Lloyd Nolan could play any character in any genre and was believable to every role. He was not acting; he was just real. He was Inspector Briggs in The House on 92nd Street and The Street With No Name. He was Dr. Swain in Peyton Place and, even as a bad guy, he was Lt. De Garmot in Lady in the Lake. Nolan's off-screen life was just as remarkable. He was devoted to his autistic son Jay and, when young Jay died in an accident 2500 miles away, Lloyd channeled his grief into action. For the rest of his life, he did everything he could to better the lives of disabled people and their families, and such people are still benefitting from the resulting legislation today. This is the story of the two lives of Lloyd Nolan--his prolific on-screen life that is so familiar to movieoers and television fans alike, and his off-screen life that has positively affected many throughout the country. His was a true Hollywood success story of a role model extraordinnaire!

This comprehensive guide covers all of the music used in Woody Allen's films from Take the Money and Run (1969) to Match Point (2005). Each film receives scene-by-scene analysis with a focus on how Allen utilized music.

The Comprehensive Film Guide to Amateur Sleuth, Detective & Police Stories of Film and Television. A look at the writers, Private Invetigators, Lawyers, and the Hollywood Personal that produced them, and other interesting stories that have Mystery and Intrigue.

'War Cinema' presents an introduction to and overview of films that take war as their main theme. Framing the era with 'Apocalypse Now' and 'Apocalypse Now Redux', the author initially focuses on Vietnam on film in the 1970s and 1980s and how this divisive war was represented.

Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.