Offers a powerful testimonial to the everyday horrors and the enduring human spirit present in Lodz Ghetto

Under the Third Reich, Nazi Germany undertook an unprecedented effort to refashion the city of Łódź. Home to prewar Poland’s second most populous Jewish community, this was to become a German city of enchantment—a modern, clean, and orderly showcase of urban planning and the arts. Central to the undertaking, however, was a crime of unparalleled dimension: the ghettoization, exploitation, and ultimate annihilation of the city’s entire Jewish population. Ghettostadt is the terrifying examination of the Jewish ghetto’s place in the Nazi worldview. Exploring ghetto life in its broadest context, it deftly maneuvers between the perspectives and actions of Łódź’s beleaguered Jewish community, the Germans who oversaw and administered the ghetto’s affairs, and the “ordinary” inhabitants of the once Polish city. Gordon Horwitz reveals patterns of exchange, interactions, and interdependence within the city that are stunning in their extent and intimacy. He shows how the Nazis, exercising unbounded force and deception, exploited Jewish institutional traditions, social divisions, faith in rationality, and hope for survival to achieve their wider goal of Jewish elimination from the city and the world. With unusual narrative force, the work brings to light the crushing moral dilemmas facing one of the most significant Jewish communities of Nazi-occupied Eastern Europe, while simultaneously exploring the ideological underpinnings and cultural, economic, and social realities within which the Holocaust took shape and flourished. This lucid, powerful, and harrowing account of the daily life of the “new” German city, both within and beyond the ghetto of Łódź, is an extraordinary revelation of the making of the Holocaust.

Emotionally resonant photographs of everyday life in the Jewish Lódz Ghetto taken during WWII From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910-91) was a member of an official team documenting the implementation of Nazi policies in the Lódz Ghetto. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. This compelling volume, originally published in 2015 and now available in paperback, presents a selection of Ross's images along with original prints and other archival material including curfew notices and newspapers. The photographs offer a startling and moving representation of one of humanity's greatest tragedies. Striking for both their historical content and artistic quality, his photographs have a raw intimacy and emotional power that remain undiminished.

A firsthand record of life in the Lodz ghetto from 1941 to its 1944 liquidation provides a devastating look at the Jewish community and the impact of the Holocaust

In his comprehensive examination of the Lódz Ghetto, originally published in Yiddish in 1962, historian Isaiah Trunk sought to describe and explain the tragedy that befell the Jews imprisoned in the first major ghetto imposed by the Germans after they invaded Poland in 1939. Lódz had been home to nearly a quarter million Jews. When the Soviet military arrived in January 1945, they found 877 living Jews and the remains of a vast industrial enterprise that had employed masses of enslaved Jewish laborers. Based on an exhaustive study of primary sources in Yiddish, Hebrew, Polish, German, and Russian, Isaiah Trunk, a former resident of Lódz, reconstructs the organization of the ghetto and discusses its provisioning; forced labor; diseases and mortality; crime and deportations; living conditions; political, social, and cultural life; and resistance. Included are translations of the 141 documents that Trunk reproduced in his volume.

Isaiah Spiegel was an inmate of the Lodz Ghetto from its inception in 1940 until its liquidation in 1944. While there, he wrote short stories depicting Jewish life in the ghetto and managed to hide them before he was deported to Auschwitz. After being freed, he returned to Lodz to retrieve and publish his stories. ​ The stories examine the relationship between inmates and their families, their friends, their Christian former neighbors, the German soldiers, and, ultimately, the world of hopelessness and desperation that surrounded them. In using his creative powers to transform the suffering and death of his people into stories that preserve their memory, Spiegel succeeds in affirming the humanity and dignity the Germans were so intent on destroying. Originally published as Malchut geto (Malkhes geto) in Yiddish.