A Today.com Best Pick for Valentine’s Day! A whirlwind twenty-four-hour romance about two teens who meet—and perhaps change their minds about love—on a train ride in the middle of a snowstorm. Leah Konen’s Love and Other Train Wrecks is perfect for fans of Emery Lord and Jennifer E. Smith. Noah is a hopeless romantic. He’s traveling home for one last chance with his first love, and he needs a miracle to win her back. Ammy doesn’t believe in true love—just look at her parents. If there’s one thing she’s learned about love in the last year, it’s that it ends. That is, until one winter night when Noah and Ammy find themselves in the same Amtrak car heading to Upstate New York. After a train-wreck first impression between the two of them, the Amtrak train suddenly breaks down—in the middle of a snowstorm. Desperate to make it to their destinations, Noah and Ammy have no other option but to travel together. What starts off as a minor detour turns into the journey of a lifetime, but come morning their adventure takes an unexpected turn for the worst. Can one night can really change how they feel about love...and the course of their lives forever?

Why can't we look away? Whether we admit it or not, we're fascinated by evil. Dark fantasies, morbid curiosities, Schadenfreude: As conventional wisdom has it, these are the symptoms of our wicked side, and we succumb to them at our own peril. But we're still compelled to look whenever we pass a grisly accident on the highway, and there's no slaking our thirst for gory entertainments like horror movies and police procedurals. What makes these spectacles so irresistible? In Everyone Loves a Good Train Wreck, the scholar Eric G. Wilson sets out to discover the source of our attraction to the caustic, drawing on the findings of biologists, sociologists, psychologists, anthropologists, philosophers, theologians, and artists. A professor of English literature and a lifelong student of the macabre, Wilson believes there's something nourishing in darkness. "To repress death is to lose the feeling of life," he writes. "A closeness to death discloses our most fertile energies." His examples are legion, and startling in their diversity. Citing everything from elephant graveyards and Susan Sontag's On Photography to the Tiger Woods sex scandal and Steel Magnolias, Wilson finds heartening truths wherever he confronts death. In Everyone Loves a Good Train Wreck, the perverse is never far from the sublime. The result is a powerful and delightfully provocative defense of what it means to be human—for better and for worse.

“Smart ... compelling ... persuasive .” —New York Times Book Review She’s everywhere once you start looking: the trainwreck. She’s Britney Spears shaving her head, Whitney Houston saying “crack is whack,” and Amy Winehouse, dying in front of millions. But the trainwreck is also as old (and as meaningful) as feminism itself. From Mary Wollstonecraft—who, for decades after her death, was more famous for her illegitimate child and suicide attempts than for A Vindication of the Rights of Woman—to Charlotte Brontë, Billie Holiday, Sylvia Plath, and even Hillary Clinton, Sady Doyle’s Trainwreck dissects a centuries-old phenomenon and asks what it means now, in a time when we have unprecedented access to celebrities and civilians alike, and when women are pushing harder than ever against the boundaries of what it means to “behave.” Where did these women come from? What are their crimes? And what does it mean for the rest of us? For an age when any form of self-expression can be the one that ends you, Doyle’s book is as fierce and intelligent as it is funny and compassionate—an essential, timely, feminist anatomy of the female trainwreck.

“Sean Carswell is a wonderful storyteller. . . . Reading his stuff makes you laugh and makes you think.”—Howard Zinn “[Carswell’s writing is] the antidote to what is so boring or safe or wrong with modern book publishing.”—Joe Meno, author of Hairstyles of the Damned Train Wreck Girl is the funny and tragic story of one man’s quest to figure out what to do with his life now that it’s too late for him to die young. After finding his girlfriend dead on the railroad tracks right after breaking up with her, Danny McGregor—Flagstaff bartender and surfer without an ocean—rides the next bus out of Arizona, fleeing to his Cocoa Beach, Florida, hometown, where a maelstrom of past ghosts await. Back in Florida, his treacherous friend, Bart, finds Danny a job picking up corpses. Sophie, a former crazy girlfriend who stabbed Danny, wants to rekindle their relationship. Taylor, a twelve-year-old neighborhood girl, only wants Danny to teach her to surf. And then there’s Helen, with a face that launched a dozen Greyhounds. Through the chaos, Danny discovers his strengths amid all his weaknesses and is able to move forward while making peace with his past. Sean Carswell is a former carpenter, housepainter, dishwasher, and warehouse clerk. His fiction has appeared in dozens of literary journals. He has been a staff writer for Flipside, Clamor, and Ink 19, and is a regular contributor to Razorcake. A co-founder of Gorsky Press, he is currently a professor at the University of California.

A woman in search of a fresh start is about to get more than she bargained for in this surprising and addictive domestic thriller for fans of The Couple Next Door. "Even the biggest thriller fan will struggle to guess the ending of this twisty, gorgeously written debut." --Rolling Stone It's just a lie among friends...until someone ends up dead. Fleeing Brooklyn with little more than a suitcase and her trusty dog, Lucy King heads to rustic Woodstock, New York, eager to lose herself in a quiet life where her past can never find her. But when she meets Vera and John, the alluring couple next door, their friendship proves impossible to resist. Just as Lucy starts to think the worst is behind her, the couple delivers a staggering bombshell: They, too, need to escape their troubles--and the only way they can begin their new life is if Lucy helps them fake John's death. Afraid to lose her newfound support system, Lucy reluctantly conspires with them to stage an "accidental" death on a hike nearby. It's just one little lie to the police, after all, and she knows a thing or two about the importance of fresh starts. But what begins as an elaborate ruse turns all too real when John turns up dead in the woods the morning after their hike. Now, Lucy must figure out who she can trust and who's pulling the strings of her tenuous new life...before she takes the fall for murder.

Ella, Astrid, and Sydney were planning the perfect summer after high school graduation. But when Astrid commits suicide in a lonely cabin, the other girls' worlds are shattered. How could their best friend have done this--to herself and to them? They knew everything about Astrid. Shouldn't they have seen this coming? Couldn't they have saved her? As Ella hunts for the truth, and Sydney tries to dull the pain, a chilling Facebook message from Astrid leaves them wondering whether their beloved friend is communicating from the after life. The girls embark on a journey to uncover Astrid's dark secrets. The answers to those questions--questions they never dreamed of asking--will change their lives forever.

As everyone at her Brooklyn high school announces their summer adventures, Olivia harbors a dirty secret: Her plan is to binge-watch horror movies and chat with her online friend, Elm. Olivia and Elm have never shared personal details, apart from their ages and the fact that Elm’s aunt is a low-budget horror filmmaker. Then Elm pushes Olivia to share her identity and sends her a selfie of his own. Olivia is shocked by how cute he is! In a moment of panic, assuming she and Elm will never meet in real life, she sends a photo of her gorgeous friend Katie. But things are about to get even more complicated when Olivia’s parents send her to the Catskills, and she runs into the one person she never thought she would see. This sweet and funny summertime romance is perfect for fans of Love and Gelato and The Unexpected Everything.