Little owl Mo is in for a surprise when his baby cousin Bibi comes to stay. She seems cute enough. But will there be enough of Grandma’s love to go around? Written and illustrated by the award-winning Jane Chapman (Squish Squash Squeeze!, No More Cuddles), Love Enough for Twois a fantastic sequel to the bedtime favourite, I’m Not Sleepy! This heart-warming and gently humorous tale is perfect for big brothers, sisters or cousins who are learning to welcome new additions to the family.

The capstone and crowning achievement of the Future History series, from the New York Times bestselling Grand Master of Science Fiction... Time Enough for Love follows Lazarus Long through a vast and magnificent timescape of centuries and worlds. Heinlein's longest and most ambitious work, it is the story of a man so in love with Life that he refused to stop living it; and so in love with Time that he became his own ancestor.

Two additional books have followed; Window: A Poets Journey details the spectrum of life and, like her first book, has a cover photo of an art piece in another medium. This time, a painting Sonja completed while in high school; it expresses a journey we take through life. Sonja once again returned to the theme of love in Is Love Enough? In this collection, her cover photo portrays the many colors of love expressed in relationships. Sonja currently lives in Ashburn, Virginia, busy in her career and college studies. She continues to express her zest for life through poetry.

My, "Special Understandings" are my philosophies and lessons I've learned while advancing in life. "Visions" are visual sights of nature as well as outlooks towards the future. Submerge yourself and enjoy.

From our acclaimed poet and novelist: a gem of a novel that sizzles about love—between lovers, between friends, and for the places we live in—and pays homage to each moment of experience. Love lasted only one year but the time felt like several springs strung together. In Love Enough, the sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here—June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In these pages, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another. The young man Bedri experiences the terrible isolation brought about by an act of violence, while his father, Da'uud, casualty of a geopolitical conflict, driving a taxi, is witness to curious gestures of love and anger; Lia faces the sometimes unbridgeable chasms of family; and fierce June, ambivalent and passionate with her string of lovers, now in middle age discovers: "There is nothing universal or timeless about this love business. It is hard if you really want to do it right." Brand is our greatest observer—of actions, of emotions, of the little things that often go unnoticed but can mean the turn of a day. At once lucid and dream-like, Love Enough is a profoundly modern work that speaks to the most fundamental questions of how we live now.

Single mom Sierra Summers and lawyer Matthew Dixon are opposites in all respects and their relationship appears impossibly doomed. But God knows what's written in the stars. Original.

For 60 years the Eurovision Song Contest has existed in a parallel universe where a song about the construction of a hydro-electric power station is considered cutting-edge pop, where half a dozen warbling Russian grandmothers are considered Saturday night entertainment, where a tune repeating the word 'la' 138 times is considered a winner, and where Australia is considered part of Europe During those sixty years we have witnessed scandals: in 1957, Denmark's Birthe Wilke and Gustav Winckler enjoyed an outrageously long 13-second kiss because the stage manager forgot to say 'cut' during the live broadcast. We have witnessed national outrage: the 1976 Greek entry was a savage indictment of Turkish foreign policy in Cyprus. But most have all we have witnessed silly costumes, terrible lyrics and performers as diverse as Celine Dion and Dustin the Turkey. This book chronicles the 100 craziest moments in the history of Eurovision - the drag acts, the bad acts, the nul points heroes and the night in Luxembourg when the floor manager warned the audience not to stand up while they applauded because they might be shot by security forces. It captures some of the magic from this yearly event that continues to beguile and bemuse in equal measure.