A conductor reveals powerful leadership lessons by explaining the inner workings of a symphony orchestra Roger Nierenberg, a veteran conductor, is the creator of The Music Paradigm, a unique program that invites people to sit INSIDE a professional symphony orchestra as the musicians and conductor solve problems together. He captures that experience in Maestro: A Surprising Story about Leading by Listening, a parable about a rising executive tough challenges. The narrator befriends an orchestra conductor and is inspired to think about leadership and communication in an entirely new way. For instance: • A maestro doesn't micromanage, but encourages others to develop their own solutions. There's a big difference between conducting and trying to play all the instruments. • A maestro helps people feel ownership of the whole piece, not just their individual parts. • A maestro leads by listening. When people sense genuine open-mindedness, they offer more of their talent. If not, they get defensive and hold back their best ideas. • Truly great leaders, whether conductors striving for perfect harmony or CEOs reaching for excellence, act with a vision of their organization at its best. For more information, visit: www.MaestroBook.com

The story of the friendship between a Jewish-American conductor and Pope John Paul II This book offers the inspirational story of an unlikely friendship and the two men who collaborated in an extraordinary way to begin to help heal centuries-old wounds. For two decades Sir Gilbert Levine and Pope John Paul II collaborated on symbolic acts of reconciliation: a series of internationally broadcast concerts designed to bring together people from all religious backgrounds under the auspices of the Vatican. These concerts broke new ground and demonstrated the Vatican's desire for rapprochement and even atonement in its relationships with Jews around the world. And it resulted in Sir Gilbert recovering his own Jewish faith in a deeper and more meaningful way. Details the extraordinary collaboration between a world-renowned musical maestro and an innovative Pope Shows how music can act as a bridge between people of different faiths A moving, inspirational, and personal story that appeals to music lovers and to people of all faith traditions This is a compelling tale of faith, friendship, and the healing power of music to bring people together.

Louis Passau is America’s greatest living orchestral conductor, a legendary, world-acclaimed artist whose ninetieth birthday will be marked by a glittering celebratory concert at New York’s Lincoln Center. But a double shadow hangs over the event: Passau has recently been accused of spying for Hitler and, worse, the British Secret Intelligence Service have now linked his name to KGB clandestine operations in the USA during the Cold War. The Maestro agrees to be interrogated, but only after the concert. British Intelligence call in Big Herbie Kruger to question the Maestro, and thanks to the once-famous agent-runner Passau survives an assassination attempt in his moment of glory. Still a target, he now insists on dealing only with Kruger, who desperately seeks a safe-house to conduct the debriefing. As he grapples with the elusive truth about the conductor – from the man’s first memories of his Bavarian village, to his adventures as a young immigrant in New York, his experiences in Capone’s Chicago and his ruthless rise to fame and fortune – Herbie Kruger finds himself ensnared in the Maestro’s dangerous secrets and deceits.

Who is responsible? From the President to the Federal Reserve Chairman, Alan Greenspan to Wall Street to the role of the emerging technologies, Woodward uses his exhaustive investigative technique to reveal the ideas and politics that have changed the lives of millions of people and established the United States as the world's preeminent power. He shows why America has found itself in this exalted position. How it might have been different and when and why it might end.

Against the backdrop of Darwin, that small, tropical hothouse of a port, half-outback, half-oriental, lying at the tip of northern Australia, a young and newly arrived southerner encounters the 'maestro', a Viennese refugee with a shadowed past. The occasion is a piano lesson, the first of many. 'I enjoyed Maestro enormously. Besides its thoughtfulness and bright sensuality, it has a playful quality, a love of jest, which appealed to me very much.' Helen Garner, SYDNEY REVIEW On release, MAEStRO was hailed 'a splendid achievement, a wise, deeply felt novel that continues to haunt well after one has finished it. It is distinguished by subtlety, by economy and by a quality often lacking in even the best of recent novels - an unerring quality of tone' by Andrew Riemer in the SYDNEY MORNING HERALD. It has sold over 200,000 copies in Australia and was voted by members of the Australian Society of Authors as one of the top 40 Australian Books of All time. 'the necessary elusiveness of perfection, the unplumbed ocean beneath articulateness, the ambivalence of beauty - these are the revolving concerns of Peter Goldsworthy, and handled not just with irony, but with an effervescent, compassionate wit. He can't help being funny, but he's wise too.' - AUStRALIAN BOOK REVIEW

Since he was knee-high to a grasshopper, little Stu's favorite place to visit was the nearby zoo. He was there so often that even the animals recognized him. The animals' sounds, from the coos and the snorts, and the squeaks and bellows, and the brays and the whistles, were music to his ears. His mother called it a symphony. Stu loved to pretend to be a conductor when he listened to the animals. But now there is trouble brewing at the zoo. A man wants to take it over and turn it into something else, getting rid of the animals. When the animals learn of his plan, they want to take action. But no one has any ideas. No one but Stu. Young readers will enjoy seeing how Stu steps in to rally the animals to save their beloved zoo.

Maestro Mouse, the world's greatest conductor, makes an unfortunate discovery when he takes the stage to lead his orchestra—his baton is missing! The children in the concert hall rush to search for it in section of the orchestra, learning about each instrument as they go along. Will they find the lost baton in time for the concert to begin?