It is the year 2129 . . . and fame is all that matters Susan and her friends are celebutantes. Their lives are powered by media awareness, fed by engineered meals, and underscored by cynicism. Everyone has a rating; the more viewers who ID you, the better. So Susan and her almost-boyfriend Derlock cook up a surefire plan: the nine of them will visit a Mars-bound spaceship and stow away. Their survival will be a media sensation, boosting their ratings across the globe. There's only one problem: Derlock is a sociopath. Breakneck narrative, pointed cultural commentary, warm heart, accurate science, a kickass heroine, and a ticking clock . . . who could ask for more?

Determined to get rid of Hunk and his goofy gang, Commander Dorque is pleased when their new high-tech space vehicle is accidently launched ahead of schedule, until he finds out that his daughter is on board.

This is a laugh-out-loud exploration of sexuality, family, female friendship, grief, and community. With the heart and hilarity of Netflix's critically-acclaimed Sex Education, Wibke Brueggemann's sex positive debut Love Is for Losers is required reading for Generation Z teens. Did you know you can marry yourself? How strange / brilliant is that? Fifteen-year-old Phoebe thinks falling in love is vile and degrading, and vows never to do it. Then, due to circumstances not entirely in her control, she finds herself volunteering at a local thrift shop. There she meets Emma . . . who might unwittingly upend her whole theory on life.

The beloved New York Times bestselling author of the modern classic Frindle celebrates books and the joy of reading with a new school story to love! Sixth grader Alec can’t put a good book down. So when Principal Vance lays down the law—pay attention in class, or else—Alec takes action. He can’t lose all his reading time, so he starts a club. A club he intends to be the only member of. After all, reading isn’t a team sport, and no one would want to join something called the Losers Club, right? But as more and more kids find their way to Alec’s club—including his ex-friend turned bully and the girl Alec is maybe starting to like—Alec notices something. Real life might be messier than his favorite books, but it’s just as interesting. With The Losers Club, Andrew Clements brings us a new school story that’s a love letter to books and to reading and that reminds us that sometimes the best stories are the ones that happen off the page—our own! Winner of the Rhode Island Children's Book Award (2019) Winner of the International Reading Association and Children's Book Council: Children's Choices List (2018) Winner of the Garden State Children's Book Award (2020) 2021 Grand Canyon Reader Award Nominee A Kansas William White Master List Selection (2018 & 2019) An Arkansas Charlie May Simon Children's Book Award Nominee (2019) A California Young Reader Medal Nominee (2019) A Nebraska Golden Sower Award Nominee (2019) A Virginia Young Readers Program Award Nominee (2019) A Minnesota Maud Heart Lovelace Award Nominee (2019) A Missouri Mark Twain Award Nominee (2019) An Oregon Reader’s Choice Award Nominee (2019) Praise for The Losers Club! * "Clements’s latest is engaging and funny. A laugh-out-loud first purchase for all middle grade collections, and a solid read-aloud choice for classrooms."—School Library Journal, Starred Review "Clements is out to celebrate reading in all its obsessiveness, and...tosses in shout-outs to a passel of other writers. [The Losers Club] gives fried bookworms everywhere the satisfaction of knowing that friends may desert them (if only temporarily) but books never will. "—The New York Times Praise for Andrew Clements! “Clements is a genius.” —The New York Times “We have never read an Andrew Clements book that we haven’t loved.” —The Washington Post

Originally published: [Virginia?]: Cantrell Media Co., 2010.

Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From the front jacket flap: Contrary to widespread expectations in the wake of Sputnik, outer space did not immediately become a new arena for a superpower arms competition. Although the United States and the Soviet Union began to use space extensively for military purposes, both exhibited relatively little interest in the development of space weaponry. By the beginning of the 1980s, however, an arms race in space seemed inevitable. Now both the United States and the Soviet Union have developed the means to disable satellites and are now also considering the deployment of ballistic missile defenses in space. Why were these weapons never extensively developed earlier? What changed in the late 1970s to reverse the predominant trend in the militarization of space? What are the lessons for arms control and for Soviet-American relations in general? Paul Stares addresses these fundamental questions by examining the factors that have shaped United States policy towards the military use of space and in particular the development of antisatellite weapons. States relies heavily on declassified documents found in Presidential libraries and made available under the Freedom of Information Act, and he obtained additional information from a comprehensive series of interview with former members of the U.S. government and armed services. By judicious use of this material, he provides the first detailed account of United States space weapons policy and programs. An invaluable source of information for defense analysts and scholars of international relations, The Militarization of Space is essential reading for anyone wishing to understand present United States military space policy and its implications for the future.