A mysterious priest. A passionate medium. A city cursed in darkness, built over the portal to hell, where the phantom dead are rising to greet the living and rip their guts out. Only forty-eight hours remain until All Saint's Day, when the restless souls of ten million screaming zombies will be unleashed forever on the earth . . . and only one woman has the power to stop them. Pray for her. She's gonna need it.DEAD, also known as THE GATES OF HELL, which shocked audiences across the world. Now comes the graphic novel, over twenty years in the making, which tells the classic story and takes it one step beyond, into a terrifying, ultra-violent night of ghosts and gore, zombies and perversion . . . and a final battle against evil you will never forget. Presented for the first time in its original intended form, this super limited edition is signed and numbered by the author and contains all-new scenes and terrifying bonus material.

Italy's Master of the Macabre Lucio Fulci is celebrated in this lavishly illustrated in-depth study of his extraordinary films. From horror masterpieces like The Beyond and Zombie Flesh-Eaters to erotic thrillers like One On Top of the Other and A Lizard in a Woman's Skin; from his earliest days as director of manic Italian comedies to his notoriety as purveyor of extreme violence in the terrifying slasher epic The New York Ripper, his whole career is explored. Supernatural themes and weird logic collide with flesh-ripping gore to breathtaking effect. Bleak horrors are transformed into bloody poetry - Fulci's loving camera technique, and the decayed splendour of his art design, make the films more than just a gross endurance test. Lucio Fulci built up a fanatical following, who at last will have another chance to own this epic book - five years in the making - which is the ultimate testament to 'The Godfather of Gore'. Since its first publication in 1999, Beyond Terror has sold out three print runs, and continues to be one of the most frequently requested FAB Press reprints. Without doubt, by far and away the largest collection of Fulci posters, stills, press-books and lobby cards ever seen together in print. We have scoured the Earth to find the most stunning, rare and eye-catching Fulci images. Out of print for ten years, it's back again in 2018, bigger and better than ever! Featuring a foreword by Fulci's devoted daughter Antonella, and produced with her blessing and full co-operation, this book is quite simply the last word on Fulci. His whole cinematic career is studied in obsessive depth. Huge supplementary appendices make this volume essential for all serious students of the Italian horror movie scene.

In 1980, legendary director Lucio Fulci began his celebrated trilogy of cinematic horrors, starting with the classic motion picture "City of the Living Dead," released in America as The Gates Of Hell. It was followed by The Beyond and The House by the Cemetery. Now, EIBON PRESS presents Fulci's unique vision as you've never seen it before: a serialized graphic novel adaptation of ALL THREE classic films, which brings each story together in an epic "expanded universe" for the first time ever. In this gut-wracking second chapter of GATES OF HELL, the Saga continues, as Mary Woodhouse races to stop The Deacon of Death from raising hell on earth! Book 2 of 3.

Stories by: Glynn Owen Barrass, Andrew Coulthard, Richard Alan Scott, Sarah Walker, J. Edwin Buja, David Agranoff, Anthony Trevino, Michael Housel, John Chadwick, David Voyles, Nora Peevey, B.E. Dantalion. Second volume by Eighth Tower Publications, in a series of anthologies revolving around genre writers and artists who set the parameters and frameworks of the kind of tales that we prefer to read (the first volume was dedicated to HP Lovecraft). Here you will find another varied selection of interpretations inspired by the Gates of Hell film trilogy by the Italian legendary director Lucio Fulci. Many authors do elaborate on themes explicated in the movies, but there are an equal number that only take the barest of essentials from Fulci's works and go off tangentially instead. You will find two tales in which the film features, both in very different ways: Sarah Walker's 'The Evocation of Ansell Jeffers' and Andrew Coulthard's 'The Seventh Gate'. Some stories such as Michael Housel's 'Summer Urges' hint at the threat of the living dead (simultaneously using characters and tropes from the film City of the Living Dead, but only in passing), while John Edwin Buja's wartime-set 'Lost in Hell on the Way to Victory' similarly uses the living dead motif and mentions the Gates of Hell but otherwise makes no reference to anything from the films. More proscribed tomes lie at the heart of both John Chadwick's 'The Book of Belman' (Chadwick's own creation The Book of Belman) and Charles Evans' 'The Black Hole (Robert Bloch's De Vermis Mysteriis). Of course, other stories feature hordes of our favourite brain-munchers running amok, like Glynn Owen Barrass' 'Terror at the Harriet Kingston Motel' and Nora B. Peevy's darkly comedic 'The Witch of Fox Point', which features a cast of memorable characters including a plucky teenager who, along with her witch grandmother and the ghost of a young girl, battle against a veritable swarm of the undead (and zombie cows) in order to save the world. In Richard Alan Scott's 'Son of No one', a real-life event that terrorised New York in the seventies is given an unsettling twist, setting the tale against a palpable sense of genuine fear and panic that really was felt by people at the time, told by a native of NYC in a way that creates a sense of reality that only serves to heighten the unfolding nightmare. David Voyles' 'Last Rites' has its own blackly humorous moments in a well-observed tale set in a typical English town. Music plays a central role in David Agranoff and Anthony Trevino's nightmarish 'Scoring The Season of the Unnamed', So we invite you to barricade yourself into your house, black out the windows, set a fire in the grate, turn on a dim light by which to read, stockpile some weapons perhaps, and settle yourself into a comfortable chair and let these eleven tales of terror accompany you into the small hours of the night.

“In SUBURBAN GRINDHOUSE, Nick Cato becomes the Marcel Proust of trash cinema, resurrecting memories of the kinds of late, lamented, Mom and Pop fleapits in which seeing an anti-social movie with your buddies was a gloriously anti-social act.” — Michael Marano, movie columnist Cemetery Dance Film review books may be a dime a dozen, but how many include the actual experience of witnessing the movie in a theater? Zine editor and online columnist Nick Cato shares his time growing up in seedy NY and NJ theaters, and how these screenings helped to shape opinion of the movies. Whether one of his beloved local theaters in Staten Island, NY, or at a double feature at the infamous 42nd Street in Times Square during its heyday, audiences were always lively and outspoken. Part memoir, part film criticism, SUBURBAN GRINDHOUSE looks at the audiences as much as it is a book about exploitation movies themselves.

The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.

A comic book adaptation of a screenplay based on a remake of Lucio Fulci's Zombie. Accompanying CD has the motion picture soundtrack with score composed and performed by Fabio Frizzi & Giorgio Tucci.