The slower geologic processes are represented by myths associated with natural landforms, rocks and minerals, rivers and mountains, and other outstanding features of the landscape. Examples are also given to show some minor ways in which folklore and geology impinge on one another: misconceptions about geologic phenomena, such as earthquakes, which are so prevalent as to constitute a form of modern folklore, and conversely, ideas long considered to be pure folklore which may prove to have some basis in scientific fact. The most dramatic example of geomythology so far discovered is the theory the origin of the lost continent of Atlantis may be found in the Minoan civilization of Crete, which suddenly disappeared from view around 1450 B.C., about the time of a tremendous eruption know to have occurred in the nearby volcano, Santorin. This theory, variously developed by Marinatos and Galanopoulos, is examined in the light of new evidence gathered in Crete by Mrs.

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind's reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms. The reborn children of Earth are told: "You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way." Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous. Author's Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction's sub-genre: "space opera," which the editors David G. Hartwell and Kathryn Cramer define as "colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes."

Why were Prometheus and Loki envisioned as chained to rocks? What was the Golden Calf? Why are mirrors believed to carry bad luck? How could anyone think that mortals like Perseus, Beowulf, and St. George actually fought dragons, since dragons don't exist? Strange though they sound, however, these "myths" did not begin as fiction. This absorbing book shows that myths originally transmitted real information about real events and observations, preserving the information sometimes for millennia within nonliterate societies. Geologists' interpretations of how a volcanic cataclysm long ago created Oregon's Crater Lake, for example, is echoed point for point in the local myth of its origin. The Klamath tribe saw it happen and passed down the story--for nearly 8,000 years. We, however, have been literate so long that we've forgotten how myths encode reality. Recent studies of how our brains work, applied to a wide range of data from the Pacific Northwest to ancient Egypt to modern stories reported in newspapers, have helped the Barbers deduce the characteristic principles by which such tales both develop and degrade through time. Myth is in fact a quite reasonable way to convey important messages orally over many generations--although reasoning back to the original events is possible only under rather specific conditions. Our oldest written records date to 5,200 years ago, but we have been speaking and mythmaking for perhaps 100,000. This groundbreaking book points the way to restoring some of that lost history and teaching us about human storytelling.

Comprehensive and cross-referenced, this informative volume is a rich introduction to the world of nature as experienced by ancient peoples around the globe. 51 halftones.

Fire and Water are outlawed. Sophia Orenda Academy has changed. Familiars are going missing, and a mysterious plague has taken over the school. Someone in the castle is behind it, but the culprit is out of reach. I don't even know who I am anymore. To find out, I've started searching for the family I never knew. Finding myself is the only way to continue this journey. Lives have already been lost. If we don't find the next piece of the prophecy soon, it'll be impossible to save the tribe. Liam Last semester, I was betrayed by everyone I love. Months have gone by, and I still don't know who to trust. Sophia and I are both broken. There's no fixing the damage that was done. Friends have become enemies, and enemies have become major threats. Now our relationship is being put to the ultimate test. If the Elders find us guilty, we'll fail to stop what's coming. Answers to the prophecy are just out of reach, and we're running out of time to change the future...

The Earth Stories Collection is a global project consisting of a repository of myths, legends, fables, and folktales from all cultures on the planet, stories capable of conveying a systemic worldview and illustrating the ethical principles and values of the Earth Charter.It is inspired by the Svalbard Global Seed Vault in Norway, an agricultural seed bank where seeds from all regions of the planet are preserved as a food guarantee for humanity in the face of the possibility of a global crisis or disaster.In this sense, The Earth Stories Collection would become a cultural seed bank, a base of global educational resources for the construction -or reconstruction- of a deeply sustainable global society, based on social and economic justice, and values of peace and democracy; that is, the values of the Earth Charter.The Earth Stories Collection is an initiative launched by The Avalon Project - Initiative for a Culture of Peace, in collaboration with the Secretariat of Earth Charter International and the Scottish International Storytelling Festival.In this book you will find the first installment of 45 myths, legends and folktales from around the world capable of transmitting a systemic and ecocentric worldview, as well as the principles and values of the Earth Charter. But you will also find, in the first half of the book, the theoretical and scientific justification that has given rise to the Collection.

With grace and drama, Abenaki poet and author Joseph Bruchac retells ten Native American legends of awe-inspiring landscapes. These wise stories, together with Thomas Locker's luminous paintings, evoke the sacred places above, below, and within us all. Copyright © Libri GmbH. All rights reserved.