A pioneering exploration of the roots of our attitudes toward nature, Paul Shepard's most seminal work is as challenging and provocative today as when it first appeared in 1967. Man in the Landscape was among the first books of a new genre that has elucidated the ideas, beliefs, and images that lie behind our modern destruction and conservation of the natural world. Departing from the traditional study of land use as a history of technology, this book explores the emergence of modern attitudes in literature, art, and architecture--their evolutionary past and their taproot in European and Mediterranean cultures. With humor and wit, Shepard considers the influence of Christianity on ideas of nature, the absence of an ethic of nature in modern philosophy, and the obsessive themes of dominance and control as elements of the modern mind. In his discussions of the exploration of the American West, the establishment of the first national parks, and the reactions of pioneers to their totally new habitat, he identifies the transport of traditional imagery into new places as a sort of cultural baggage.

Examining ways that letters of the alphabet have been assigned value in political, spiritual, and religious belief systems through the ages, a volume filled with rare images draws on a variety of sources to explore the history of written language. BOMC & QPB Alt. Reader's Subscription Main.

With more than 30 percent new material, the fourth edition of this classic is an indispensable resource for practicing landscape architecture professionals as well as students. The most comprehensive overview of landscape architecture available, this reference covers every aspect of planning, design, installation, implementation, and maintenance. Landscape architects, architects, and everyone else involved with the shaping of our living environment will find in this colorful book a systematic approach to the creation of more usable, efficient, and attractive outdoor places. Simply put--it is the best one-volume course ever written on landscape planning and landscape design.

Rachel Dickinson profiles falconer Steve Chindgren, a man willing to make extreme sacrifices to continue practicing the sport that has ruled his life. Dickinson arrives at a sense of falconry’s allure: the unpredictable nature of the hunt and the soaring exhilaration of success. Further exploration unveils the enormous emotional cost to a falconer who establishes an extraordinary tie to his birds. When, in the space of two days, Chindgren loses two birds that he’d been training for years, he is plunged into a profound depression that is only deepened when Jomo, his best bird, slows down because of old age. In addition to this challenge, Chindgren faces the danger to falconry that the modern world presents. Grouse habitat is being degraded by mining, agriculture, and gas industry interests. And the number of falconers is dwindling--the corps is graying and has few acolytes. Falconry is a sport that requires persistence, stoicism, and sacrifice; in this captivating account, Dickinson illuminates a fascinating subculture and one of its most hard core personalities.

National Book Award winner M. T. Anderson returns to future Earth in a sharply wrought satire of art and truth in the midst of colonization. When the vuvv first landed, it came as a surprise to aspiring artist Adam and the rest of planet Earth — but not necessarily an unwelcome one. Can it really be called an invasion when the vuvv generously offered free advanced technology and cures for every illness imaginable? As it turns out, yes. With his parents’ jobs replaced by alien tech and no money for food, clean water, or the vuvv’s miraculous medicine, Adam and his girlfriend, Chloe, have to get creative to survive. And since the vuvv crave anything they deem classic Earth culture (doo-wop music, still life paintings of fruit, true love), recording 1950s-style dates for the vuvv to watch in a pay-per-minute format seems like a brilliant idea. But it’s hard for Adam and Chloe to sell true love when they hate each other more with every passing episode. Soon enough, Adam must decide how far he’s willing to go — and what he’s willing to sacrifice — to give the vuvv what they want.