"A rare treat: a time travel tale that brings something new to the subgenre. . ..A wry social commentary and an uneasy tale of escalating paranoia." Guardian THE FUTURE IS ALREADY WRITTEN. THE FUTURE HAS ALREADY HAPPENED. "Welcome to the 21st Century. Please don't feed the natives. . ..Echoes of Bradbury and Orwell, in the service of a crackerjack conspiracy plot; a seductively intriguing work of speculative fiction." Kirkus TIME TRAVEL IS CONFUSING. "Leaps of time, identity, and chronology create a dark, chillingly claustrophobic atmosphere." Publishers Weekly PROCEED WITH CAUTION. WHO WILL SOLVE THE PUZZLE OF THE TOURIST?

This stunning “dystopian feminist eco-thriller” from an award-winning South Korean author “takes on climate change, sexual assault, greed, and dark tourism” (Ms. Magazine). Welcome to the desert island of Mui, where a paid vacation to paradise is nothing short of a disaster in this “mordantly witty novel [that] reads like a highly literary, ultra–incisive thriller” (Refinery29). Jungle is a cutting–edge travel agency specializing in tourism to destinations devastated by disaster and climate change. And until she found herself at the mercy of a predatory colleague, Yona was one of their top representatives. Now on the verge of losing her job, she’s given a proposition: take a paid “vacation” to the desert island of Mui and pose as a tourist to assess the company’s least profitable holiday. When she uncovers a plan to fabricate an extravagant catastrophe, she must choose: prioritize the callous company to whom she’s dedicated her life, or embrace a fresh start in a powerful new position? An eco–thriller with a fierce feminist sensibility, The Disaster Tourist introduces a fresh new voice to the United States that engages with the global dialogue around climate activism, dark tourism, and the #MeToo movement.

This original, witty, illustrated study offers the first analytical history of the rise and development of literary tourism in nineteenth-century Britain, associated with authors from Shakespeare, Gray, Keats, Burns and Scott, the Brontë sisters, and Thomas Hardy. Invaluable for the student of travel and literature of the nineteenth century.

In this era of advanced technology keeping students' attention often becomes difficult. Teachers need to find new ways to create interest. In writing classes, choosing a topic that involves students is a priority. A new genre, Tourism Writing, is an innovative and effective means of teaching students composition. It can fill this need. Tourism Writing focuses on a particular place or event, provides photos and information on nearby points of interest, and directly invites visitors. This book provides an understanding of how Tourism Writing benefits people in all areas of life. This transfers to classroom assignments when students are asked to write a poem in this genre and they are given lists of possible topics, but they also have the option to choose their own place or event. It becomes a learning experience as many are amazed at their ability to write a poem and intrigued by the history they learn while researching and they treasure their photos used for illustration. Such poems were entered in the annual Poetry Writing Contest at Faulkner University. In the process, students? communication and research skills were enhanced. They learned the history of their own area. This hands-on process is rewarding to teach. The plan is to add prose assignments on Tourism Writing to the classroom curriculum in the future. The possibilities for Tourism Writing are widespread.

An anthology of fiction and nonfiction about Savannah

A practical, armchair travel guide that explores eighty of the most iconic literary locations from all over the globe that you can actually visit. A must-have for every fan of literature, Booked inspires readers to follow in their favorite characters footsteps by visiting the real-life locations portrayed in beloved novels including the Monroeville, Alabama courthouse in To Kill a Mockingbird, Chatsworth House, the inspiration for Pemberley in Pride and Prejudice, and the Kyoto Bridge from Memoirs of a Geisha. The full-color photographs throughout reveal the settings readers have imagined again and again in their favorite books. Organized by regions all around the world, author Richard Kreitner explains the importance of each literary landmark including the connection to the author and novel, cultural significance, historical information, and little-known facts about the location. He also includes travel advice like addresses and must-see spots. Booked features special sections on cities that inspired countless literary works like a round of locations in Brooklyn from Betty Smith's iconic A Tree Grows in Brooklyn to Jonathan Lethem's Motherless Brooklyn and a look at the New Orleans of Tennessee Williams and Anne Rice. Locations include: Central Park, NYC (The Catcher in the Rye, JD Salinger) Forks, Washington (Twilight, Stephanie Meyer) Prince Edward Island, Canada (Anne of Green Gables, Lucy Maud Montgomery) Kingston Penitentiary, Ontario (Alias Grace, Margaret Atwood) Holcomb, Kansas (In Cold Blood, Truman Capote) London, England (White Teeth, Zadie Smith) Paris, France (Hunchback of Notre Dame, Victor Hugo) Segovia, Spain, (For Whom the Bell Tolls, Ernest Hemingway) Kyoto, Japan (Memoirs of a Geisha, Arthur Golden)

There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.