A century later, Josephine Lang, a prodigiously talented pianist and dedicated composer, participated at various times in the German Romantic world of lieder through her important arts salon. Lastly, the twentieth century brought forth two exceptional women: Baroness Maria Bach, a composer and pianist of twentieth-century Vienna's upper bourgeoisie and its brilliant musical milieu in the era of Gustav Mahler, Richard Strauss, Arnold Schoenberg, and Erich Korngold; and Ann Schein, a brilliant and dauntless American piano prodigy whose career, ongoing today though only partially recognized, led her to study with the legendary virtuosos Arthur Rubinstein and Myra Hess.

She Lives In Music is a nourishing of the soul, spirit and mind collection by Andrea "Vocab" Sanderson. You can't help but tap your feet and groove with the elements in the brave but confident voice of Vocab. With some Parliament riffs, melancholic blues, jazz comes at you with a bop to give you that elixir. Don't sleep on this collection, let it breathe into you. -Edward Vidaurre McAllen Poet Laureate 2018-2019

Music research has entered something of a Golden Age. Technological advances and scholarly inquiry have merged in interdisciplinary studies--drawing on psychology, neuroscience, evolutionary biology, anthropology and other fields--that illuminate the musical nature of our species. This volume develops, supports and challenges that body of research, examining key issues in the field, such as the difficulty of writing about music, the formation of musical preferences, the emotional impact of musical sounds, the comparison of music and language, the impulse for making music and the connection between music and spirituality.

"A clear picture of a musician of rare integrity." — The Musical Times. Highly readable reminiscences, musical philosophy of great pianist: his experiences as a child prodigy in turn-of-the-century Vienna, concert career, thoughts on great conductors and composers of the day, preferences in the repertoire, much more. Also includes "Reflections on Music," address delivered at University of Manchester, 1933. Introduction by Edward Crankshaw. 20 illustrations. Index.

Most Americans are familiar with such classic folk tunes as "Ten Little Indians", "Oh Where, Oh Where, Has My Little Dog Gone?" and "Listen to the Mockingbird." But the composer behind these childhood favorites has been all but forgotten. Septimus Winner: Two Lives in Musicchronicles the life and achievements of one man's extraordinarily unusual career in music. Though Septimus Winner was considered one of the forefathers of nineteenth-century American popular song, he published his most popular and enduring works under the female pseudonym of Alice Hawthorne. The author sheds some much needed light on one of the most interesting anomalies in American musical history--Septimus Winner a.k.a. Alice Hawthorne. While Winner was certainly not the first male artist to publish under a woman's name, his case is distinct in that he created an entire persona for Alice Hawthorne and consistently used the pseudonym for well over three decades. "The Hawthorne Ballads", as they were generally known in the nineteenth century, were among the most successful songs of their day, rivaling Foster in popularity. Why would Winner make such a choice at a time when women were either struggling against the social conventions of the time or were disguising their own identities with male pseudonyms? Remson addresses this question and numerous others, shedding light on one of the most interesting anomalies in American musical history. The book is supplemented by alphabetical and pseudonymous listings of Winner's songs and arrangements of his music, as well as annotations for books, articles, and poetry written by Winner.

Rock & roll first spoke to Alec Wightman as a ten-year-old boy when he heard Dion sing "The Wanderer" on his transistor radio. Over the next sixty years, Wightman would listen to countless records, chase live shows from coast to coast, promote singer-songwriter acts through his own concert production company, and work with leaders in the music industry as a member and chair of the board of the Rock & Roll Hall of Fame-all while maintaining his day job as a successful corporate lawyer. In MUSIC IN MY LIFE: Notes From a Longtime Fan, Wightman chronicles his musical evolution from the great rock & roll of the 1960s to numerous Neil Young concerts in the '70s and on to decades discovering singer-songwriter favorites like John Stewart, Jesse Winchester, Tom Russell, Rosie Flores, and Dave Alvin. The constant throughout Wightman's life, as one reviewer puts it, has been his "ear for great songs and his admiration for those who craft them." In MUSIC IN MY LIFE, this admiration is genuine and palpable, regardless of whether the talent springs from the lesser-known (Chuck Prophet, John Fullbright) or the renowned (Bruce Springsteen, Jimmy Webb). With his tireless advocacy for live music, Wightman has forged special connections with scores of musicians over his lifetime, using his passion to bring artists and fans together. And his engagement with the Rock Hall is the cherry on top, giving him a unique perspective into the world of rock & roll-the music of our lives. MUSIC IN MY LIFE, says another reviewer, "is written proof that musical fandom can be a form of artistic expression."

A brief but extraordinarily powerful novel by the author of Dreams of My Russian Summers and Requiem for a Lost Empire, Music of a Life is set in the period just before, and two decades after, World War II. Alexeï Berg’s father is a well-known dramatist, his mother a famous opera singer. But during Stalin’s reign of terror in the 1930s they, like millions of other Russians, come under attack for their presumed lack of political purity. Harassed and proscribed, they have nonetheless, on the eve of Hitler’s war, not yet been arrested. And young Alexeï himself, a budding classical pianist, has been allowed to continue his musical studies. His first solo concert is scheduled for May 24, 1941. Two days before the concert, on his way home from his final rehearsal, he sees his parents being arrested, taken from their Moscow apartment. Knowing his own arrest will not be far behind, Alexeï flees to the country house of his fiancée, where again betrayal awaits him. He flees, one step ahead of the dreaded secret police until, taking on the identity of a dead soldier, he enlists in the Soviet army. Thus begins his seemingly endless journey, through war and peace, until he lands, two decades later, in a snowbound train station in the Urals, where he relates his harrowing saga to the novel’s narrator. An international bestseller, Music of a Life is, in the words of Le Monde, “extremely powerful . . . a gem.”