Punk isn't a sound--it's an idea! In its history, K Records has fostered some of independent music's greatest artists, including Bikini Kill, Beat Happening, Built to Spill, Beck, Modest Mouse, and the Gossip. In 1982, K Records released its first cassette and put its own spin on punk's defiant manifesto: You don't need anyone's permission to make music. Thirty years later, the label continues to operate in the underground while rightfully claiming a role as one of the most transformative engines of modern independent music. It has also galvanized the international pop underground, helped create the grunge scene that took over pop culture, and provided a launching pad for the riot grrrl movement that changed the role of women in music forever. Love Rock Revolution tells the story of how it all happened, recounting the early journeys of K Records founder Calvin Johnson from the punk mecca of London to the hardcore clubs of Washington, D.C., in the late-'70s, the creation of K Records in the '80s, the label's role in revolutionizing independent music in the '90s, and its struggle to survive that revolution with its integrity intact.

Covering one of the most unforgettable moments in modern history—and including striking images of twentieth-century icons such as Janis Joplin, Bob Dylan, Jimi Hendrix, Timothy Leary, Allen Ginsburg, Grace Slick, and more—The Haight is an indispensable gallery of legendary photographer Jim Marshall’s iconic Sixties-era San Francisco photography. The counter-culture movement of the 1960s—and the wellspring of creativity it fostered—is one of the most continually fascinating and endlessly examined moments of the twentieth century. The footprint of that movement reverberates strongly today in music, fashion, literature, and social issues, to name a few. Widely regarded as the cradle of revolution, California’s Haight-Ashbury grew in the sixties from a small neighborhood in San Francisco to a worldwide phenomenon—a concept that extends far beyond the boundaries of the intersection itself. Legendary photographer Jim Marshall visually chronicled this area as perhaps no one else did. Renowned for his powerful portraits of some of the greatest musicians of the era, Marshall covered Haight-Ashbury with the same unique eye that allowed him to amass a staggering archive of rock-and-roll photography and Grammy recognition for his life’s work. In this one-of-a-kind book, the full extent of Marshall’s Haight-Ashbury work is stunningly displayed: live concerts, powerful candids, intimate sessions with icons of the day, street scenes, crash pads, alleyways, and the human be-in, all culminating in the definitive photographic record of a watershed moment in time. Featuring hundreds of images of everyone from Bill Graham, Bob Dylan, Jimi Hendrix, Janis Joplin, and Jefferson Airplane to Donovan, The Beatles, Allen Ginsberg, and Timothy Leary, The Haight tells the complete and comprehensive story of the street, creative, cultural, and revolutionary aspects of the day. Written by bestselling San Francisco music journalist Joel Selvin, the story behind each and every one of these incomparable images is disclosed through an intimate and revealing narrative, lending the images a fascinating context and prospective. Bold and beautifully crafted, The Haight captures the full scope and nuance of Marshall’s San Francisco photography and offers fresh insight into the Summer of Love, Haight-Ashbury, and beyond.

Traces the development of rock music from its introduction in the mid-1950's to today's electronic forms and considers its social and psychological implications.

Punk Rock examines the history of punk rock in its totality. Punk became a way of thinking about the role of culture and community in modern life. Punks forged real alternatives to producing popular music and built community around their music. This punk counterpublic, forged in the late Cold War period, spanned the globe and has provided a viable cultural alternative to alienated young people over the years. This book starts with the rise of modernity and places the emergence of punk as a musical subculture into that longer historical narrative. It also reveals how punk itself became a contested terrain, as participants sought to imbue the production of music with greater meaning. It highlights all styles of punk and its wide variety of creators around the world, including from the LGBTQ+, feminist, and alternative communities. Punk was and remains a transnational phenomenon that influences music production and shapes our understanding of culture’s role in community building.

Well into the new millennium, the analog cassette tape continues to claw its way back from obsolescence. New cassette labels emerge from hipster enclaves while the cassette’s likeness pops up on T-shirts, coffee mugs, belt buckles, and cell phone cases. In Unspooled, Rob Drew traces how a lowly, hissy format that began life in office dictation machines and cheap portable players came to be regarded as a token of intimate expression through music and a source of cultural capital. Drawing on sources ranging from obscure music zines to transcripts of Congressional hearings, Drew examines a moment in the early 1980s when music industry representatives argued that the cassette encouraged piracy. At the same time, 1980s indie rock culture used the cassette as a symbol to define itself as an outsider community. Indie’s love affair with the cassette culminated in the mixtape, which advanced indie’s image as a gift economy. By telling the cassette’s long and winding history, Drew demonstrates that sharing cassettes became an acceptable and meaningful mode of communication that initiated rituals of independent music recording, re-recording, and gifting.

Featuring striking images of twentieth-century icons, such as Janis Joplin, Bob Dylan, Jimi Hendrix, Timothy Leary, Allen Ginsburg, Grace Slick, and others, The Haight is an indispensable gallery of legendary photographer Jim Marshall’s iconic sixties-era San Francisco photography—now available in a smaller, easy-to-carry size perfect for students, tourists, and other readers on-the-go. The counterculture movement of the 1960s is one of the most continually fascinating and endlessly examined milestones of the twentieth century. The footprint of that movement reverberates strongly today in music, fashion, literature, art, and society as a whole. Widely regarded as the cradle of revolution, California’s Haight-Ashbury grew in the sixties from a small neighborhood in San Francisco to a worldwide phenomenon—a concept that extended far beyond the boundaries of the street intersection itself. Jim Marshall visually chronicled the neighborhood as perhaps no one else did. Renowned for his powerful portraits of some of the greatest musicians of the era, Marshall covered Haight-Ashbury with the same unique eye that allowed him to amass a staggering archive of music photography and Grammy recognition for his lifework. In this one-of-a-kind book, the full extent of Marshall’s Haight-Ashbury archive is stunningly displayed; powerful candids, intimate portraits, and images of live concerts, street scenes, crash pads, alleyways, and the Human Be-In are collected in the definitive photographic record of a watershed moment in time. Featuring hundreds of striking images of icons, ranging from Jimi Hendrix, Janis Joplin, Bill Graham, Grace Slick, and the Jefferson Airplane to the Beatles, Allen Ginsberg, Timothy Leary, and Bob Dylan, The Haight tells the complete and comprehensive story of the street, creative, cultural, and revolutionary aspects of the day. Written by best-selling San Francisco music journalist Joel Selvin, the story behind each and every one of these incomparable images is disclosed through an intimate and revealing narrative, lending the images a fascinating context and perspective. Bold and beautifully crafted, The Haight captures the full scope and nuance of Marshall’s San Francisco photography and offers fresh insight into the Summer of Love, Haight-Ashbury, and beyond.