"Here is a new Clay Sanskrit Library publication of the middle book of Valmiki's Ramayana, the source revered throughout South Asia as the original account of the career of Rama, the ideal man and the incarnation of the great god Vishnu." "After losing first his kingship and then his wife, Sita, Rama goes to the monkey capital of Kishkindha to seek help in finding her, and meets Hanuman, the greatest of the monkey heroes. The brothers Valin and Sugriva are both claimants for the monkey throne; in exchange for the assistance of monkey troops in discovering where Sita is held captive, Rama has to help Sugriva win the throne. The monkey hordes set out in every direction to scour the world, but they have no success until an old vulture tells them Sita is in Lanka. The book concludes with Hanuman's preparation to leap over the ocean to Lanka to pursue the search." "The tragic rivalry between the two monkey brothers is in sharp contrast to Rama's affectionate relationship with his own brothers, and forms a self-contained episode within the larger story of Rama's adventures. Rama's intervention in the struggle between Sugriva and Valin is the chief moral focus of the book." --Book Jacket.

Follows the Irish from their first arrival in the American colonies through the bleak days of the potato famine, the decades of ethnic prejudice and nativist discrimination, the rise of Irish political power, and on to the historic moment when John F. Kennedy was elected to the highest office in the land.

Romantic Young Irelander, republican revolutionary, father of the Irish tricolour and political exile, Thomas Francis Meagher became a citizen of the United States and a leading ethnic spokesman in his adopted republic. Meagher's career remains as controversial today as it was during his own lifetime.

Complete yet concise, and beautifully documented with more than 100 historic photos, there is no better tribute to Irish-American history, a cultural cornerstone of our nation. High school & older.

'...from time to time a study comes along that truly can be called ‘path breaking,’ ‘seminal,’ ‘essential,’ a ‘must read.’ How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country – a land of opportunity – they found a very different form of social hierarchy, one that was based on the color of a person’s skin. Noel Ignatiev’s 1995 book – the first published work of one of America’s leading and most controversial historians – tells the story of how the oppressed became the oppressors; how the new Irish immigrants achieved acceptance among an initially hostile population only by proving that they could be more brutal in their oppression of African Americans than the nativists. This is the story of How the Irish Became White.

Two centuries of Irish emigration to the U.S. are portrayed through rare photos and the letters of emigrants writing of their New World experiences.

Acclaimed biographer John Loughery tells the story of John Hughes, son of Ireland, friend of William Seward and James Buchanan, founder of St. John’s College (now Fordham University), builder of Saint Patrick’s Cathedral on Fifth Avenue, pioneer of parochial-school education, and American diplomat. As archbishop of the Archdiocese of New York in the 1840 and 1850s and the most famous Roman Catholic in America, Hughes defended Catholic institutions in a time of nativist bigotry and church burnings and worked tirelessly to help Irish Catholic immigrants find acceptance in their new homeland. His galvanizing and protecting work and pugnacious style earned him the epithet Dagger John. When the interests of his church and ethnic community were at stake, Hughes acted with purpose and clarity. In Dagger John, Loughery reveals Hughes’s life as it unfolded amid turbulent times for the religious and ethnic minority he represented. Hughes the public figure comes to the fore, illuminated by Loughery’s retelling of his interactions with, and responses to, every major figure of his era, including his critics (Walt Whitman, James Gordon Bennett, and Horace Greeley) and his admirers (Henry Clay, Stephen Douglas, and Abraham Lincoln). Loughery peels back the layers of the public life of this complicated man, showing how he reveled in the controversies he provoked and believed he had lived to see many of his goals achieved until his dreams came crashing down during the Draft Riots of 1863 when violence set Manhattan ablaze. To know "Dagger" John Hughes is to understand the United States during a painful period of growth as the nation headed toward civil war. Dagger John’s successes and failures, his public relationships and private trials, and his legacy in the Irish Catholic community and beyond provide context and layers of detail for the larger history of a modern culture unfolding in his wake.