Explores how a cultural clash between traditional Pharaonic and latter-day Ptolemaic Egypt is used to mirror the Roman civil war.

" . . . eminently readable, supple, and coherent . . . essential . . . " —Choice " . . . translated into English verse with great force and precision . . . " —History "There is . . . a very real need for a new poetic version, and Mr. Widdows has carried out the difficult task most creditably. . . . his translation is both accurate and readable, and in our age, so much kinder to baroque art than the ages that preceded it, he should have many readers." —New York Review of Books "On all counts this translation of the Pharsalia is a resounding success and will, one predicts, stand as the definitive English version. Readers . . . will welcome this verse edition by Widdows with its readability, accuracy, and, above all, its poetic sensibility. . . . Widdows' translation deserves acclaim, and both classicist and student of epic poetry in general will want this edition on their bookshelves . . . " —Classical World Told in a series of gripping, dramatic episodes, Widdows' powerful verse translation of Lucan's unfinished epic of the Roman civil war starts with the crossing of the Rubicon and ends with Caesar narrowly escaping death at the hands of the Egyptian army.

What significations did Egypt have for the Romans a century after Actium and afterwards? How did Greek imperial authors respond to the Roman fascination with the Nile? This book explores Egypt's aftermath beyond the hostility of Augustan rhetoric, and Greek and Roman topoi of Egyptian "barbarism." Set against history and material culture, Julio-Claudian, Flavian, Antonine, and Severan authors reveal a multivalent Egypt that defines Rome's increasingly diffuse identity while remaining a tertium quid between Roman Selfhood and foreign Otherness. Vespasian's Alexandrian uprising, his recognition of Egypt as his power basis, and his patronage of Isis re-conceptualize Egypt past the ideology of Augustan conquest. The imperialistic exhilaration and moral angst attending Rome's Flavian cosmopolitanism find an expressive means in the geographically and semantically nebulous Nile. The rapprochement with Egypt continues in the second and early third centuries. The "Hellenic" Antonines and the African-Syrian Severans expand perceptions of geography and identity within an increasingly decentralized and diverse empire. In the political and cultural discourses of this period, the capacious symbolics of Egypt validate the empire's religious and ethnic pluralism.

A magnificent new translation of the enduring epic about the sundering of the Roman Republic. Lucan lived from 39-65 AD at a time of great turbulence in Rome. His Civil War portrays two of the most colorful and powerful figures of the age-Julius Caesar and Pompey the Great, enemies in a vicious struggle for power that severed bloodlines and began the transformation of Roman civilization. With Right locked in combat with Might, law and order broke down and the anarchic violence that resulted left its mark on the Roman people forever, paving the way for the imperial monarchy. Accessible and modern yet loyal to the rhetorical brilliance of the original, this will be the definitive Civil War of our times. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.

In a series of studies, Ian Moyer explores the ancient history and modern historiography of relations between Egypt and Greece from the fifth century BCE to the early Roman empire. Beginning with Herodotus, he analyzes key encounters between Greeks and Egyptian priests, the bearers of Egypt's ancient traditions. Four moments unfold as rich micro-histories of cross-cultural interaction: Herodotus' interviews with priests at Thebes; Manetho's composition of an Egyptian history in Greek; the struggles of Egyptian priests on Delos; and a Greek physician's quest for magic in Egypt. In writing these histories, the author moves beyond Orientalizing representations of the Other and colonial metanarratives of the civilizing process to reveal interactions between Greeks and Egyptians as transactional processes in which the traditions, discourses and pragmatic interests of both sides shaped the outcome. The result is a dialogical history of cultural and intellectual exchanges between the great civilizations of Greece and Egypt.

Is Lucan's brilliant and grotesque epic Civil War an example of ideological poetry at its most flagrant, or is it a work that despairingly proclaims the meaninglessness of ideology? Shadi Bartsch offers a startlingly new answer to this split debate on the Roman poet's magnum opus. Reflecting on the disintegration of the Roman republic in the wake of the civil war that began in 49 B.C., Lucan (writing during the grim tyranny of Nero's Rome) recounts that fateful conflict with a strangely ambiguous portrayal of his republican hero, Pompey. Although the story is one of a tragic defeat, the language of his epic is more often violent and nihilistic than heroic and tragic. And Lucan is oddly fascinated by the graphic destruction of lives, the violation of human bodies--an interest paralleled in his deviant syntax and fragmented poetry. In an analysis that draws on contemporary political thought ranging from Hannah Arendt and Richard Rorty to the poetry of Vietnam veterans, as well as on literary theory and ancient sources, Bartsch finds in the paradoxes of Lucan's poetry both a political irony that responds to the universally perceived need for, yet suspicion of, ideology, and a recourse to the redemptive power of storytelling. This shrewd and lively book contributes substantially to our understanding of Roman civilization and of poetry as a means of political expression. Table of Contents: Preface Introduction The Subject under Siege Paradox, Doubling, and Despair Pompey as Pivot The Will to Believe History without Banisters Notes Bibliography Index Reviews of this book: The problem of Lucan's stance is notorious, and it is the focus of Bartsch's book...She makes her own gripping contribution to the dossier of Lucanian despair in her first two chapters; but she believes that ultimately such interpretations sell the poet short, as an artist and a person. Her Lucan, both inside and outside his poem, is a Sartrean existentialist or a Rortyan moral ironist, who accepts the evanescence of traditional moral and political verities but who behaves as if his ideology matters anyhow and makes his choice regardless. Hence the "ideology in cold blood" of her title: Lucan knows, and spellbindingly demonstrates, that Liberty is a cipher, but he commits himself to it none the less. Bartsch has put her finger on a key issue, and her passionate book is a useful check to the establishment of a new orthodoxy on Lucan. --Denis Feeney, Times Literary Supplement Reviews of this book: This could be that elusive creature, an Important Book. --Gideon Nisbet, Bryn Mawr Classical Review Reviews of this book: This is a stimulating work, which I find has provoked many questions about Lucan's poem, about liberal irony, and about history...The strengths of this book lie in its brevity, in its integration of detailed analyses with broader theoretical issues, and in its accessibility. It addresses a question which is of relevance to not only Lucanians, or Latinists, or classicists, but anyone who thinks about the politics of literature. --Ellen O'Gorman, Classical World Reviews of this book: Bartsch goes far beyond the boundaries of Lucan's Civil War itself. Readers interested in Latin literature in general, in the civil wars that ended the Republic, in the political context of the first centuries B.C.E. and C.E., in questions of human response to political repression long after Lucan, and those interested in Lucan himself as poet and conspirator, will want to read Ideology in Cold Blood. Bartsch has taken two prevailing camps of criticism--Lucan as "nihilist" and Lucan as "partisan"--and proposed an elegantly argued third alternative: Lucan as "political ironist." --Choice Reviews of this book: Ideology in Cold Blood provides a strikingly dissident approach to Lucan in that it aims to weld together a text-oriented focus, a political reading of the Civil War and a discussion of Lucan's political activities, i.e. his involvement in the Pisonian conspiracy. Bartsch's decision to include a biographical approach in her analysis should not be taken for bland naivety coming at a time when influential scholars on Lucan have come to reject this approach for the blatant fallacies that it entails. Bartsch offers something completely novel in this area, for it is entirely obvious that her sympathies do not lie with forms of historical reconstructionism in which the biographical data are simply made to correlate with the presumed political message of the poem...[Bartsch's book] will surely be ranked among the best works on the poet and I strongly recommend it to scholars interested in the literature of the Principate and in the role of Roman political epic. --Marc Kleijwegt, Scholia