The Georgian and Regency period was a time of extremes in clothing, from the heights of the extravagant and decorative headdresses to the widths of the panniers. These garments were supported by a wide range of padding, boning, frills and flounces to create shape and texture. This essential book will guide you through the exciting fashions of the time. Suitable for experts and novices alike, it is filled with practical projects ranging from grand gowns to dainty bonnets, all presented with clarity and insight. There are ten detailed patterns, dating from 1710 to 1820 with five suggested variations to show how the patterns can be adapted; eight patterns for contemporary undergarments and seven patterns for accessories. Step-by-step instructions and photographs show how to construct the patterns and lavish photographs illustrate the finished designs. With general advice on the period, the role women played in it and the fashions of the day, this book will be of great interest to stage and screen designers, museums and heritage sites, costume players, re-enactors and design students. Lavishly illustated with 309 colour images and step-by-step instructions to show how to construct the patterns.

Starting with the early years of Victoria's reign, this practical book examines the developments and evolution of fashionable dress as it progressed throughout her six decades as queen. From the demure styles of the 1840s to the exaggerated sleeves of the 1890s, it explores the ever-changing Victorian silhouette, and gives patterns, instructions and advice so that the amateur dressmaker can create their own versions of these historic outfits. Contents include: information on tools and equipment; a guide to transferring pattern pieces; a concise guide to the various layers of Victorian underwear; and step-by-step instructions with colour photographs to help construct the patterns and advice on how to personalize each outfit. Illustrations of fashion plates, Victorian carte de visite photographs and original surviving garments provide visual inspiration and reference. There are seven main project chapters, each starting with an overview of the main fashions characteristic to that style of dress, and giving patterns, instructions and advice to enable the amateur dressmaker to create their own versions of these historic outfits. With 309 beautiful colour photographs including illustrations of fashion plates and Victorian carte de visite photographs, this will be an invaluable resource for the dressmaker.

Over the centuries, the corset has been a vital garment designed to support and shape the fashions of the day, and has progressed from being an undergarment to bold outerwear. This practical book explains the full process of making a corset with clear instruction and supporting photographs. Packed with information, it explores methods of creating modern corsets, whilst acknowledging the pioneering techniques of the past. Whatever your reason for creating a corset- be it for theatre- re-enactment or personal wear - this book is an invaluable guide to making a well-constructed, figure-flattering garment. Includes: a list of helpful tools, equipment and materials; step-by-step illustrated instructions showing how to self-draft or personalize a commercially purchased corset pattern; techniques showing how to correct an array of fitting issues to produce a well-shaped corset; a selection of corset-making methods, illustrated with photographs and, finally, imaginative approaches to decorating and personalizing corsets. There are three main projects showing the development of the patterns and construction techniques to create gorgeous corsets.

The making of fashionable women's dress in Georgian England necessitated an inordinate amount of manual labour. From the mantuamakers and seamstresses who wrought lengths of silk and linen into garments, to the artists and engravers who disseminated and immortalised the resulting outfits in print and on paper, Georgian garments were the products of many busy hands. This Element centres the sartorial hand as a point of connection across the trades which generated fashionable dress in the eighteenth century. Crucially, it engages with recreation methodologies to explore how the agency and skill of the stitching hand can inform understandings of craft, industry, gender, and labour in the eighteenth century. The labour of stitching, along with printmaking, drawing, and painting, composed a comprehensive culture of making and manual labour which, together, constructed eighteenth-century cultures of fashionable dress.

The distinctive style of the Regency period is a source of endless fascination for fashion academics and historians, living historians, re-enactors and costume designers for stage and screen. Author and fashion historian Cassidy Percoco has delved into little-known museum hoards to create a stunning collection of 26 garments, many with clear provenance tied to a specific location, which have never before been published and never – or very rarely – displayed. Most of the garments have an aspect in their construction that has not been previously documented, from a style of skirt trim to the method of gown closure. This practical guide begins with a general history of the early 19th-century women's dress. This is followed by 26 patterns of gowns, spencers, chemises, and corsets, each with an illustration of the finished piece and description of its construction. This must-have guide is an essential reference for anyone interested in the fashions or the history of the period, or for anyone wishing to recreate their own beautiful Regency clothing.

Edwardian fashions for women were characterized by the S-shaped silhouette, embellished with lace, tucks, ruffles, tassels, frills and flounces. This essential book includes eleven detailed projects, which form a capsule collection of clothing and accessories that might have been worn by an Edwardian governess, a woman travelling on an ocean liner, a campaigning suffragette, or a wife overseeing a busy household in a large country house. It explains making sequences in full and advises in detail on how to give the garments a fine, authentic finish. Eleven detailed projects are included, based on the dress collections at Royal Pavilion & Museums, Brighton & Hove, and Worthing Museum and Art Gallery. Each project includes a detailed description of the original garment, with an accompanying illustration alongside photographs of the original pieces, and scaled patterns are included for all projects with a list of materials and equipment required. Includes step-by-step instructions with information about the original techniques used and close-up photographs of the making process, with further chapters on tools and equipment, fabrics, measurements and sizes, and how to wear Edwardian fashion with ideas on creating new outfits from the featured projects. Also includes advice on how to adapt garments to make them suitable for both wealthy, leisured women, and for their poorer counterparts. Aimed at costume makers, museums and re-enactors and beautifully illustrated with 200 colour photographs.

Making Working Women's Costume gives a unique account of the clothes of ordinary women from the mid-fifteenth century to the early twentieth century. As well as introducing the historical periods, it gives patterns for a range of typical garments that women of the poorer classes would have worn. Organized by century, it draws on historical sources and finds, paintings and photographs to recreate the clothes of these under-celebrated women. It includes useful information about equipment for present-day use, calculting curves, taking measurements and sewing techniques not in current use, and patterns for late medieval clothes, such as smocks and gowns, are developed from ancient T-shaped garments and can be marked out on the fabric with given measurements. Garments for the seventeenth and eighteenth centuries, including bodices, waistcoats and skirts, are drawn on grids. Proportionate cutting is used for the clothes of the later nineteenth and twentieth centuries, such as nurse's uniforms and cotton frocks, with options to add a range of features. Written for costume students, teachers and re-enactors, this book will be an invaluable source for everyone seeking to recreate and wear the clothes of these under-celebrated women. Illustrated with 43 colour illustrations and 81 patterns.