Letters to Architects presents letters addressed to architects practicing throughout the world, many of them contemporaries with Frank Lloyd Wright during the first half of the twentieth century. Taken as a whole, this selection of letters aims at revealing an underlying unity of purpose: the growth of his work and the unquestionable magnitude of influence it engendered in the world of architecture. The letters are organized into five sections. Section One presents the first publication ever to be made of the letters between Frank Lloyd Wright and Louis H. Sullivan. Section Two traces Wright's concern, through letters addressed to both European and American architects, that his work be understood as the cornerstone of an American Culture. In Section Three, correspondence has been selected to include three specific persons: Henry-Russell Hitchcock, Lewis Mumford, and Howard Myers. These men offered Wright a special forum from which he could speak to the profession as a whole, most particularly through the medium of publication. Section Four narrates, by means of letters to various architects concerned with the assembling and exhibition of the largest one man architectural exhibition ever to be produced, the details, trials, problems, and results of such a large undertaking. Section Five recounts the honors bestowed on Frank Lloyd Wright first in England, in 1941, and then in his own country, in 1949. It shows his concern for the profession of architecture in the moving address he gave at the occasion of his receiving the Gold Medal from the American Institute of Architects.

Architects and contract administrators spend a great deal of timewriting letters of various types. Many of them are routine andrepetitive in character, but they require proper consideration ifpotentially dangerous liability situations are to be avoided. This book provides some 285 standard letters for use at allstages of project administration. To assist the user, they aregrouped into sections which correspond with the RIBA Plan of Work:the aim is to cover all the common situations encountered inpractice. The book has been revised to take account of the latest contractrevisions and many letters have been added. Unless otherwisestated, all letters are suitable for use with: JCT 98 WCD 98 IFC 98 MW 98 GC/Works/1 (1998) The latest edition also takes account of the three new RIBAStandard Forms of Agreement for Appointment of an Architect:SFA/99, CE/99 and SW/99 Although primarily written for architects and contractsadministrators, the book will also be of use to project managersand employers’ agents under WCD 98. Contractors will alsofind much of interest.

The basics of the profession and practice of architecture, presented in illustrated A-Z form. The word "architect" is a noun, but Doug Patt uses it as a verb—coining a term and making a point about using parts of speech and parts of buildings in new ways. Changing the function of a word, or a room, can produce surprise and meaning. In How to Architect, Patt—an architect and the creator of a series of wildly popular online videos about architecture—presents the basics of architecture in A-Z form, starting with "A is for Asymmetry" (as seen in Chartres Cathedral and Frank Gehry), detouring through "N is for Narrative," and ending with "Z is for Zeal" (a quality that successful architects tend to have, even in fiction—see The Fountainhead's architect-hero Howard Roark.) How to Architect is a book to guide you on the road to architecture. If you are just starting on that journey or thinking about becoming an architect, it is a place to begin. If you are already an architect and want to remind yourself of what drew you to the profession, it is a book of affirmation. And if you are just curious about what goes into the design and construction of buildings, this book tells you how architects think. Patt introduces each entry with a hand-drawn letter, and accompanies the text with illustrations that illuminate the concept discussed: a fallen Humpty Dumpty illustrates the perils of fragile egos; photographs of an X-Acto knife and other hand tools remind us of architecture's nondigital origins. How to Architect offers encouragement to aspiring architects but also mounts a defense of architecture as a profession—by calling out a defiant verb: architect!

This alphabet book teaches concepts of architecture and design through materials, buildings, and shapes - all while learning your ABCs! Each letter is taught through a main lesson page and a secondary page where the child can see, learn, and find more of the letter being learned. Here's to all of the little future architects learning their letters and words!

There are a lot of good books available to help people write better. They include dictionaries, usage guides, and various types of writers’ manuals – and professional writers ought to have many of those books on their bookshelves. But most architects and other design and construction professionals are not professional writers. Instead, they are people who spend a large part of their professional lives writing. That’s a big difference, and that’s where this book will help. The Architect’s Guide to Writing has been written not by an English major, but by Bill Schmalz, an architect who knows the kinds of documents his fellow professionals routinely have to write, and understands the kinds of technical mistakes they often make in their writing. This book is designed to meet the specific needs of design and construction professionals. It’s not going to waste their time with the things that most educated professionals know, but it will help them with the things they don’t know or are unsure of. It’s not a Chicago Manual-sized encyclopaedic reference that includes everything any writer would ever need to know, because architects don’t need to know everything. But what they do need to know – and what they use every day in their professional lives – has been assembled in this book.