Love, Hate, and the Law in Tudor England reconstructs the life of Ralph Rishton, a member of the sixteenth-century Lancashire gentry who was a child bridegroom and a serial wife-discarder, who bribed church officials to obtain a forged annulment, defrauded a kinsman out of his inheritance, and adroitly manipulated his own and other people's land. The dozens of lawsuits in which the Rishtons were involved, in many different courts, elucidate one family's engagement with law in Tudor England: how they used and misused law, how it shaped their perceptions of rights and mutual obligations, and how it framed litigants' and witnesses' language. Drawing upon trial and estate records, the core of this study is the central narrative of Ralph Rishton's three wives, of litigiousness and violence, marriage and property, and the pursuit of equitable resolutions to disputes, along with countless smaller narratives that vividly capture a culture in its time and place. Alongside that central narrative, L. R. Poos uses the Rishton stories as a starting-point to analyse child marriage, the construction of memory, and the development of local historical identity through antiquarians and the Victorian and Edwardian local press, demonstrating how - from the time of the Rishtons into the twentieth century - historical narratives were continually reshaped and repurposed.

Love, Hate, and the Law in Tudor England reconstructs the life of Ralph Rishton, a member of the sixteenth-century Lancashire gentry who was a child bridegroom and a serial wife-discarder, who bribed church officials to obtain a forged annulment, defrauded a kinsman out of his inheritance, and adroitly manipulated his own and other people's land. The dozens of lawsuits in which the Rishtons were involved, in many different courts, elucidate one family's engagement with law in Tudor England: how they used and misused law, how it shaped their perceptions of rights and mutual obligations, and how it framed litigants' and witnesses' language. Drawing upon trial and estate records, the core of this study is the central narrative of Ralph Rishton's three wives, of litigiousness and violence, marriage and property, and the pursuit of equitable resolutions to disputes, along with countless smaller narratives that vividly capture a culture in its time and place. Alongside that central narrative, L. R. Poos uses the Rishton stories as a starting-point to analyse child marriage, the construction of memory, and the development of local historical identity through antiquarians and the Victorian and Edwardian local press, demonstrating how - from the time of the Rishtons into the twentieth century - historical narratives were continually reshaped and repurposed.

Love, Hate, and the Law in Tudor England reconstructs the life of Ralph Rishton, a member of the sixteenth-century Lancashire gentry who was a child bridegroom and a serial wife discarder, who bribed church officials to obtain a forged annulment, defrauded a kinsman out of his inheritance, and adroitly manipulated his own and other people's land. The dozens of lawsuits in which the Rishtons were involved, in many different courts, elucidate one family's engagement with law in Tudor England: how they used and misused law, how it shaped their perceptions of rights and mutual obligations, and how it framed litigants' and witnesses' language. Drawing upon trial and estate records, the core of this book is the central narrative of Ralph Rishton and his three wives, of litigiousness and violence, marriage and property, and the pursuit of equitable resolutions to disputes, along with countless smaller narratives that vividly capture a culture in its time and place. Alongside that central narrative, the book uses the Rishton stories as a starting point for analysing child marriage, the construction of memory, and the development of local historical identity through antiquarians and the Victorian and Edwardian local press, demonstrating how-from the time of the Rishtons into the twentieth century-historical narratives were continually reshaped and repurposed.

Sheds new light on the relationship between Crown and society at the dawn of the Tudor regime.

Shortlisted for the Wolfson History Prize 2018 A Book of the Year for the Evening Standard and the Observer A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England… They were present at some of the defining moments of the age. They were christened, married and buried by the Church. They were paid wages like any other Tudors. The untold stories of the Black Tudors, dazzlingly brought to life by Kaufmann, will transform how we see this most intriguing period of history.

A Rural Society after the Black Death is a study of rural social structure in the English county of Essex between 1350 and 1500. It seeks to understand how, in the population collapse after the Black Death (1348-1349), a particular economic environment affected ordinary people's lives in the areas of migration, marriage and employment, and also contributed to patterns of religious nonconformity, agrarian riots and unrest, and even rural housing. The period under scrutiny is often seen as a transitional era between 'medieval' and 'early-modern' England, but in the light of recent advances in English historical demography, this study suggests that there was more continuity than change in some critically important aspects of social structure in the region in question. Among the most important contributions of the book are its use of an unprecedentedly wide range of original manuscript records (estate and manorial records, taxation and criminal-court records, royal tenurial records, and the records of church courts, wills etc.) and its application of current quantitative and comparative demographic methods.