A reissue of Joe Robert's 2015 release 'LSD Worldpeace.'

A survey of artist Joe Roberts

Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Collecting over 100 new and recent paintings, drawings and mixed-media works along with an introduction by Hamilton Morris (Hamilton's Pharmacopeia), We Ate the Acid is the latest product of Roberts' visionary journeys and a testament to his expansive, singular imagination.

An exploration of how LSD influences imagination and the creative process. • Based on the results of one of the longest clinical studies of LSD that took place between 1954 and 1962, before LSD was illegal. • Includes personal reports, artwork, and poetry from the original sessions as testimony of the impact of LSD on the creative process. In 1954 a Los Angeles psychiatrist began experimenting with a then new chemical discovery known as LSD-25. Over an eight-year period Dr. Oscar Janiger gave LSD-25 to more than 950 men and women, ranging in age from 18 to 81 and coming from all walks of life. The data collected by the author during those trials and from follow-up studies done 40 years later is now available here for the first time, along with the authors' examination of LSD's ramifications on creativity, imagination, and spirituality. In this book Marlene Dobkin de Rios, a medical anthropologist who studied the use of hallucinogens in tribal and third world societies, considers the spiritual implications of these findings in comparison with indigenous groups that employ psychoactive substances in their religious ceremonies. The book also examines the nature of the creative process as influenced by psychedelics and provides artwork and poetry from the original experiment sessions, allowing the reader to personally witness LSD's impact on creativity. The studies recounted in LSD, Spirituality, and the Creative Process depict an important moment in the history of consciousness and reveal the psychic unity of humanity.

Explores the murder of Mary Pinchot Meyer and her connected to President Kennedy Ideal book for fans of The Devil’s Chessboard by David Talbot, The Reporter Who Knew Too Much by Dorothy Kilgallen, Dr. Mary’s Monkey by Edward T. Haslam, and other JFK conspiracy books Updated edition of the true crime expose, including new evidence and government documents corroborating the conspiracy to assassinate JFK’s trusted ally and final true love The death of Mary Meyer left many Americans with questions. Who really killed her? Why did CIA counterintelligence chief James Angleton rush to find and confiscate her diary? Had she discovered the plan to assassinate her lover, President Kennedy, with the trail of information ending at the steps of the CIA? Was it only coincidence that she was killed less than three weeks after the release of the Warren Commission Report? Fans of The Murder of Mary Russell, JFK: A Vision for America, and other JFK books will love Mary’s Mosaic. Building and relying on years of interviews and painstaking research, author Peter Janney follows the key events and influences in Mary Pinchot Meyer’s life—her first meeting with Jack Kennedy; her support of her secret lover, President Kennedy, as he worked towards the pursuit of world peace and away from the Cold War; and her exploration of psychedelic drugs. Fifty years after the assassinations of President Kennedy and Mary Meyer, this book helps readers understand why both took place. Author Peter Janney fought for two years to obtain documents from the National Personnel Records Center and the US Army to complete this third edition. It includes a final chapter about the mystery man who could be the missing piece to learn the truth behind Meyer’s murder.

Following nearly a decade of research, this account solves the mysterious death of biochemist Frank Olson, revealing the identities of his murderers in shocking detail. It offers a unique and unprecedented look into the backgrounds of many former CIA, FBI, and Federal Narcotics Bureau officials—including several who actually oversaw the CIA's mind-control programs from the 1950s to the 1970s. In retracing these programs, a frequently bizarre and always frightening world is introduced, colored and dominated by many factors—Cold War fears, the secret relationship between the nation's drug enforcement agencies and the CIA, and the government's close collaboration with the Mafia.

A richly illustrated exploration of the history, art, and design of printed LSD blotter tabs. Blotter is the first comprehensive written account of the history, art, and design of LSD blotter paper, the iconic drug delivery device that will perhaps forever be linked to underground psychedelic culture and contemporary street art. Created in collaboration with Mark McCloud’s Institute of Illegal Images, the world’s largest archive of blotter art, Davis’s boldly illustrated exhibition treats his outsider subject with the serious, art-historical respect it deserves, while also staying true to the sense of play, irreverence, and adventure inherent in psychedelic exploration. Davis weaves together two main stories: first, the largely unknown history of blotter paper’s development in the 1960s and its later flowering in the 1970s and 1980s; and second, the story of how San Francisco artist, professor, and “freak” McCloud began collecting blotter and ultimately became embroiled with the LSD trade. The book closes with a unique discussion of the market for “vanity blotter”—more recent perforated papers produced as collectible art objects never meant to be dipped in LSD. While vanity blotters are intimately related to the underground blotters of the LSD trade, they effectively open up their own visual world. As the ultimate document of this ephemeral artform, Blotter represents an exceptional contribution to the scholarship of art and psychedelics that will entertain older readers with lysergic nostalgia and younger readers with its image-driven journey through a colorful and scandalous corner of psychedelic lore.