Literature and Revolution, written by the founder and commander of the Red Army, Leon Trotsky, in 1924 and first published in 1925, represents a compilation of essays that Trotsky drafted during the summers of 1922 and 1923. This book is a classic work of literary criticism from the Marxist standpoint. By discussing the various literary trends that were around in Russia between the revolutions of 1905 and 1917, Trotsky analyses the concrete forces in society, both progressive as well as reactionary, that helped shape the consciousness of writers at the time. In the book, Trotsky also explains that since the dawn of civilisation art had always borne the stamp of the ruling class and was primarily a vehicle that expressed its tastes and its sensibilities. “It is difficult to predict the extent of self-government which the man of the future may reach or the heights to which he may carry his technique. Social construction and psycho-physical self-education will become two aspects of one and the same process. All the arts—literature, drama, painting, music and architecture will lend this process beautiful form. More correctly, the shell in which the cultural construction and self-education of Communist man will be enclosed, will develop all the vital elements of contemporary art to the highest point. Man will become immeasurably stronger, wiser and subtler; his body will become more harmonized, his movements more rhythmic, his voice more musical. The forms of life will become dynamically dramatic. The average human type will rise to the heights of an Aristotle, a Goethe, or a Marx. And above this ridge new peaks will rise.”—Leon Trotsky

Authors such as Shakespeare, Milton, Thoreau, and Yeats are examined with a new imperative.

This influential collection explores the pivotal texts and topics in the Marxist tradition. Ranging over questions of social theory, political theory, moral philosophy and literary criticism, it looks at the thought of Marx and Trotsky, Luxemburg, Lenin and Althusser. They include Geras's influential and widely-cited treatment of fetishism in Capital, his comprehensive review of recent debates on Marxism and justice, discussions on political organisation, revolutionary mass action and party pluralism, and a novel analysis of the literary power of Trotsky's writing. In close dialogue with common themes and arguments in the literature of revolutionary Marxism, Geras brings some of his persistent preoccupations to the fore; with the normative foundations and some of the epistemological assumptions of this tradition, with issues of socialist democracy, working class self-education and emancipation.

Literature and Revolution by Leon Trotsky whith summary.Literature and Revolution is a classic work of literary criticism from the Marxist standpoint written by Leon Trotsky in 1924. By discussing the various literary trends that were around in Russia between the revolutions of 1905 and 1917 Trotsky analyzed the concrete forces in society, both progressive as well as reactionary, that helped shape the consciousness of writers at the time.In the book, Trotsky also explained that since the dawn of civilization art had always borne the stamp of the ruling class and was primarily a vehicle that expressed its tastes and its sensibilities. Nonetheless, he went on to argue against the seemingly obvious conclusion that after a proletarian revolution the proletariat as a ruling class should, therefore, strive to create its own proletarian art as many at the time thought.