""These letters are in no sense a history-except that they contain the truth. They were written at the time and within close range of the events they describe. Half of the fighting, including the brave attack before Fromelles, is left untouched on, for these pages do not attempt to narrate the full story of the Australian Imperial Force in France. They were written to depict the surroundings in which, and the spirit with which, that history has been made; first in the quiet green Flemish lowlands, then with a swift, sudden plunge into the grim, reeking, naked desolation of the Somme."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

This work is a collection of letters by the French-American pilot Victor Chapman. Chapman earned many medals during his service and was one of the founding members of the Lafayette Escadrille. He was the first American pilot to die in the First World War after being shot down by German ace Kurt Wintgens. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

"The letters that follow are those of a young painter who was at the front from September [1914] till the beginning of April [1915]; at the latter date he was missing in one of the battles of the Argonne. Are we to speak of him in the present tense or in the past? We know not: since the day when the last mud-stained paper reached them, announcing the attack in which he was to vanish, what a close weight of silence for those who during eight months lived upon these almost daily letters! But for how many women, how many mothers, is a grief like this to-day a common lot!" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"These letters are in no sense a history-except that they contain the truth. They were written at the time and within close range of the events they describe. Half of the fighting, including the brave attack before Fromelles, is left untouched on, for these pages do not attempt to narrate the full story of the Australian Imperial Force in France. They were written to depict the surroundings in which, and the spirit with which, that history has been made; first in the quiet green Flemish lowlands, then with a swift, sudden plunge into the grim, reeking, naked desolation of the Somme." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

""These Letters, which were written to me from France during the first winter of the World War, do not in any way pretend to literary attainment; they are just the simple letters of a soldier recording as a diary the daily doings of his regiment at the front. Often were they penned under great difficulties, and many a time under a rain of fire. The accounts of the awful loss of life and the discomforts experienced, both by officers and men unused to such severe climatic conditions, are sometimes heart-rending, and they make the reading sad."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.