From the legendary literary master, winner of the National Book Award and New York Times bestselling author Joyce Carol Oates, a collection of thirteen mesmerizing stories that maps the eerie darkness within us all. Insightful, disturbing, imaginative, and breathtaking in their lyrical precision, the stories in Lovely, Dark, Deep display Joyce Carol Oates’s magnificent ability to make visceral the terror, hurt, and uncertainty that lurks at the edges of ordinary lives. In “Mastiff,” a woman and a man are joined in an erotic bond forged out of terror and gratitude. “Sex with Camel” explores how a sixteen-year-old boy realizes the depth of his love for his grandmother—and how vulnerable those feelings make him. Fearful that that her husband is “disappearing” from their life, a woman becomes obsessed with keeping him in her sight in “The Disappearing.” “A Book of Martyrs” reveals how the end of a pregnancy brings with it the end of a relationship. And in the title story, the elderly Robert Frost is visited by an interviewer, an unsettling young woman, who seems to know a good deal more about his life than she should. A piercing and evocative collection, Lovely, Dark, Deep reveals an artist at the height of her creative power.

In the aftermath of a car accident that kills her boyfriend and throws her carefully planned future into complete upheaval, high school senior Wren retreats to the deep woods of Maine to live with the artist father she barely knows and meets a boy who threatens to pull her from her safe, hard-won exile.

“In this moving, empowering book,” a high school senior navigates new love after she is diagnosed with photosensitivity, an illness that changes her life (Booklist). When Viola Li returns from a trip, she develops a sudden and extreme case of photosensitivity—an inexplicable allergy to sunlight. Thanks to her crisis-manager parents, she doesn’t just have to wear layers of clothes and spaceship-sized hat. She has to avoid all hint of light. Say goodbye to windows and running outdoors. Even her phone becomes a threat. Viola is determined to maintain a normal life, particularly after she meets Josh. He’s a funny, talented Thor look-alike with his own mysterious grief. But their romance makes her take more risks, and when a rebellion against her parents backfires dangerously, she must find her way to a life—and love—as deep and lovely as her dreams. “A luminous read that will rekindle your faith in the indomitable human spirit.” —Matthew Quick, author of The Silver Linings Playbook “An inspiring, romantic novel full of redemption and hope.” —Mitali Perkins, author of You Bring the Distant Near “Fresh, often funny . . . Readers won’t be able to help but root for Viola in this moving, empowering book about a teen recalculating her well-laid plans, all in a vivid voice.” —Booklist, starred review “Chen provides glimmers of hope as she reveals Viola’s battle to reclaim a form of normalcy.” —Publishers Weekly “A strong exploration of resilience in the face of life unpredictable.” —Kirkus Reviews

Just before summer begins, 13-year-old Ali finds an odd photograph in the attic. She knows the two children in it are her mother, Claire, and her aunt Dulcie. But who’s the third person, the one who’s been torn out of the picture? Ali figures she’ll find out while she’s vacationing in Maine with Dulcie and her four-year-old daughter, Emma, in the house where Ali’s mother’s family used to spend summers. All hopes for relaxation are quashed shortly after their arrival, though, when the girls meet Sissy, a kid who’s mean and spiteful and a bad influence on Emma. Strangest of all, Sissy keeps talking about a girl named Teresa who drowned under mysterious circumstances back when Claire and Dulcie were kids, and whose body was never found. At first Ali thinks Sissy’s just trying to scare her with a ghost story, but soon she discovers the real reason why Sissy is so angry. . . . Mary Downing Hahn is at her chilling best in this new supernatural tale that’s certain to send shivers down her readers’ spines.

A heart-pounding romantic thriller that pits a quick-witted scientist and a scarred former combat diver against a ruthless billionaire treasure hunter with ties to the White House.

"Wise old Vergil says in one of his Georgics, 'Praise large farms, stick to small ones,'" Robert Frost said. "Twenty acres are just about enough." Frost started out as a school teacher living the rural life of a would-be farmer, and later turned to farming full time when he bought a place of his own. After a sojourn in England where his first two books were published to critical acclaim, he returned to New England, acquired a new farm and became a rustic for much of the rest of his life. Frost claimed that all of his poetry was farm poetry. His deep admiration for Virgil's Georgics, or poems of rural life, inspired the creation of his own New England "georgics," his answer to the haughty 20th-century modernism that seemed certain to define the future of Western poetry. Like the "West-Running Brook" in his poem of the same name, Frost's poetry can be seen as an embodiment of contrariness.