍs first collection of plays, the fruit of a ten-year journey that took him from the turmoil of agit-prop theatre to a fellowship with the National Repertory Theatre and advanced academic degrees in drama. The works included here have been produced before audiences, which have varied from San Diego Park pedestrians to Harvard University faculty and students. In his lighter works, Morton has proven himself to be the master of the incongruous, the prince of satire and the poet laureate of the unexpected and comic in daily speech. His serious plays, like The Many Deaths of Danny Rosales, confront audiences with gripping appeals for justice. Whether as a humorist or a tragedian, one note characterizes MortonÍs works: unfettered, expansive imagination.

Here is a perfect little gift: the most beloved poems by the most essential American poet of the last century Gathered here are the gems of William Carlos Williams’s astonishing achievements in poetry. Dramatic, energetic, beautiful, and true, this slim selection will delight any reader—The Red Wheelbarrow & Other Poems is a book to be treasured.

Riotous tales of the college playboy-next-door—the basis for the iconic television show. “Shulman’s creation was born a sitcom hero” (The A.V. Club). Including stories first published in Cosmopolitan and the Saturday Evening Post, this bestselling collection follows the romantic escapades of Max Shulman’s famed collegiate Don Juan. Like most undergraduates, Dobie Gillis is a bit scattered—sometimes he’s as quick as a whip, other times dull as a doorstop, and his major keeps changing from chemistry to law to journalism. But no matter what subject he should be studying, Dobie always has a girl on his mind. In “Love Is a Fallacy,” Shulman’s best-known short story that to this day is taught in writing classes and English survey courses as an archetypal example of the genre, Dobie finds the perfect bride-to-be. She’s beautiful and gracious, but not too smart—a flaw that he sets out to fix, with the most hilarious and ironic of consequences. In “The Unlucky Winner,” Dobie and Clothilde Ellingboe cut corners in class to make more time for their dates. But after an impossible English assignment sends the couple deep into the stacks to plagiarize an obscure essay, Dobie finds himself in a ridiculous bind. And in “She Shall Have Music,” Dobie can’t focus on his duties as circulation manager for the college humor magazine because his girlfriend, Pansy, has been shipped off to New York by her purple-faced father. The desperate Romeo hatches a plan to save the magazine and visit his girl, but a series of bad decisions and a Lithuanian wedding band threaten to ruin everything.