Sakaguchi Ango (1906-1955) was a writer who thrived on iconoclasm and agitation. He remains one of the most creative and stimulating thinkers of twentieth-century Japan. Ango was catapulted into the public consciousness in the months immediately following Japan's surrender to the Allied Forces in 1945. The energy and iconoclasm of his writings were matched by the outrageous and outsized antics of his life. Behind that life, and in the midst of those tumultuous times, Ango spoke with a cutting clarity. The essays and translations included in Literary Mischief probe some of the most volatile issues of culture, ideology, and philosophy of postwar Japan. Represented among the essayists are some of Japan's most important contemporary critics (e.g., Karatani K?jin and Ogino Anna). Many of Ango's works were produced during Japan's wars in China and the Pacific, a context in which words and ideas carried dire consequences for both writers and readers. All of the contributions to this volume consider this dimension of Ango's legacy, and it forms one of the thematic threads tying the volume together. The essays use Ango's writings to situate his accomplishment and contribute to our understanding of the potentials and limitations of radical thought in times of cultural nationalism, war, violence, and repression. This collection of essays and translations takes advantage of current interest in Sakaguchi Ango's work and makes available to the English-reading audience translations and critical work heretofore unavailable. As a result, the reader will come away with a coherent sense of Ango the individual and the writer, a critical apparatus for evaluating Ango, and access to new translations of key texts.

"In the 25 years since [Stern] published his first book, younger Jewish writers have run with a similar shtick . . . But Stern was there first." —The Toronto Globe and Mail The Book of Mischief triumphantly showcases twenty-five years of outstanding work by one of our true masters of the short story. Steve Stern's stories take us from the unlikely old Jewish quarter of the Pinch in Memphis to a turn-of-thecentury immigrant community in New York; from the market towns of Eastern Europe to a down-at-the-heels Catskills resort. Along the way we meet a motley assortment of characters: Mendy Dreyfus, whose bungee jump goes uncannily awry; Elijah the prophet turned voyeur; and the misfit Zelik Rifkin, who discovers the tree of dreams. Perhaps it's no surprise that Kafka's cockroach also makes an appearance in these pages, animated as they are by instances of bewildering transformation. The earthbound take flight, the meek turn incendiary, the powerless find unwonted fame. Weaving his particular brand of mischief from the wondrous and the macabre, Stern transforms us all through the power of his brilliant imagination.

Alexander MacDonald guides us through his family’s mythic past as he recollects the heroic stories of his people: loggers, miners, drinkers, adventurers; men forever in exile, forever linked to their clan. There is the legendary patriarch who left the Scottish Highlands in 1779 and resettled in “the land of trees,” where his descendents became a separate Nova Scotia clan. There is the team of brothers and cousins, expert miners in demand around the world for their dangerous skills. And there is Alexander and his twin sister, who have left Cape Breton and prospered, yet are haunted by the past. Elegiac, hypnotic, by turns joyful and sad, No Great Mischief is a spellbinding story of family, loyalty, exile, and of the blood ties that bind us, generations later, to the land from which our ancestors came.

When Jessie and her older sister Kay find a book called The History of Mischief,hidden beneath the floorboards in their grandmother's house, they uncover asecret world. The History chronicles how, since antiquity, mischief-makers haveclandestinely shaped the past &– from an Athenian slave to a Polish salt miner andfrom an advisor to the Ethiopian Queen to a girl escaping the Siege of Paris. Jessiebecomes enthralled by the book and by her own mission to determine its accuracy.Soon the History inspires Jessie to perform her own acts of mischief, unofficiallybecoming mischief-maker number 202 in an effort to cheer up her eccentricneighbour, Mrs Moran, and to comfort her new schoolfriend, Theodore. However, noteverything is as it seems. As Jessie delves deeper into the real story behind theHistory, she becomes convinced her grandmother holds the key to a long-held familysecret.The History of Mischief is about the many things we do to try to escape

Transporting readers once again into the enchanting world of Cass Shipton and her circle of friends in idyllic Plymouth, Massachusetts, this is Dolores Stewart Riccio's richest, most satisfying novel yet.

Arnhand, Castauriga, and Navaya lost their kings. The Grail Empire lost its empress. The Church lost its Patriarch, though he lives on as a fugitive. The Night lost Kharoulke the Windwalker, an emperor amongst the most primal and terrible gods. The Night goes on, in dread. The world goes on, in dread. The ice builds and slides southward. New kings come. A new empress will rule. Another rump polishes the Patriarchal Throne. But there is something new under the sun. The oldest and fiercest of the Instrumentalities has been destroyed--by a mortal. There is no new Windwalker, nor will there ever be. The world, battered by savage change, limps toward its destiny. And the ice is coming. Working God's Mischief is the savage, astounding new novel of The Instrumentalities of Night, by Glen Cook, a modern master of military fantasy.

By turns hilarious and alarming, American Mischief is an ambitious attempt to define the disorders of American culture. Originally published in 1970, the novel takes on sexual anarchy, political madness, the collapse of monogamy, and above all the high cost of extreme behavior. These aspects of American culture are richly illustrated by the novel's two protagonists: Professor Bernard Kovell, a supreme and comical narcissist who dotes on lofty analogies while performing very low acts, and Lenny Pincus, a young radical fishing for more trouble than he can handle.