The extraordinary climax to the gothic Iremonger trilogy.

Read the delightfully macabre, astonishingly original trilogy, with book 3 now in paperback “If this were music, Carey would be Eric Satie. If it were film, he would be Tim Burton.” – Newsday The dirt town of Foulsham has been destroyed, its ashes still smoldering. Darkness lies heavily over the city, the sun has not come up for days, and inside the houses of people throughout the capital, ordinary objects have begun to move. Strange new people run through the darkened streets. There are rumours of a terrible contagion. From the richest mansion to the poorest slum, people have disappeared. The police have been instructed to carry arms. And rats—there are rats everywhere. Someone has stolen a certain plug. Someone is lighting a certain box of matches. All will come tumbling down. The Iremongers are in London. An NPR best book of the year, Lungdon follows Heap House, which was a New York Times Notable Book, an NPR Best Book of the Year and a Kirkus Reviews Best Teen Book, and Foulsham.

Part one of an unusual and astonishing new fantasy trilogy that blends fine literary fare with a terrific romp through the reimagined outskirts of Victorian-era London In the imaginary borough of Filching, the extensive Iremonger family (“kings of mildew, moguls of mould”) have made a fortune from junk, building a dark and sprawling mansion from salvage scrap. Heap House is surrounded by the dangerous, noxious, shifting Heaps that stretch beyond its bounds. And within its walls, certain objects begin to display strange signs of life. Young Clod Iremonger is about to be "trousered" and betrothed (unwillingly) to his cousin Pinalippy when he meets the plucky orphan servant Lucy Pennant, with whose help he begins to uncover the dark secrets of his family’s empire. Mystery, romance and the perils of the Heaps await! Gorgeously (and ghoulishly) illustrated by the author, Heap House is peopled with unforgettable characters with delightfully skewed names--anxious, animal-loving Tummis with his pet seagull; menacing cousin Moorcus; dreadful Aunt Rosamud and more. As Carey writes, “Every life is thick with rubbish, but the Iremongers did it with a difference.”

Export edition (World excluding US and Canada). From little beginnings: the extraordinary story of a singular, diminutive crumb of a servant girl turned entertainment mogul.

Described as 'haunting' by Sunday Times, The Swallowed Man is a dark reimagining of Pinocchio, told from inside the belly of a fish. ‘Profound and delightful' Max Porter, author of Grief is the Thing with Feathers I am writing this account, in another man’s book, by candlelight, inside the belly of a fish. I have been eaten. I have been eaten, yet I am living still. From the acclaimed author of Little comes this beautiful and haunting imagining of the years Geppetto spends within the belly of a sea beast. Drawing upon the Pinocchio story while creating something entirely his own, Carey tells an unforgettable tale of fatherly love and loss, pride and regret, and of the sustaining power of art and imagination.

Military Injury Biomechanics: The Cause and Prevention of Impact Injuries is a reference manual where information and data from a large number of sources, focussing on injuries related to military events, has been critically reviewed and discussed. The book covers the cause and prevention of impact injuries to all the major body regions, while topics such as the historical background of military impact biomechanics, the history and use of anthropomorphic test devices for military applications and the medical management of injuries are also discussed. An international team of experts have been brought together to examine and review the topics. The book is intended for researchers, postgraduate students and others working or studying defence and impact injuries.

"A deliciously macabre trilogy . . . channels Dickens crossed with Lemony Snicket . . . magnificently creepy." --Kirkus (starred review)