A deep exploration of the many possibilities inherent in linking Gilles Deleuze's philosophy to contemporary science, this book demonstrates how Deleuze's ontology of the virtual, intensive and actual can enhance our understanding of important issues in cognitive science, biology and geography.

A deep exploration of the many possibilities inherent in linking Gilles Deleuze’s philosophy to contemporary science, John Protevi’s Life, War, Earth demonstrates how Deleuze’s ontology of the virtual, intensive, and actual can enhance our understanding of important issues in cognitive science, biology, and geography. Protevi illustrates how a Deleuzian approach can illuminate a wide range of concerns and subjects, including ancient and contemporary warfare, human individuation processes, the “granularity problem,” panpsychism, the E. coli bacterium, the assassination attempt on U.S. representative Gabrielle Giffords, and the affective dimensions of the Occupy movement. Frequently ambitious but always rooted in the empirical, Life, War, Earth shows how the social and the somatic are not opposed to each other but are interwoven on three time scales—the evolutionary, the developmental, and the behavioral—and on three political scales—the geopolitical, the bio-neuro-political, and the technopolitical. Deeply attuned to the internalities of the thought of Deleuze, the book offers a unique reading of his corpus and a useful method for applying Deleuzian techniques to the natural sciences, the social sciences, political phenomena, and contemporary events.

A Whole World Blind depicts the realities of war in Northern Syria's rebel-held territories from the brutal to the mundane.

Contains information, questions and activities designed to teach the history of World War I.

SNOW is the codename assigned to Arthur Owens, one of the most remarkable British spies of the Second World War. This 'typical Welsh underfed type' became the first of the great double-cross agents who were to play a major part in Britain's victory over the Germans. When the stakes could not have been higher, MI5 sought to build a double-cross system based on the shifting loyalties of a duplicitous, philandering and vain anti-hero who was boastful and brave, reckless and calculating, ruthless and mercenary...but patriotic. Or was he? Based on recently declassified files and meticulous research, Snow reveals for the first time the truth about an extraordinary man.

Argues that the key to the formation of an empire lies in a society's capacity for collective action, resulting from people banding together to confront a common enemy, and describing how the growth of empires leads to a growing dichotomy between rich and poor, increasing conflict instead of cooperation, and inevitable dissolution. Reprint. 25,000 first printing.

Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell's The Great War and Modern Memory was one of the most original and gripping volumes ever written about the First World War. Frank Kermode, in The New York Times Book Review, hailed it as "an important contribution to our understanding of how we came to make World War I part of our minds," and Lionel Trilling called it simply "one of the most deeply moving books I have read in a long time." In its panaramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world. Now, in Wartime, Fussell turns to the Second World War, the conflict he himself fought in, to weave a narrative that is both more intensely personal and more wide-ranging. Whereas his former book focused primarily on literary figures, on the image of the Great War in literature, here Fussell examines the immediate impact of the war on common soldiers and civilians. He describes the psychological and emotional atmosphere of World War II. He analyzes the euphemisms people needed to deal with unacceptable reality (the early belief, for instance, that the war could be won by "precision bombing," that is, by long distance); he describes the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most important, he emphasizes the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity and wit. Of course, no Fussell book would be complete without some serious discussion of the literature of the time. He examines, for instance, how the great privations of wartime (when oranges would be raffled off as valued prizes) resulted in roccoco prose styles that dwelt longingly on lavish dinners, and how the "high-mindedness" of the era and the almost pathological need to "accentuate the positive" led to the downfall of the acerbic H.L. Mencken and the ascent of E.B. White. He also offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world. Fussell conveys the essence of that wartime as no other writer before him. For the past fifty years, the Allied War has been sanitized and romanticized almost beyond recognition by "the sentimental, the loony patriotic, the ignorant, and the bloodthirsty." Americans, he says, have never understood what the Second World War was really like. In this stunning volume, he offers such an understanding.