From Arthur Laurents, playwright, screenwriter, director—a mesmerizing book about theater, the art, the artist, the insider, the outsider—and the making of two of the greatest musicals of the American stage, West Side Story and Gypsy. It is a book profoundly enriched by the author’s two loves, love for the theater and love for his partner of fifty-two years, Tom Hatcher, who shared and inspired every aspect of his life and his work. Laurents writes about the musicals he directed, I Can Get It for You Wholesale, its producer David Merrick (the “Abominable Showman”), and its (very young) stars Barbra Streisand and Elliott Gould . . . He writes about Stephen Sondheim’s Anyone Can Whistle, which starred Angela Lansbury and Lee Remick, marking the debut for each in musical theater. He summons up the challenges and surprises that came with the making of La Cage aux Folles, the first big Broadway musical that was gay and glad to be. He writes in rich detail about his most recent production of Gypsy, how it began as an act of love, a love that spread through the entire company and resulted in a Gypsy unlike any other. And about his new bilingual production of West Side Story. And he talks, as well, about the works of other directors—Fiddler on the Roof; Kiss Me, Kate; Spring Awakening; Street Scene; The Phantom of the Opera; LoveMusik; Sweeney Todd. Moving, exhilarating, provocative—a portrait of an artist working with other artists; a unique close-up look at today’s American musical theater by a man who’s been at its red-hot center for more than five decades.

Authored by professional fight director J. Allen Suddeth, all the aspects of brawn, brawl, and broadswords are covered.

The director, screenwriter, and playwright provides a look into his world, introducing the wide array of stars he has met over the years and revealing the hardship and joy that comes with a life in show business.

Presents the details of director Stephen Daldry's work on the acclaimed play, "An Inspector Calls," in an attempt to reveal his intepretative approach to theater

"Dave's book is a terrific collection of real stories from the animation world. Many of them are proof that a director needs to think with both sides of her or his brain. I don't think they teach this stuff in art school."---Brown Johnson, president, Nickelodeon Animation. "Directing Animation is as much a book on management, leadership, and people skills as it is a book on animation. Any person leading a creative team in any field (or hoping to lead one someday) will be inspired and surprised by David Levy's keen analysis of the human side of the business of directing animation."---Linda Simensky, vice president, children's programming, PBS "The most comprehensive book on directing animation from one of the best writers in the business."---Bill Plympton, Oscar-nominated indie animation director "Q: How many books on directing animation does it take to screw in a lightbulb? A: One---David Levy's! And if you read this funny and informative book, you'll learn how to get other people to screw in the lightbulbs For you---and love doing it!"---Tom Warburton, TV animation director, creator, Cartoon Network's Codename: Kids Next Door "Once again, David Levy has written a book that is an absolutely vital read to anyone interested in starting, or already in the midst of, a career making animated films. Levy has compiled essential information from the industry's top talents, as well as the independent filmmaking community, telling it like it is and offering strong advice from decades of practical experience. A must-have!"---Jerry Beck, coeditor of CartoonBrew.com and author of The 100 Greatest Looney Tunes Cartoons Both experienced and aspiring animation professionals will find Directing Animation a comprehensive and entertaining guide to understanding the director's creative role in managing the entire animation process. An animation director doesn't simply direct animation. He or she directs people who animate and must be equally able to relate to the crew, producers, writers, creators, and clients. In addition to over eighty photographs and illustrations, Directing Animation includes insider tips and firsthand experiences from animators, directors, and producers, revealing the best ways to manage the production process while creating a workplace that is both efficient and fun.

Norman Jewison directed some of the most iconic and beloved films of an era, from In the Heat of the Night and The Thomas Crown Affair to Jesus Christ Superstar and Moonstruck. But despite being what his friend William Goldman called "a giant of the industry," Jewison could also walk the streets of any city in the world and go unrecognized. Jewison was a man of contradictions: he cared more about telling great stories than gaining fame and fortune by showcasing movie stars, but generations of Hollywood's marquee actors - Judy Garland, Sidney Poitier, Faye Dunaway, Al Pacino, Jane Fonda, Burt Reynolds, Goldie Hawn, Bruce Willis, Denzel Washington - trusted him at crucial moments in their careers. Yet, for all his talent and the passionate support of his actors, Jewison suffered heartbreaking rejection from the executives who refused to believe in his dreams. Norman Jewison: A Director's Life is a story of artistic survival and reinvention, and about the fate of original cinematic ideas in an industry increasingly captive to corporate greed. Drawing upon exhaustive archival research and dozens of interviews, Ira Wells provides a soulful portrait of an idealist who had to fight for every frame of his legacy. Here are Norman's legendary collaborators--Hal Ashby, William Rose, Steve McQueen, and more--brought to vivid life in original letters, telegrams, and revealing, unpublished interviews. A clear-eyed reassessment of Hollywood's final golden age, Norman Jewison: A Director's Life is both the intimate portrait of an artist and a rallying cry for anyone who has had to fight for their creative vision.