The literature of the supernatural has had a distinguished history over the past two centuries, and the incorporation of the supernatural in literary works can be traced back as far as classical antiquity.

The spellbinding classic that started it all, from the #1 New York Times bestselling author—the inspiration for the hit television series “A magnificent, compulsively readable thriller . . . Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire.”—Chicago Tribune Here are the confessions of a vampire. Hypnotic, shocking, and chillingly sensual, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.

How do you hunt a killer who can go back in time and make sure you're never born? A police pursuit kicks Sergeant Jack Redding of the Florida Highway Patrol and his trainee, Julie Karras, into a shoot–out that ends with one girl dead and another in cuffs, and the driver of the SUV fleeing into the Intracoastal Waterway. Redding stays on the hunt, driven by the trace memory that he knows that running woman – and he does, because his grandfather, a cop in Jacksonville, was hunting the same woman in 1957. Redding and his partner, Pandora Jansson, chase this seductive serial killer who can ride The Shimmer across decades. The pursuit cuts from modern–day Jacksonville to Mafia–ruled St. Augustine in 1957, then to the French Quarter of New Orleans in 1914. The stakes turn brutal when Jack, whose wife and child died in a crash the previous Christmas Eve, faces a terrible choice: help his grandfather catch the killer, or change time itself and try to save his wife and child. The Shimmer is a unique time–shifting thriller that will stay with you long after its utterly unforeseen and yet perfectly diabolical ending.

Bobby Dollar is an angel—a real one. He knows a lot about sin, and not just in his professional capacity as an advocate for souls caught between Heaven and Hell. Bobby’s wrestling with a few deadly sins of his own—pride, anger, even lust. But his problems aren’t all his fault. Bobby can’t entirely trust his heavenly superiors, and he’s not too sure about any of his fellow earthbound angels either, especially the new kid that Heaven has dropped into their midst, a trainee angel who asks too many questions. And he sure as hell doesn’t trust the achingly gorgeous Countess of Cold Hands, a mysterious she-demon who seems to be the only one willing to tell him the truth. When the souls of the recently departed start disappearing, catching both Heaven and Hell by surprise, things get bad very quickly for Bobby D. End-of-the-world bad. Beast of Revelations bad. Caught between the angry forces of Hell, the dangerous strategies of his own side, and a monstrous undead avenger that wants to rip his head off and suck out his soul, Bobby’s going to need all the friends he can get—in Heaven, on Earth, or anywhere else he can find them. You’ve never met an angel like Bobby Dollar. And you’ve never read anything like The Dirty Streets of Heaven. Brace yourself—the afterlife is weirder than you ever believed.

The Supernatural in Modern English Fiction by Dorothy. Scarborough, first published in 1917, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

A genre of supernatural fiction was among the more improbable products of the Age of Enlightenment. This book charts the troubled entry of the supernatural into fiction, and questions the historical reasons for its growing popularity in the late eighteenth century. Beginning with the notorious case of the Cock Lane ghost, a performing poltergeist who became a major attraction in London in 1762, and with Garrick's spellbinding and paradigmatic performance as the ghost-seeing Hamlet, it moves on to look at the Gothic novels of Horace Walpole, Ann Radcliffe, M. G. Lewis, and others, in unexpected new lights. The central thesis concerns the connection between fictions of the supernatural and the growth of consumerism: not only are ghost stories successful commodities in the rapidly commercialising book market, they are also considered here as reflections on the disruptive effects of this socio-economic transformation.