The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. Mad Mädchen offers an incisive analysis of these trans-generational debates, identifying the mother-daughter themes and other tropes that have defined their representation in German literature, film, and media. Author Margaret McCarthy investigates female subjectivity as it processes political discourse to define itself through both differences and affinities among women. Ultimately, such a model suggests new ways of re-imagining feminist solidarity across generational, ethnic, and racial lines.

The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.

This is the third in a major series of volumes supplementing the Second Edition of the Oxford English Dictionary. Volume 3 contains 3,000 new words and meanings from around the English-speaking world, including the UK (Citizen's Charter), North America (affluential, Clintonomics), Australia (beardie), and the West Indies (zouk). A wide variety of subjects is covered, including the sciences (buckyball, nanotechnology, Tourette syndrome), finance (junk bond, negative equity), literary theory (metafiction), computing (freeware, core dump), and sport (basho, lowball).