Inside the "Most Haunted" House in New Orleans The legend of Madame Delphine Lalaurie, a wealthy society matron, has haunted the city of New Orleans for nearly two hundred years. When fire destroyed part of her home in 1834, the public was outraged to learn that behind closed doors Lalaurie routinely bound, starved, and tortured her slaves. Forced to flee the city, her guilt was unquestioned, and tales of her actions have become increasingly fanciful and grotesque over the decades. Even today, the Laulaurie house is described as the city 's "most haunted" during ghost tours. Carolyn Long, a meticulous researcher of New Orleans history, disentangles the threads of fact and legend that have intertwined over the decades. Was Madame Lalaurie a sadistic abuser? Mentally ill? Or merely the victim of an unfair and sensationalist press? Using carefully documented eyewitness testimony, archival documents, and family letters, Long recounts Lalaurie's life from legal troubles before the fire and scandal through her exile to France and death in Paris in 1849. Themes of mental illness, wealth, power, and questions of morality in a society that condoned the purchase and ownership of other human beings pervade the book, lending it an appeal to anyone interested in antebellum history. Long's ability to tease the truth from the knots of sensationalism is uncanny as she draws the facts from the legend of Madame Lalaurie's haunted house.

The truth behind the legend of New Orleans’ infamous slave owner, madwoman, and murderess, portrayed in the anthology series, American Horror Story. On April 10, 1834, firefighters smashed through a padlocked attic door in the burning Royal Street mansion of Creole society couple Delphine and Louis Lalaurie. In the billowing smoke and flames they made an appalling discovery: the remains of Madame Lalaurie’s chained, starved, and mutilated slaves. This house of horrors in the French Quarter spawned a legend that has endured for more than one-hundred-and-fifty years. But what actually happened in the Lalaurie home? Rumors about her atrocities spread as fast as the fire. But verifiable facts were scarce. Lalaurie wouldn’t answer questions. She disappeared, leaving behind one of the French Quarter’s ghastliest crime scenes, and what is considered to be one of America’s most haunted houses. In Mad Madame Lalaurie, Victoria Cosner Love and Lorelei Shannon “shed light on what is fact and what is purely fiction in a tale that’s still told nightly on the streets of New Orleans” (Deep South Magazine).

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

Against the backdrop of eighteenth- and nineteenth-century New Orleans, A New Orleans Voudou Priestess: The Legend and Reality of Marie Laveau disentangles the complex threads of the legend surrounding the famous Voudou priestess. According to mysterious, oft-told tales, Laveau was an extraordinary celebrity whose sorcery-fueled influence extended widely from slaves to upper-class whites. Some accounts claim that she led the "orgiastic" Voudou dances in Congo Square and on the shores of Lake Pontchartrain, kept a gigantic snake named Zombi, and was the proprietress of an infamous house of assignation. Though legendary for an unusual combination of spiritual power, beauty, charisma, showmanship, intimidation, and shrewd business sense, she also was known for her kindness and charity, nursing yellow fever victims and ministering to condemned prisoners, and her devotion to the Roman Catholic Church. The true story of Marie Laveau, though considerably less flamboyant than the legend, is equally compelling. In separating verifiable fact from semi-truths and complete fabrication, Long explores the unique social, political, and legal setting in which the lives of Marie Laveau's African and European ancestors became intertwined. Changes in New Orleans engendered by French and Spanish rule, the Louisiana Purchase, the Civil War, Reconstruction, and Jim Crow segregation affected seven generations of Laveau's family, from enslaved great-grandparents of pure African blood to great-grandchildren who were legally classified as white. Simultaneously, Long examines the evolution of New Orleans Voudou, which until recently has been ignored by scholars.

“He struck a match to look at his watch. In the flare of the light they saw a young woman just at Pitot’s elbow—a young woman dressed all in black, with pale gold hair, and a baby sleeping on her shoulder. She glided to the edge of the bridge and stepped noiselessly off into the black waters.”—from Ghost Stories of Old New Orleans Ghosts are said to wander along the rooftops above New Orleans’ Royal Street, the dead allegedly sing sacred songs in St. Louis Cathedral, and the graveyard tomb of a wealthy madam reportedly glows bright red at night. Local lore about such supernatural sightings, as curated by Jeanne deLavigne in her classic Ghost Stories of Old New Orleans, finds the phantoms of bitter lovers, vengeful slaves, and menacing gypsies haunting nearly every corner of the city, from the streets of the French Quarter to Garden District mansions. Originally printed in 1944, all forty ghost stories and the macabre etchings of New Orleans artist Charles Richards appear in this new edition. Drawing largely on popular legend dating back to the 1800s, deLavigne provides vivid details of old New Orleans with a cast of spirits that represent the ethnic mélange of the city set amid period homes, historic neighborhoods, and forgotten taverns. Combining folklore, newspaper accounts, and deLavigne’s own voice, these phantasmal tales range from the tragic—brothers, lost at sea as children, haunt a chapel on Thomas Street in search of their mother—to graphic depictions of torture, mutilation, and death. Folklorist and foreword contributor Frank A. de Caro places the writer and her work in context for modern readers. He uncovers new information about deLavigne’s life and describes her book’s pervasive lingering influence on the Crescent City’s culture today.

"A comedic meditation on what humans do to persist beyond their mortal lives, L'Immortalite is an inventive horror story that vividly brings to life the torrid landscape of old New Orleans."--Cover page [4].

Reproduction of the original: Strange True Stories of Louisiana by George W. Cable