Leisha knows something’s wrong. Her beloved vocal coach at boarding school would never have resigned and disappeared like this in the midst of preparing her prize students for a major vocal competition. Leisha’s determined to find her, make sure she’s okay. Cody, a sensitive cellist, insists on helping her. Sparks fly, clues multiply, and romance blossoms, despite the disapproval of their families. Leisha’s desire to be with Cody and pursue music rather than medicine puts her on a direct collision course with her African-American grandfather, the only parent she’s ever had. But an even more immediate threat looms—because as Leisha draws closer to the truth about her teacher’s disappearance, she puts her own life in grave danger.

The definitive historic account of The Ventures, the world's number one instrumental group that had a worldwide smash hit in 1960 with "Walk-Don't Run." Their second biggest hit came nine years later with "Hawaii Five-0" but they didn't quit there, continuing non-stop on a fifty-year career of recording and touring towards America's Rock & Roll Hall of Fame. Co-authored by Josie Wilson, mother of founding member Don Wilson, the heavily illustrated book contains data for over 50 of the band's sixties recording sessions. Angel Editing comments; "The manuscript is extremely well written. You can see that a lot of time has been taken to convey the facts accurately and chronologically. What also comes across very well is the human and emotional side of the manuscript. This biography is a definite must for Ventures fans all over the world."

Seventeen-year-old Sam, the daughter of a New England heiress, has tried hard to fulfill her father’s dying wish: “Take care of your mother for me.” Not an easy job. When her impulsive, romance-writing mom announces her engagement to a man whose last heiress wife died under suspicious circumstances, Sam tries to dissuade her mother. But her mom is convinced she’ll finally have the “Happily Ever After” she writes about. And then Sam’s life implodes. Her mom’s fiancé turns up dead, and a mountain of circumstantial evidence points to Sam as the killer. On trial for murder, she fights to prove her innocence with the help of her boyfriend’s dad, an ex-homicide cop. Just when things are looking especially bleak, Sam uncovers evidence she never expected to find. She faces a tough decision: At what point does the price of loyalty become too high?

When ballerina Lydia Miseau dies onstage in the final dress rehearsal of Romeo and Juliet, homicide detective Caitlin O’Connor is faced with the most complicated case of her career. She strongly suspects that someone murdered the ballerina, and her investigation uncovers several people close to the star who had reasons to kill her. But the autopsy reveals no apparent cause of death. If Lydia Miseau was murdered, who did it, and how? Meantime, there’s Caitlin’s hot mess of a personal life. She has a bad habit of getting involved with married men. She knows it’s wrong, so why does she keep entangling herself in unhealthy relationships? She’s finally decided to go into therapy to find out.

The Malice Domestic anthology series returns with a new take on mysteries in the Agatha Christie tradition—original tales with a theatrical bent! Included are: Preface, by Ellen Hart The Rock Star, by Frances Aylor Perfectly Awry, by Anne Louise Bannon The Ghost in Balcony B, by Michele Bazan Reed Drama-Rama Flip Flop, by Cindy Brown It’s Not O.K. Corral, by M. E. Browning Mary-Alice Imagines Her Life as a Movie, by Karen Cantwell The Ghost of Hamnet, by R. M. Chastleton When the Wind is Southerly, by Leone Ciporin Raising Cain, by Carla Coupe Death of Another Hero, by Susan Daly The Stars Are Fire, by Phillip DePoy Death Plays the Palace, by Margaret Dumas The Homicidal Understudy, by Elizabeth Elwood No Final Act, by Daryl Wood Gerber Deus Ex Machina, by B. J. Graf The Nine Deaths in Hamlet?, by A. P. Jamison Heat Wave, by Maureen Jennings Thus With a Kiss, by Margaret Lucke Such Tricks As These, by Jaquelyn Lyman-Thomas Final Curtain, by Sharon Lynn The Mask, by Cheryl Marceau The Ultimate Tie-Breaker, by Deborah Maxey True Crime, by Adam Meyer A Star Goes Dark, by Raquel V. Reyes Not Your Lolita, by Merrilee Robson A Death in Shubert Alley, by Lee Sauer Dance on Fire, by Shawn Reilly Simmons Missed Cue, by Lynn Slaughter You Know How Actresses Are, by C. M. Surrisi Five Words, by Elaine Togneri Ask Fred the Usher, by Arthur Vidro Death Takes a Bow, by Mo Walsh Deal With the Devil, by James Lincoln Warren Method for Murder, by Carol L. Wright

This book brings theory from popular music studies to an examination of identity and agency in youth films while building on, and complementing, film studies literature concerned with genre, identity, and representation. McNelis includes case studies of Hollywood and independent US youth films that have had commercial and/or critical success to illustrate how films draw on specific discourses surrounding popular music genres to convey ideas about gender, race, ethnicity, sexuality, and other aspects of identity. He develops the concept of ‘musical agency’, a term he uses to discuss the relationship between film music and character agency, also examining the music characters listen to and discuss, as well as musical performances by the characters themselves