A woman gets caught up in a game of deception with a smooth South Carolina lawyer in this classic romance from a New York Times–bestselling author. Lisa Talmadge is positive her Aunt Mitzi’s lawyer is taking advantage of her trusting nature—and her money. Not about to let Mitzi get manhandled by a crook, Lisa confronts Slade Blackwell at his practice in Charleston. But when he mistakes her for his temporary secretary, Lisa suddenly finds herself turning a case of mistaken identity into a full-fledged undercover operation—complete with a wig and alter ego. Searching for evidence of Slade’s dirty dealings while posing as a married redhead named Ann Eldridge puts Lisa in a dangerous position: While she’s pretty sure Slade is up to no good, his charm and sexy strength are getting her all hot and bothered. It’s only a matter of time before her web of lies comes crashing down, and as Lisa starts to fall for Slade, she worries her heart will get broken in the process. Set in steamy South Carolina, this is a deliciously suspenseful romance by a beloved icon of the genre who has sold over 300 million copies.

Welcome to South Carolina's Lowcountry, the so-called “Netherlands of the South," where good tales grow like sweet-grass and the truth is as tricky as the Devil himself. Author Brian McCreight recounts thirteen tall tales told to him by his friend Jim Aisle, the Lowcountry Liar, whose homespun Southern yarns weave fact and fiction like the Gullah women make sweet-grass baskets. These tales are for telling aloud; the funny and the fantastic betide true Southern characters in a style as smooth as morning on the Stono River. Hear from Jim the stories of Brave Bob and his encounter with the ne'er-do-wells at the old mansion; of Lazy Lowcountry Jack and his troubles earning his keep and following his mama's orders; and learn about the Native American boy way back when whose hungry fishing trip wound up supplying food for all the coastal peoples. Jim even tells his own story: a firsthand account of a foggy morning on Buzzard's Roost Point, an area strictly off-limits to all but the conjure men and root doctors who work their magic there.

Stories based upon traditional South Carolina local history and legends fill the pages of this haunting collection. Talented wordsmith Jim Aisle, known as the Lowcountry Liar, spins tales of the supernatural, the weird, the mysterious, and the humorous. These titillating tales are recorded and relayed to the gentle reader by his friend Brian Wanamaker McCr�ight, who tosses in a few of his own yarns to round out this clever collection. Each story begins with a folksy introduction from both the Lowcountry Liar and McCr�ight as they ramble about the region and ends with notes about provenance and fascinating facts. The tales have a life of their own and will resonate with all who have listened in rapt attention around a campfire surrounded by darkness. Included are ghostly legends from the great Late Unpleasantness, more often referred to as the Civil War, with such intriguing titles as "The Silverware Civil War" and the "Cross of St. George." Spooky twists abound in "Love Stinks" and "Mother's Milk." Even the most endearing of timeless tales, such as the popular "The Little White Dog of White Point Garden," are told in the Lowcountry vernacular and will become a favorite of every reader.

2020 George C. Rogers Jr. Award Finalist, best book of South Carolina history A study of Charleston's topographic evolution, its history of flooding, and efforts to keep residents dry and safe The signs are there: our coastal cities are increasingly susceptible to flooding as the climate changes. Charleston, South Carolina, is no exception, and is one of the American cities most vulnerable to rising sea levels. Lowcountry at High Tide is the first book to deal with the topographic evolution of Charleston, its history of flooding from the seventeenth century to the present, and the efforts made to keep its populace high and dry, as well as safe and healthy. For centuries residents have made many attempts, both public and private, to manipulate the landscape of the low-lying peninsula on which Charleston sits, surrounded by wetlands, to maximize drainage, and thus buildable land and to facilitate sanitation. Christina Butler uses three hundred years of archival records to show not only the alterations to the landscape past and present, but also the impact those efforts have had on the residents at various socio-economic levels throughout its history. Wide-ranging and thorough, Lowcountry at High Tide goes beyond the documentation of reclamation and filling and offers a look into the life and the history of Charleston and how its people have been affected by its unique environment, as well as examining the responses of the city over time to the needs of the populace. Butler considers interdisciplinary topics from engineering to public health, infrastructure to class struggle, and urban planning to civic responsibility in a study that is not only invaluable to the people of Charleston, but for any coastal city grappling with environmental change. Illustrated with historical maps, plats, and photographs and organized chronologically and thematically within chapters, Lowcountry at High Tide offers a unique look at how Charleston has kept—and may continue to keep—the ocean at bay.

"From horse thieves to hurricanes, from shattered Southern myths to fractured family ties, from Nashville to Myrtle Beach to Miami, Low Country is a lyrical, devastating, fiercely original memoir" of one family's changing fortunes in the Low Country of South Carolina (Justin Taylor, author of Riding with the Ghost). J. Nicole Jones is the only daughter of a prominent South Carolina family, a family that grew rich building the hotels and seafood restaurants that draw tourists to Myrtle Beach. But at home, she is surrounded by violence and capriciousness: a grandfather who beats his wife, a barman father who dreams of being a country music star. At one time, Jones's parents can barely afford groceries; at another, her volatile grandfather presents her with a fur coat. After a girlhood of extreme wealth and deep debt, of ghosts and folklore, of cruel men and unwanted spectacle, Jones finds herself face to face with an explosive possibility concerning her long-abused grandmother that she can neither speak nor shake. And through the lens of her own family's catastrophes and triumphs, Jones pays homage to the landscapes and legends of her childhood home, a region haunted by its history: Eliza Pinckney cultivates indigo, Blackbeard ransacks the coast, and the Gray Man paces the beach, warning of Hurricane Hazel.

A workplace flirtation leads to something more in this New Jersey–set romance in the series that gives each state a love story to call its own. As one of the few female “cameramen” in the TV business, Jersey girl Petra “Pet” Wallis works hard to fit in on set. But as much as she tries to keep her cool, she can’t help butting heads with her boss, Dane Kingston. The first time she met Dane, the hotshot producer/director mistook Pet for someone’s girlfriend and chewed her out for messing with expensive equipment. Pet quickly corrected his error, but the two have had it out for each other ever since. Now, Pet is working for Dane again, this time on a high-profile special starring the singing sex goddess, Ruby Gale. Before shooting even starts, Dane warns Pet to make sure she doesn’t stir up trouble. Pet has always been careful, but Dane gets under her skin in a way she just can’t explain. And as the production unfolds, it gets tougher and tougher for Pet to behave like she’s just one of the boys.