When unworldly fantasist H.P. Lovecraft was approached by crafty fanatic George Sylvester Viereck to write an American Mein Kampf, the bait was almost irresistible. If Lovecraft would lend his pen and his Anglo-Saxon stock to the fascist cause, Viereck would arrange the publication in proper book form of a volume of his stories, hitherto scattered in pulp magazines. Whilst the famous horror writer had some pretty obnoxious political opinions, his friends didn't really believe he knew what deep waters he was getting himself into. And so began a concerted effort to keep H.P. Lovecraft out of the clutches of the forces of darkness that were to plunge the world into war...

H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.

The stories are legendary, the characters unforgettable, the world horrible and disturbing. Howard Phillips Lovecraft may have been a writer for only a short time, but the creations he left behind after his death in 1937 have shaped modern horror more than any other author in the last two centuries: the shambling god Cthulhu, and the other deities of the Elder Things, the Outer Gods, and the Great Old Ones, and Herbert West, Reanimator, a doctor who unlocked the secrets of life and death at a terrible cost. In Lovecraft Unbound, more than twenty of today's most prominent writers of literature and dark fantasy tell stories set in or inspired by the works of H. P. Lovecraft.

The stories are legendary, the characters unforgettable, the world horrible and disturbing. Howard Phillips Lovecraft may have been a writer for only a short time, but the creations he left behind after his death in 1937 have shaped modern horror more than any other author in the last two centuries: the shambling god Cthulhu, and the other deities of the Elder Things, the Outer Gods, and the Great Old Ones, and Herbert West, Reanimator, a doctor who unlocked the secrets of life and death at a terrible cost. In Lovecraft Unbound, more than twenty of today's most prominent writers of literature and dark fantasy tell stories set in or inspired by the works of H. P. Lovecraft.

Maurice L'vy's book is a penetrating analysis of the themes running through the works of H. P. Lovecraft, the writer of horror and supernatural fiction. Broader than a thematic study, however, L'vy's analysis is unique in his use of Lovecraft's work as a model for fantastic writing in general and in his provocative theory as to why Lovecraft wrote the sort of works he did. At an early age, Lovecraft sloughed off all religious belief and came to adopt a bleak and nihilistic philosophy where humans have no importance in the cosmos but to serve as the playthings of incomprehensible and uncaring forces. L'vy sees Lovecraft's works as an attempt to purge himself of these feelings and to give himself a reason to love in a universe that cares nothing for him or for other human beings in general. It is this view of Lovecraft the writer, the thinker, and the man that sets L'vy's work apart from any Lovecraft criticism.

A chilling collection of four Lovecraft tales adapted by award winning comic writer Steven Philip Jones. Lovecraft is considered one of America’s most innovative and popular American horror writers. The master of the weird tale during the first decades of the 20th Century until his premature death in 1937, Lovecraft’s distinctive style and canon of work has influenced many authors. Jones takes the classic tales and while remaining true to the source, brings them into the modern age which can sometimes make the horror even more terrifying. These tales are illustrated by Octavio Cariello who has worked on DC's Green Lantern, Deathstroke, and Black Lightning comic series. The four illustrated stories within this Volume are "The Lurking Fear" where Arthur Monroe explores a sinkhole where bodies are found, savagely torn apart is if by wild animals. "Beyond the Wall of Sleep" shows that the power of the mind is a mysterious thing and when a researcher finds that he and a criminal patient are somehow linked, the effect can go beyond just mysterious. "The Tomb" tells the tale of Jervas Dudley, who is convinced ghosts exist and when he visits the site where his ancestors perished 200 years ago, he might just find out for sure, and "The Alchemist", for over 600 years the male descendants of the Chabrillane family have all inexplicably perished on their 32nd birthday. Now, the last Count de Chabrillane is about to turn 32.