Recce troops missing from the army because of a drunken platoon Sargent dragging them down a nasty slope, they awaited a court marshal and got locked up for a while but escaped with a bit of help, there was only a four of them left now after their own ambush was ambushed in Bosnia,silver bars were found over there and sneaked back to the UK and more, the platoon Sargent spilled the beans on the four troopers and made stories up, MI5 agents were in pursuit and mare, IRA got involved because of their dodgy sarge, the troopers leave a trail of destruction, they wanted revenge and to clear their names, action and adventure tale with a shocking ending.

THROWN IN THE ARMY, MILITARY PATROL WENT WRONG, HIDDEN BUNKER HIDDEN SILVER BARS WE FOUND, SERB TROOPS SLAIN, SARGE HAS PLANS, ENEMY INCOUNTER, LOST PALS, TEAM DISSAPEAR, MILITARY WANT ANSWERS, WHERE'S THE SILVER BARS, ARMY SAID IT NEVER HAPPENED.

British reconnaissance team serving in Bosnia take silver bullion off the Serbs, there are suspicious killings involved, recce team has their ambush ambushed, the UN is very embarrassed, the silver bullion is sneaked back to the UK, platoon Sargent double crosses the team, IRA get involved, government agents sent to hunt the AWOL team down across international water, will the team get away with it?

Black boot Blake he was called – his boots you had to be wary about – they had a mini Deringer pistol built into each heel – got him out of many problems he encountered – exsoldier – survivor after the American civil war – was said to be a drifter, never settling down, always moving on after a short while, there was a reason for this – he was on the run, there was always someone after him – bounty hunters – paid off from an old enemy – poker game went wrong – too many cheating – a lot of money was at stake – someone pulled a gun – Blake was quicker – an innocent lady was shot – Blake was blamed and had to shoot himself out of the saloon – someone wanted revenge – Blake needed to disappear – now he was a hunted man – only one way out of this – fight back when he could – friends he made he soon lost – he was pushed too far – Blake played the last hand.

Before 2010, there were no Israeli horror films. Then distinctly Israeli serial killers, zombies, vampires, and ghosts invaded local screens. The next decade saw a blossoming of the genre by young Israeli filmmakers. New Israeli Horror is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception. She shows how these films challenge traditional representations of Israel and its people, while also appealing to audiences around the world. Gershenson introduces an innovative conceptual framework of adaptation, which explains how filmmakers adapt global genre tropes to local reality. It illuminates the ways in which Israeli horror borrows and diverges from its international models. New Israeli Horror offers an exciting and original contribution to our understanding of both Israeli cinema and the horror genre. A companion website to this book is available at https://blogs.umass.edu/newisraelihorror/ (https://blogs.umass.edu/newisraelihorror/) Book trailer: https://youtu.be/oVJsD0QCORw (https://youtu.be/oVJsD0QCORw)

Spending leave together on the South Coast during the Battle of Britain and the beginning of the blitz, Clive and Prudence have an affair. Having survived Dunkirk, but having a crisis of conscience over what the war is being fought for and disgusted at the incompetence of the ruling elite, Clive decides not to return to the Army and to go absent without leave. Deserving comparison to Hemingway's "A Farewell to Arms", This Above All was heralded as the first great novel of the Second World War... and it is about the war, but first and last it is a great love story, a great adventure in thinking things through. This soldier, discharged on leave after hospitalization, meets a girl in uniform of the W.A.A.F’s - and they break through the barriers of tradition and class and come to understand what both of them really stand for.

When Finland gained its independence from Russia in 1917, the country had not had a military for almost two decades. The ensuing creation of a new national conscript army aroused intense but conflicting emotions among the Finns. This book examines how a modern conscript army, born out of a civil war, had to struggle through social, cultural and political minefields to find popular acceptance. Exploring the ways that images of manhood were used in the controversies, it reveals the conflicts surrounding compulsory military service in a democratic society and the compromises made as the new nation had to develop the will and skill to defend itself. Through the lens of masculinity, another picture of conscription emerges, offering new understandings of why military service was resisted and supported, dreaded and celebrated in Finnish society. Intertwined with the story of the making of the military runs the story of how manhood was made and remade through the idealized images and real-life experiences of conscripted soldiers. Placing interwar Finland within a broad European context, the book traces the origins of competing military traditions and ideological visions of modern male citizenship back to their continental origins. It contributes to the need for studies on the impact of the Great War on masculinities and constructions of gender among military cultures in the peacetime period between the two world wars.