Contains 13 essays, mostly written by American university-based professors of English, Hispanic language and literature, and women's studies, focusing on a variety of themes relating to lesbian and gay literature and the work of gay and lesbian authors. Lacks a subject index. Annotation copyrighted by Book News Inc., Portland, OR

Account of male gay literature across cultures and languages and from ancient times to the present. It traces writing by and about homosexual men from ancient Greece and Rome through the Middle Ages and Renaissance to the twentieth-century gay literary explosion. It includes writers of wide-ranging literary status (from high cultural icons like Virgil, Dante, Marlowe, Shakespeare, and Proust to popular novelists like Clive Barker and Dashiell Hammett) and of various locations (from Mishima s Tokyo and Abu Nuwas s Baghdad to David Leavitt s New York). It also deals with representations of male-male love by writers who were not themselves homosexual or bisexual men.

Homosexuality, bisexuality, transvestitism, and trans-genders represented new ideas, customs, and mentalities which shattered nineteenth-century Italy. At this time, Italy was a state in the making, with a growing population, a fading aristocracy, and new urban classes entering the scene. While still an extremely Catholic country, atheism and secularization slowly undermined the old, traditional morality, with literature and poetry endorsing innovative fashions coming from abroad. Laxity mixed with perversion, while new forms of sexuality mirrored the immense changes taking place in a society that, since time immemorial, was dominated by the Church and by a rigid class system. This was a revolution, parallel to the political movements that brought about the Unification of Italy in 1861, and was tormented, intense, and occasionally tragic. This collection of essays offers a rather comprehensive overview of this phenomenon. Personalities and places, ideas and novels, poetry and tragedy, law and customs, are the subject of ten essays, written by leading international experts in Italian history, the history of sexuality, literature and poetry. The Italian nineteenth century is a time of a number of rapid changes, visible and invisible revolutions, often given less attention than the unification process. This book makes a substantial contribution to Italian studies and modern European history.

Pale Fire is regarded by many as Vladimir Nabokov's masterpiece. The novel has been hailed as one of the most striking early examples of postmodernism and has become a famous test case for theories about reading because of the apparent impossibility of deciding between several radically different interpretations. Does the book have two narrators, as it first appears, or one? How much is fantasy and how much is reality? Whose fantasy and whose reality are they? Brian Boyd, Nabokov's biographer and hitherto the foremost proponent of the idea that Pale Fire has one narrator, John Shade, now rejects this position and presents a new and startlingly different solution that will permanently shift the nature of critical debate on the novel. Boyd argues that the book does indeed have two narrators, Shade and Charles Kinbote, but reveals that Kinbote had some strange and highly surprising help in writing his sections. In light of this interpretation, Pale Fire now looks distinctly less postmodern--and more interesting than ever. In presenting his arguments, Boyd shows how Nabokov designed Pale Fire for readers to make surprising discoveries on a first reading and even more surprising discoveries on subsequent readings by following carefully prepared clues within the novel. Boyd leads the reader step-by-step through the book, gradually revealing the profound relationship between Nabokov's ethics, aesthetics, epistemology, and metaphysics. If Nabokov has generously planned the novel to be accessible on a first reading and yet to incorporate successive vistas of surprise, Boyd argues, it is because he thinks a deep generosity lies behind the inexhaustibility, complexity, and mystery of the world. Boyd also shows how Nabokov's interest in discovery springs in part from his work as a scientist and scholar, and draws comparisons between the processes of readerly and scientific discovery. This is a profound, provocative, and compelling reinterpretation of one of the greatest novels of the twentieth century.

Wesley Hill's personal experiences and biblical reflections offer insight into how a nonpracticing gay Christian can "prove, live out, and celebrate" the grace of Christ and the power of the Holy Spirit. For many who are on this path, it's a lonely one. The reality of loneliness and isolation of the celibate homosexual Christian is something that Hill lives and takes seriously in his pursuit of the gospel-centered life. To those on a similar journey, it's often a life of uncertainties and questions. In Washed and Waiting, Hill explores the three main struggles that have been part of his daily effort to live faithfully: What exactly does the gospel demand of gay and lesbian Christians, and how can it enable them to fulfill its commands? How do Christians who experience homoerotic desires live with the loneliness such desires entail? Is there any relief for it? What comfort does the gospel offer? Can those of us who struggle with homosexuality please God and truly experience his pleasure in the midst of sexual brokenness? Interspersed throughout these main sections are character sketches and stories of people who have experienced this journey's trials and triumphs. Hill offers wise counsel that is biblically faithful, theologically serious, and oriented to the life and practice of the church. As a celibate gay Christian, he gives us a glimpse of what it looks like to wrestle firsthand with God's "No" to same-sex sexual intimacy and contemplate serious and difficult questions.

A practical and sensitive exploration of the Bible's teaching on homosexuality. A practical and sensitive exploration of the Bible's teaching on homosexuality. It's the hot topic of the moment. Christians, the church and the Bible seem to be out of step with modern attitudes towards homosexuality. And there is growing hostility towards those who hold a different view to the culture's. So is God homophobic? And how do we relate to both Christians and non-Christians who experience same-sex attraction? In this short, simple book, Sam Allberry wants to help confused Christians understand what God has said about these questions in the scriptures. Drawing on his own experience, he offers a positive and liberating way forward through the debate. This revised and updated version includes answers to some new questions, including: * Should Christians attend gay weddings? * Isn't the Christian view of sexuality dangerous and harmful? * Is it sinful to experience same-sex attraction?