He wasn't born with the name Maniac Magee. He came into this world named Jeffrey Lionel Magee, but when his parents died and his life changed, so did his name. And Maniac Magee became a legend. Even today kids talk about how fast he could run; about how he hit an inside-the-park "frog" homer; how no knot, no matter how snarled, would stay that way once he began to untie it. But the thing Maniac Magee is best known for is what he did for the kids from the East Side and those from the West Side.

Geek Heroines not only tells the stories of fictional and real women, but also explores how they represent changes in societal views of women, including women of color and the LGBTQ community. Geek culture stems from science and technology and so is frequently associated with science fiction. In the beginnings of science fiction, the genre was tied to "magic" and dystopic outcomes; however, as technology turned "geek" into "chic," geek culture extended to include comics, video games, board games, movie, books, and television. Geek culture now revolves around fictional characters about whom people are passionate. Geek Heroines seeks to encourage women and young girls in pursuing their passions by providing them with female role models in the form of diverse heroines within geek culture. Carefully curated to incorporate LGBTQ+ identities as well as racial diversity, the book defines geek culture, explains geek culture's sometimes problematic nature, and provides detailed fiction and nonfiction biographies that highlight women in this area. Entries include writers and directors as well as characters from comic books, science fiction, speculative fiction, television, movies, and video games.

More than any other person, Deke Sharon is responsible for the current success of pop a cappella. Founder of the House Jacks (the original “rock band without instruments”), Deke continues to influence through his work with The Sing-Off, Pitch Perfect, Pitch Perfect 2, and Vocalosity. Combine Deke’s expertise with that of directors Ben Spalding and Brody McDonald, add a foreword by Ben Folds, throw in advice from contributors like Peter Hollens, and you have the most comprehensive volume ever created on the subject of contemporary a cappella singing. Sections include: * Setting the Stage * Getting the Band Together * Arranging * Preparing * Technology * Making a Name * and more!

In Fictions of Land and Flesh Mark Rifkin explores the impasses that arise in seeking to connect Black and Indigenous movements, turning to speculative fiction to understand those difficulties and envision productive ways of addressing them. Against efforts to subsume varied forms of resistance into a single framework in the name of solidarity, Rifkin argues that Black and Indigenous political struggles are oriented in distinct ways, following their own lines of development and contestation. Rifkin suggests how movement between the two can be approached as something of a speculative leap in which the terms and dynamics of one are disoriented in the encounter with the other. Futurist fiction provides a compelling site for exploring such disjunctions. Through analyses of works by Octavia Butler, Walter Mosley, Nalo Hopkinson, Melissa Tantaquidgeon Zobel, and others, the book illustrates how ideas about fungibility, fugitivity, carcerality, marronage, sovereignty, placemaking, and governance shape the ways Black and Indigenous intellectuals narrate the past, present, and future. In turning to speculative fiction, Rifkin illustrates how speculation as a process provides conceptual and ethical resources for recognizing difference while engaging across it.

Balls and Stripes is a collection of stories about Alaska's most popular sport, basketball — and more. The title comes from my many experiences playing, coaching, and broadcasting Naismith's game; as well as refereeing the sport and also wearing the stripes of a sergeant in the U.S. Army. Basketball has taken me all over Alaska, with radio gear or whistle in hand. From Barrow to Petersburg, from Dutch Harbor to Tok, it has been a marvelous journey, with countless amusing experiences as well as dramatic moments. Much of the action occurs in my hometown, Cordova. A small fishing town of 2500 located on Prince William Sound, its denizens are passionate about their hoops, and also their rivalry with Valdez, located just 70 miles away. In many ways, sports transcend location. Small town basketball is the same anywhere; yet Alaska, with its vast spaces and dramatic climates, offers unique experiences. In northernmost Barrow, I watched Inupiat cooks shut down a high school cafeteria so they could glimpse the sun for the first time in 67 days; on the way to Dutch Harbor, I heard a pilot announce the reassuring words that he would land the small prop plane “whenever we can”, to load on fuel necessary to complete the flight; in Petersburg, I learned about “julebukking” and Men's Night Out. Refereeing, always a source of potential controversy, has provided its share of highlights. How many officials can claim fame for calling a technical foul on a curtain; or playing the first minutes of a championship game with the wrong size ball? Football and baseball are also included. Guess who brought Oregon State's mascot Benny the Beaver to Cordova's Iceworm Festival; and dodged barbed wire while tracking down a fly ball in Korea? And, like so many others, who can not recall in vivid detail a last second shot that didn't go in? People, places, moments. Sports - drama, tears, and cheers. It's all here.

Violence and tragedy riddle democracy - not due to fatal shortcomings or unnecessary failures, but because of its very design and success. To articulate this troubling claim, Steven Johnston explores the cruelty of democratic founding, the brutal use democracies make of citizens and animals during wartime, the ambiguous consequences of legislative action expressive of majority rule, and militant practices of citizenship required to deal with democracy's enemies. Democracy must take responsibility for its success: to rule in denial of violence merely replicates it. Johnston thus calls for the development of a tragic democratic politics and proposes institutional and civic responses to democracy's reign, including the reinvention of tragic festivals and holidays, a new breed of public memorials, and mandatory congressional reparations sessions. Theorizing the violent puzzle of democracy, Johnston addresses classic and contemporary political theory, films, little known monuments, the subversive music of Bruce Springsteen, and the potential of democratic violence by the people themselves.